This is a guide to an area of academic interest. Aspects of television studies covered in this guide are theoretical perspectives shaping the study of television, Marxism, semiology, feminism, representation, bias and science fiction.

Television Studies: The Basics is a lively introduction to the study of a powerful medium. It examines the major theories and debates surrounding production and reception over the years and considers both the role and future of television. Topics covered include: broadcasting history and technology institutions and ownership genre and content audiences Complete with global case studies, questions for discussion, and suggestions for further reading, this is an invaluable and engaging resource for those interested in how to study television.

This is the third edition of an up-to-date, multi-disciplinary glossary of the concepts you are most likely to encounter in the study of communication, culture and media, with new entries and coverage of recent developments.

Television Studies provides an overview of the origins, central ideas, and intellectual traditions of this exciting field. What have been the primary areas of inquiry in television studies? Why and how did these areas develop? How have scholars studied them? How are they developing? What have been the discipline’s key works? This book answers these questions by tracing the history of television studies right up to the digital present, surveying emerging scholarship, and addressing new questions about the field’s relationship with the digital. The second edition includes an examination of how internet-distributed services such as Netflix have adjusted the stories, industrial practices, and audience experience of television. For all those wondering how to study television, or even why to study television, this new edition of Television Studies will provide a clear and engaging overview of key topics. The book works as a stand-alone introduction and, by placing key works in a broader context, can also provide an excellent basis for an entire course.

This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include:* auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

This is one of a series of guides to an area of academic interest. Aspects of television studies covered in this guide are theoretical perspectives shaping the study of television, Marxism, semiology, feminism, representation, bias and science fiction.

This book offers readers a lively, clear and practical introduction to two of the most central concepts in the study of media, culture and communication: media language and representation. Beginning with the basic components of image analysis, including framing,mise-en-scène,anchorage and genre, this book goes on to examine the contribution of semiotics to our understanding of the messages media texts convey. It then considers debates around authorial intent, "preferred" readings, ideology and discourse. The book subsequently explores the web of codes and interpretation that constructs representation and looks at important issues to do with stereotyping, propaganda, realism and the documentary. Packed with graphic and memorable examples and case studies taken from a range of contemporary and classic media texts, and carefully interspersed with suggestions for further activity or study, the book offers a lucid review of key theories that pays due attention to their practical application.