The Techniques of Glass Engraving by Peter Dreiser and the late Jonathan Matcham is a classic, unique in its field. Considered the doyen of British glass engravers, Peter Dreiser has fully updated the text for this second edition with Katharine Coleman, one of the leading contemporary glass artists of today. It is now 4-colour throughout with superb new images illustrating the work of a new generation of contemporary glass engravers. The many techniques covered include copper wheel engraving, synthetic wheel engraving, cut glass, brilliant cutting, diamond point, drill engraving, glass etching and sandblasting. This book is one of the very few on the practical aspects of this craft, of interest to student and the interested public alike. Comprehensive information, examples and exercises for the student are all accompanied with clear photographs, of work in progress and the finished item.

The history of glass and glass decoration extends back at least to the ancient Egyptians, who made small vessels of dark glass and decorated them with glass threads of contrasting colors. Occasionally glass vessels were also engraved on the lapidary's wheel. Today, the ancient art and craft of decorating glass continues to flourish among artists and crafters attracted by its combination of artistic beauty and skilled craftsmanship. Unfortunately, until the publication of this book, there were few if any practical instruction guides for beginners in this exciting and deeply rewarding field. A well-known British artist and glass engraver, Barbara Norman has exhibited her glass widely and has won numerous awards. In this clear, profusely illustrated guide, she offers a comprehensive introduction to the history, materials, tools, and techniques of glass engraving and other forms of glass decoration. After introductory chapters on the development of glass, methods of glassmaking, decorating techniques and choosing glass, the author discusses various engraving techniques in detail: diamond point engraving, drill engraving, and copper-wheel engraving. Aspiring glasscrafters will also find excellent coverage of such interesting techniques as gold engraving under glass, painting glass, and applying glass to glass: mosaics, glass collage, glass fusing and glass forming. Most of the methods do not require a studio or workshop and call for relatively inexpensive materials. Ideal for the novice or moderately experienced glassworker, this well-written, easy-to-follow guide will enable glasscrafters to bring decorative beauty and artistic flair to glasses, tumblers, bowls, vases, plates — almost any glass object. Beautiful engraved or decorated glass is perfect for personalized gift-giving or for adding a note of elegance to any home.

Easy-to-use guide with complete instructions for etching on any glass — panes, panels, bottles, stained glass, more — using acid cream and sandblasting techniques. Includes 46 full-size patterns of birds, butterflies, animals, florals, geometrics, and Art-Nouveau-Style abstracts. Instructions. 46 patterns. 27 illustrations.

Step-by-step instructions for diamond burr engraving. Four complete projects plus expert advice on choosing glass, lighting and arranging finished pieces, much more. 117 illustrations. List of Supply Sources.

It is the transparent quality of glass that makes engraved glass special. The fusion of remarkable technical skill with artistic vision and the hard unforgiving medium of glass through which light passes gives engraved glass its special magic. For many years the authors have been impressed by the reactions of the general public to engraved glass at exhibitions. Awe, wonder, and fascination are amongst the emotions displayed, To the lay person it has many of the qualities, and much of the magic, of Christmas. The question which is most often asked is, 'How can we find out more about glass engraving?' This book sets out to fill this need by bringing together a collection of 148 full colour photographs of work by nearly seventy of the finest glass artists working today around the world. Their talent illustrates the immense diversity of styles, techniques and imaginative force which characterise contemporary glass engraving. The purpose is to excite, astonish and to kindle a greater interest and lasting enthusiasm in those enthusiasts who may previously have been unaware of the amazing variety of output from today's glass artists.

In 1585, the British painter and explorer John White created images of Carolina Algonquian Indians. These images were collected and engraved in 1590 by the Flemish publisher and printmaker Theodor de Bry and were reproduced widely, establishing the visual prototype of North American Indians for European and Euro-American readers. In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its “savage other.” Going beyond the notion of the “savage” as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. Engraving the Savage demonstrates that the early visual critics of the engravings attempted-without complete success-to open a comfortable space between their own “civil” image-making practices and the “savage” practices of Native Americans-such as tattooing, bodily ornamentation, picture-writing, and idol worship. The real significance of these ethnographic engravings, he contends, lies in the traces they leave of a struggle to create meaning from the image of the American Indian. The visual culture of engraving and what it shows, Gaudio reasons, is critical to grasping how America was first understood in the European imagination. His interpretations of de Bry’s engravings describe a deeply ambivalent pictorial space in between civil and savage-a space in which these two organizing concepts of Western culture are revealed in their making. Michael Gaudio is assistant professor of art history at the University of Minnesota.