In the commodified future the consequences of a failing society are brought to bear upon one man’s ambition and his attempt to escape his own socio-economic hell. The world’s ecosystems have been destroyed by genetic pollution and cities have evolved into mega malls. Budgie is a knife wielding, brass knuckled young man from the impoverished and brutal red section of Toronto’s T-Dot Center. When his best friend is urdered and Budgie falls in love with the woman responsible, he learns that there’s more to life than drugs, blood or money. To escape his past he must give up everything and everyone he knows and sell his perceptions to an enigmatic and dangerous gang leader. Fighting for survival and unwittingly involved in a scheme that only he can stop, Budgie must ask himself: Does he want to? Technicolor Ultra Mall is an ultra-violent science fiction dystopic novel about the value of being human in a completely commodified world.

It’s not “boy meets girl, boy loses girl,” but rather “Boy meets girl, boy loses girl, boy’s friends begin dropping like flies.” - Peter O’Mallick isn’t just having a bad day; he’s having a bad life.It’s bad enough when your girlfriend suddenly casts you a cold shoulder, your grades are slipping and those around you no longer understand what it’s like to walk in your shoes; but walking around with the innate power to end lives—something Peter begins to realize he has had since birth—takes the angst to a whole new level.And Hamlet thought he had it bad.Encouraged by his guidance counsellor, the suicidal seventeen year old begins to blog about his experiences in order to try to understand this power and himself. The self-directed therapy helps, and strangers who follow his online story virtually befriend him, as it appears that his curse is mostly limited to those he is in close contact with.However, there is one stranger secretly following his story who isn’t there to understand, help or cheer him on; just as Peter begins to understand that being born as a harbinger for death might actually be a blessing rather than a curse, this stranger is intent on finding a way to use Peter’s power for nefarious purposes.

Experience a different side of Canadian fiction... Tesseracts Sixteen: Parnassus Unbound features works by 26 modern day Muses gifted with the ability to take the reader on fantastical journeys They are: Neil Peart & Kevin J. Anderson, Robert J. Sawyer, Ryan Oakley, Steve Vernon, Hugh A. D. Spencer, Sandra Kasturi, Michael Kelly, Rebecca Senese, Randy McCharles, Chadwick Ginther, Stephen Kotowych, Carolyn Clink, J. J. Steinfeld, David Clink, Robert H. Beer, L. T. Getty, Scott Overton, Sean Costello, Virginia O'Dine, Melissa Yuan-Innes, Derwin Mak, Kimberly Foottit, Matthew Jordan Schmidt, Adria Laycraft, and Jeff Hughes. The theme for "Tesseracts Sixteen: Parnassus Unbound" is speculative fiction inspired by literature, music, art and culture. According to Greek Mythology, Mount Parnassus was sacred to Apollo (god of prophecy, music, intellectual pursuits and the arts) and home of the Muses. At the base of the mountain was a fountain named Castalia (a transformed nymph) that could inspire the genius of poetry for anyone who drank her waters or listened to her quiet soothing sounds. In selecting stories, editor Mark Leslie's goal was to capture not only the spirit of what might be found on Mount Parnassus, but to allow it to be released, freed from the mythological Greek mountain and expanded upon in a way that only speculative literature can "unbind" such a theme. Come sip from the mythical fountain, gaze into the infinite reaches of the universe and explore the endless depths of the mind in Tesseracts Sixteen's "unbound" tales of wonder and imagination!

Covers American and foreign films released in the United States each year, with listings of credits and profiles of screen personalities and award winners

Out of Control chronicles the dawn of a new era in which the machines and systems that drive our economy are so complex and autonomous as to be indistinguishable from living things.

Now a Netflix original documentary series, also written by Mark Harris: the extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors—John Ford, George Stevens, John Huston, William Wyler, and Frank Capra—changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America’s war, shaping the public’s collective consciousness of what we’ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood’s role in the war through the life and work of these five men who chose to go, and who came back. “Five Came Back . . . is one of the great works of film history of the decade.” --Slate “A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.” --The New York Times