The Committee warns of a major public reaction against radio digital switchover, scheduled for 2015, unless the Government make the case for switchover and keep the public informed about its impact. There is 'public confusion and industry uncertainty' over radio switchover and concern that due to the lack of public information people are still buying analogue radios which will be out of date in a few years time. Retailers gave evidence stating that they are not getting adequate information on switchover plans so are unable to offer consumers accurate guidance when making purchases. The report also points out that car manufacturers are still fitting analogue radios in new cars and digital radios will not be fitted as standard in all cars until 2013.The radio switchover is contrasted with the television switchover programme, finding that the benefits of TV switchover were well understood, in contrast surveys show that the public are generally happy with the present FM radio system and with the range of programmes that are provided.The Committee recommends urgent steps on a range of actions including: providing a detailed plan for universal digital radio coverage including how it is to be funded; developing a policy for the long term use of FM; devising a help scheme for radio switchover financed by general taxation rather than the BBC licence fee; ensuring new digital car radios are fitted with a multi-standard chip to enable their use overseas; encouraging radio manufacturers and retailers to devise a sensible scrappage scheme for redundant analogue radios. It is also noted that the BBC and Government disagree over whether the cost of universal digital coverage of their national stations can be met under the current licence fee. The report says that it is essential that a 'firm and unambiguous' plan for funding the completion of build-out of the digital radio service is put in place as soon as possible. The report concludes reversing current policy would be unproductive given the amount of investment in digital radio already and while the switchover in 2015 is ambitious a change of target date is not favoured at this stage.

This book charts the history of how biological evolution has been depicted on British television and radio, from the first radio broadcast on evolution in 1925 through to the 150th anniversary of Charles Darwin’s Origin of the Species in 2009. Going beyond science documentaries, the chapters deal with a broad range of broadcasting content to explore evolutionary themes in radio dramas, educational content, and science fiction shows like Doctor Who. The book makes the case that the dominant use in science broadcasting of the ‘evolutionary epic’, a narrative based on a progressive vision of scientific endeavour, is part of the wider development of a standardised way of speaking about science in society during the 20th century. In covering the diverse range of approaches to depicting evolution used in British productions, the book demonstrates how their success had a global influence on the genres and formats of science broadcasting used today.

This textbook describes the field of radio and television in the United States, presents the material in a manner the reader can grasp and enjoy, and makes the book useful for the classroom teacher. Written for adaptation to individual teaching situations, the book is divided by subject matter into logical chapter divisions that can be assigned in the order appropriate for specific course students. Each chapter stands by itself, but the book is also an integrated whole. It is easy to understand at first reading, by beginning radio-television majors or nonmajor elective students alike. To give readers a complete picture of the field, subjects such as ethics, careers, and rivals to U.S. commercial radio and television are included.

When the BBC launched the world's first regular, high-definition television service on 2 November, 1936 it was the culmination of decades of technological innovations. More than this, however, the service meant that the principle of television had finally found its place. The Birth of British Television – A History traces the early history and development of television, from the experiments of amateurs to the institutionalised developments that led to the world's first regular, high definition television service. Author Mark Aldridge provides a clear, in-depth and accessible introduction for those either exploring the period for the first time or seeking new insights into the beginnings of the industry. In tracing the origins and development of television, Aldridge focuses on a number of important factors including the attitude of the press towards early television and examines the way that expectations of television changed over time prior to its official launch. Utilising new research, this illuminating study examines how the aims for a new television service developed, and the extent to which content and technology were linked. The Birth of British Television approaches this formative period from several perspectives, from private individuals to the BBC and government, while also examining the broader opinions at the time towards the new medium through press reports and feedback from the general public. Also included is an assessment of early programming, which helps to offer a new and profound evaluation of the development of early television. Mark Aldridge is a Lecturer in Film and TV Studies at Southampton Solent University, UK. He specialises in British television and both film and television history. His previous publications include T is for Television (2008), an analysis of the work of Russell T. Davies, co-written with Andy Murray.

Part of a five-volume history of the rise and development of broadcasting in the United Kingdom.