Richard Thompson's Cul de Sac follows the antics of four-year-old Alice Otterloop as she navigates her way through her suburban town and life's ups and downs at Blisshaven Preschool. More than half of our nation's population resides in the burbs, and suburbanites everywhere will easily recognize Cul de Sac's tree-lined streets, big-box retail stores, and kiddy crunchy cereals, along with the revealing backseat conversations between Alice and her brother. Thompson's paintbrush captures humorously poignant and reflectively thoughtful watercolor scenes that offer commentary on life and how we choose to live it. Appearing in more than 100 newspapers, Cul de Sac has garnered Thompson critical praise from both the National Cartoonists Society and the Society of Illustrators.

Cul de Sac is a lighthearted comic strip about the suburban life of a precocious preschooler named Alice Otterloop. Richard Thompson's wonderful watercolor and fun, imaginative drawings have garnered the attention of highly acclaimed illustrators all over the world, including Bill Watterson and Mo Willems, who have each written a foreword for his first two collections.

Richard Thompson is renowned among cartoonists as an "artist's" cartoonist. Little known to all but those close to him is the extent of his art talent. This is the book that will enlighten the rest of us and delight us with the sheer beauty of his work. Divided into six sections, each beginning with an introductory conversation between Thompson and six well-known peers, including Bill Watterson, the book will present Thompson's illustration work, caricatures, and his creation, Richard's Poor Almanack. Each section is highly illustrated, many works in color, most of them large and printed one-to-a-page. The diversity of work will help cast a wider net, well beyond Cul de Sac fans.

Richard Thompson reminds us that being a 40-year-old isn't hard, but being a four-year-old is. His warm, welcoming reminders are wonderfully lighthearted and funny as he brings home Alice's life in a fun, new Cul de Sac collection. Alice and her Blisshaven Preschool classmates charm fans of all ages. Their adventures ring alarmingly true to parents of little ones, too. From doing projects in a whirlwind of crayons and markers to their nonstop chatter to trying to comprehend a completely incomprehensible world, Thompson's characters make Children at Play a must-read. The little boxes crammed together, the shopping malls, and the insane traffic systems set the scene for the storylines and adventures that only suburban life can provide. Thompson's witty dialogue meets comically unique drawings to make Cul de Sac a place worthy of visiting on a daily basis. "I thought the best newspaper comic strips were long gone, and I've never been happier to be wrong. Richard Thompson's Cul de Sac has it all--intelligence, gentle humor, a delightful way with words, and, most surprising of all, wonderful, wonderful drawings." --Bill Watterson, creator of Calvin and Hobbes

Cul de Sac began newspaper syndication in September 2007 and ended in September 2012, when creator Richard Thompson retired to focus on treatment for Parkinson's disease. In its too-short time on the comics page, Cul de Sac garnered an avid fan base, a Reuben and a Harvey Award, and remarkable admiration from the cartooning community. In tribute to the strip, all the cartoons that were ever published are gathered here and as a bonus, there are selections of Richard Thompson's pre-syndication Cul de Sac watercolored Sundays. If you haven't discovered Richard Thompson's wonderful Cul de Sac comic strip, you are in for a real treat. Cul de Sac is noted not only for its humor and intelligence, but also for creator Richard Thompson's fun, imaginative watercolor artwork. Thompson's drawings, along with his pitch-perfect timing and gentle humor, made the cartoon an instant classic. Cul de Sac is brought to life through manhole-dancing Alice Otterloop, a curious four-year-old who discovers life's ups and downs in suburbia. Along with her Blisshaven Preschool classmates, Alice charms fans of all ages with her escapades. From crafting projects in a cloud of glitter and glue or just trying to comprehend a completely incomprehensible world, Alice is a creature of pure and indomitable will, an irresistible force. Alice describes her father's car as a "Honda-Tonka Cuisinart" and talks to the class guinea pig, Mr. Danders. Alice is joined by her family: her older brother Petey who is intent on being the King of the Picky Eaters; her dad, who's the Assistant Director of Pamphlets at the U.S. Department of Consumption, Office of Consumer Complaints; and her mom, who is capable of doing a million things simultaneously, about five of them well. This library of cartoons and art will both delight longtime fans and provide a fantastic introduction to new readers. Includes an introduction by Art Spiegelman.

Brilliant, dark stories of women’s lives by “a very major talent” (Joseph O’Connor, Irish Times) In these visceral, stunningly crafted stories by the author of the much-acclaimed Trespasses, women’s lives are etched by poverty—material, emotional, sexual—but also splashed by beauty, sometimes even joy, as they search for the good in the cards they’ve been dealt. A wife is abandoned by her new husband in a derelict housing estate, with blood on her hands. An expectant mother’s worst fears about her husband’s entanglement with a teenage girl are confirmed. A sister is tormented by visions of the man her brother murdered during the Troubles. A woman struggles to forgive herself after an abortion threatens to destroy her marriage. Plumbing the depths of intimacy, violence, and redemption, these stories are “dazzling, heartbreaking . . . keen to share the lessons of a lifetime” (Guardian).

Richard's Poor Almanac, inspired by seven years of weekly contributions to the Washington Post, is Richard Thompson's omnium-gatherum of seasoned observations for all seasons -- indoors and out. Like the almanac we've all come to know and ignore, Richard's Poor Almanac is an annual compendium of weathered wisdom rendered in the more palatable form of cartooning.