The lives of second-generation Algerians in a Paris housing project, the basis of the award-winning film.¶"Writing that is both dazzling and economical and a moral and aesthetic elegance that does not judge. The greatest attribute of this extraordinary first novel is its thirst for life."--Le Quotidien de Paris

In this creative, ethnographic, and historical critique of labor practices on an Indian plantation, Piya Chatterjee provides a sophisticated examination of the production, consumption, and circulation of tea. A Time for Tea reveals how the female tea-pluckers seen in advertisements—picturesque women in mist-shrouded fields—came to symbolize the heart of colonialism in India. Chatterjee exposes how this image has distracted from terrible working conditions, low wages, and coercive labor practices enforced by the patronage system. Allowing personal, scholarly, and artistic voices to speak in turn and in tandem, Chatterjee discusses the fetishization of women who labor under colonial, postcolonial, and now neofeudal conditions. In telling the overarching story of commodity and empire, A Time for Tea demonstrates that at the heart of these narratives of travel, conquest, and settlement are compelling stories of women workers. While exploring the global and political dimensions of local practices of gendered labor, Chatterjee also reflects on the privileges and paradoxes of her own “decolonization” as a Third World feminist anthropologist. The book concludes with an extended reflection on the cultures of hierarchy, power, and difference in the plantation’s villages. It explores the overlapping processes by which gender, caste, and ethnicity constitute the interlocked patronage system of villages and their fields of labor. The tropes of coercion, consent, and resistance are threaded through the discussion. A Time for Tea will appeal to anthropologists and historians, South Asianists, and those interested in colonialism, postcolonialism, labor studies, and comparative or international feminism. Designated a John Hope Franklin Center book by the John Hope Franklin Seminar Group on Race, Religion, and Globalization.

Holy fucking hearts.Did you just read that?!If you did, I need your advice.I met fallen angel princes; I met a Savage Duke; I met a Cheshire Cat.And remember--how could you possibly forget--I'm the fabled Alice from the prophecy.Just a twisted, dark version of the girl in Lewis Carroll's old books.Except in those books, there was a happy ending.In those books, Alice wasn't dating nine very different, very beautiful men.But now that I've met the King of Hearts and the Mad Hatter, I'm not sure who the real bad guys are.I'm the only one who can turn Underland back into Wonderland again.But if I have a chance to escape the blood, the death, and the intrigue in this place, should I take it?I'm Allison Liddell, and I've got a choice to make: stay here and fight the darkness, defeat the Anti-Alice, and survive the Torrid Tea Party ... or run.Tweedledee says I can change the world.So if you're reading this, will you help me decide what I should do?I want to go home, but I can't leave this place as broken as I found it, now can I?ALLISON AND THE TORRID TEA PARTY (Book 2 of 3 in the "Harem of Hearts" series) -- is a full-length reverse harem/new adult/dark romance novel, a gritty retelling of "Alice's Adventures in Wonderland". Don't expect a children's tale; these characters are nothing like their more innocent counterparts. This book contains: drugs, cursing, violence, sex ... and love found in the darkest shadows.

【A story by USA Today bestselling author becomes a comic!】Natasha went to the London police to report the theft of her car, and she met Rakhal, the crown prince of a Middle Eastern country. His beautiful face and hypnotic eyes captured her heart instantly and drew her into a sensual night. She knew it could only ever be a memory for her. Yet, despite everything, Rakhal whisked her away to his own country the next morning. Will Natasha and Rakhal be able to find a love between two worlds?

Introducing one of crime fiction’s most legendary detectives, and greatest writers, to America When Antonio Jauma, a director of the multinational conglomerate Petnay, is murdered, his widow seeks out private investigator Pepe Carvalho, who had met and forgotten the playboy executive after their single chance encounter—back when Carvalho still worked for the CIA. Jauma was a “womanizer,” according to a friend, “of the least pleasant sense,” and the police have decided that the murder is the work of an unhappy pimp. But Carvalho doggedly pursues his own phlegmatic investigation, with time out for his signature book burning (Sartre’s Critique of Dialectical Reasoning; Sholokov’s And Quiet Flows the Don), cooking (leek soup and a freshly-caught steamed turbot), and running with his girlfriend Charo, whose last name he can’t remember.

An anthology of personal writings in which twenty-nine women who have lived in Turkey over the last forty years chronicle their experiences and share their impressions of the country.

Um. Um. Um.Are you reading this?If you are, I need your help.I was at a party; I was running; I fell.And get this--this is the part you'll never believe--I fell down a rabbit hole.Like Alice in those old books.Except in those books, there wasn't blood everywhere.In those books, the characters weren't all male, attractive, and interested in me.Forget everything you know about the Mad Hatter, the White Rabbit, the March Hare ...This isn't Wonderland; this is Underland.Violence, sex, drugs, and magic ... that's all there is in this place.There's me, Allison, and there are the men that want me, the enemies that hunt me, and the darkness that's quickly rolling in.And only I can stop it.So if you're reading this, will you help me?Please. I just want to escape this place and go ... home.ALLISON'S ADVENTURES IN UNDERLAND (Book 1 of 3 in the "Harem of Hearts" series) -- is a full-length reverse harem/new adult/dark romance novel, a gritty retelling of "Alice's Adventures in Wonderland". Don't expect a children's tale; these characters are nothing like their more innocent counterparts. This book contains: drugs, cursing, violence, sex ... and love found in the darkest shadows.