Television's role and influence in time, in age of globalisation of the media.

This study gives a broad reinterpretation of television's role and influence on democratic societies in a time of increased globalization of the media. Covering developments in both the USA and Europe, it examines the relationship between television and society, and predicts TV's future.

In this broad-ranging text, Peter Dahlgren clarifies the underlying theoretical concepts of civil society and the public sphere, and relates these to a critical analysis of the practice of television as journalism, as information and as entertainment. He demonstrates the limits and the possibilities of the television medium and the formats of popular journalism. These issues are linked to the potential of the audience to interpret or resist messages, and to construct its own meanings. What does a realistic understanding of the functioning and the capabilities of television imply for citizenship and democracy in a mediated age?

Using examples from the US, Europe and Asia,this collection presentsempirical studies of print, recorded music, movies, radio, television and the Internetto reveal both how media structure public spheresand how people use media to participate in the public sphere.

This book explores the ways in which intellectual and cultural publics from the early modern period to the postmodern present have actively constructed their cultural identities within the social processes of modernity. It brings together some of the most compelling recent writing on the public sphere by scholars in the fields of literary history, cultural studies and social theory from both sides of the Atlantic. Taken together, the essays in this collection offer a major re-examination of recent scholarship on the theory of the public sphere as developed by Jürgen Habermas. They also stand as a collective effort both to interrogate and to extend this influential model by exploring modern forms of intellectual and cultural activity in all their rich diversity and ideological complexity. Contributions range from the divided inheritance of Shakespeare publishing history to the new forms of mass-mediated cultural experience in contemporary Britain; from attempts at cultural regulation in the literary public sphere of the Romantic period to the postmodern political conflict played out in the American public sphere of the 1990s; and from varieties of religious dissent to modes of postcolonial criticism. The book furthers the dialogue between academic methodologies, fields and periods, and presents readers with a contested narrative of the key cultural and intellectual practices that have made up our modern world.

This book is the only extended study of John Ormond’s poetry and films. It is a contribution to the history of BBC television. It is a contribution to the history of the documentary film form, particularly in a national context. It is a contribution to the cultural history of Wales. It is a case study in inter-artistic creative practice.

Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates surrounding production and reception over the years and considers both the role and future of television. Topics covered include: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television.