Kitley critically compares Western principles of broadcasting, civil society and cultural regulation with alternative 'Asian' practices of regulation and organization.

This highly topical book exposes the tensions between state policies of broadcasting regulation and practices of civil society in the Asian region which is struggling with its incorporation into a new globalised, electronic information and entertainment world. Kitley critically compares Western principles of broadcasting, civil society and cultural regulation with alternative 'Asian' practices of regulation and organisation. Over the past forty years Asian states have used television as a normative cultural force in nation building, but more recently many states have deregulated their television sectors and introduced national commercial and international satellite services. As Asian states wrestle with a perceived loss of cultural control and identity through deregulation, this book considers their viewpoints and the question of whether the television public sphere offers space for the representation of popular sovereignty, and transversal concerns about human rights, press freedom, gender, environmental and world trade issues.

Central Asia, known as the home of Tamerlane and the Silk Road, is a crossroads of great cultures and civilizations. In 1991 five nations at the heart of the region—Kazakstan, Kyrgyzstan, Tajikistan, Turkmenistan, and Uzbekistan— suddenly became independent. Today they sit strategically between Russia, China, and Iran and hold some of the world’s largest deposits of oil and natural gas. Long-suppressed ethnic identities are finding new expression in language, religion, and occasional civil conflicts. Civil Society in Central Asia is a pathbreaking collection of essays by scholars and activists that illuminates the social and institutional forces shaping this important region’s future. An appendix provides a guide to projects being carried out by local and international groups.

Takes a scholarly perspective aimed at creating debate about the role and function of public service broadcasting at a time that it is facing a variety of threats, from governments, and from commercialization of broadcasting. This book gives a global perspective on the state of public service broadcasting in the age of globalization.

Politically, Islam in Indonesia is part of a rich multi-cultural mix. Religious tolerance is seen as the cornerstone of relations between different faiths - and moderation is built into the country's constitutional framework. However, the advent of democracy coupled with the impact of the South-East Asian economic collapse in 1997, and the arrival of a tough new breed of Middle Eastern Islamic preachers, sowed the seeds of the current challenge to Indonesia's traditionally moderate form of Islam. This volume explores the extent to which moderate Indonesian Islam is able to assimilate leading concepts from Western political theory. The essays in the collection explore how concepts from Western political theory are compatible with a liberal interpretation of Islamic universals and how such universals can form the basis for a contemporary approach to the protection of human rights and the articulation of a modern Islamic civil society.

Written by an established expert on Thailand, this is one of the first books to fully investigate the Thai media’s role during the Thaksin government’s first term. Incorporating political economy and media theory, the book provides a unique insight into globalization in Southeast Asia, analyzing the role of communications and media in regional cultural politics. Examining the period from the mid 1990s, Lewis makes a sustained comparison between Thailand and its neighbouring countries in relation to the media, business, politics and popular culture. Covering issues including business development, tourism, the Thai movie industry and the war on terror, the book argues that globalization as it relates to media, can be patterned on Thai experiences.

While a decade ago much of the discussion of new media in Asia was couched in Occidental notions of Asia as a "default setting" for technology in the future, today we are seeing a much more complex picture of contesting new media practices and production. As "new media" becomes increasingly an everyday reality for young and old across Asia through smartphones and associated devices, boundaries between art, new media, and the everyday are transformed. This Handbook addresses the historical, social, cultural, political, philosophical, artistic and economic dimensions of the region’s new media. Through an interdisciplinary revision of both "new media" and "Asia" the contributors provide new insights into the complex and contesting terrains of both notions. The Routledge Handbook of New Media in Asia will be the definitive publication for readers interested in comprehending all the various aspects of new media in Asia. It provides an authoritative, up-to-date, intellectually broad, conceptually cutting-edge guide to the important aspects of new media in the region — as the first point of consultation for researchers, advanced level undergraduate and postgraduate students in fields of new media and Asian studies.