Tautai is the story of a man who came from the edge of a mighty empire and then challenged it at its very heart. This biography of Ta’isi O. F. Nelson chronicles the life of a man described as the “archenemy” of New Zealand and its greater whole, the British Empire. He was Sāmoa’s richest man who used his wealth and unique international access to further the Sāmoan cause and was financially ruined in the process. In the aftermath of the hyper-violence of the First World War, Ta’isi embraced nonviolent resistance as a means to combat a colonial surge in the Pacific that gripped his country for nearly two decades. This surge was manned by heroes of New Zealand’s war campaign, who attempted to hold the line against the groundswell of challenges to the imperial order in the former German colony of Sāmoa that became a League of Nations mandate in 1921. Stillborn Sāmoan hopes for greater freedoms under this system precipitated a crisis of empire. It led Ta’isi on global journeys in search of justice taking him to Geneva, the League of Nations headquarters, and into courtrooms in Sāmoa, New Zealand, and the United Kingdom. Ta’isi ran a global campaign of letter writing, petitions, and a newspaper to get his people’s plight heard. For his efforts he was imprisoned and exiled not once but twice from his homeland of Sāmoa. Using private papers and interviews, O’Brien tells a deeply compelling account of Ta’isi’s life lived through turbulent decades. By following Ta’isi’s story readers also learn a history of Sāmoa’s Mau movement that attracted international attention. The author’s care for detail provides a nuanced interpretation of its history and Ta’isi’s role in the broader context of world history. The first biography of Ta’isi O. F. Nelson, Tautai is a powerful and passionate story that is both personal and one that encircles the globe. It touches on shared histories and causes that have animated and enraged populations across the world throughout the twentieth century to the present day.

This contextual biblical reading of Luke 18:18–30 (the encounter between Jesus and the rich ruler) foregrounds the political and economic context of the Pacific Island Countries and Territories (PICTs). The reading carefully explores the biblical text’s context, an exploration that includes looking at specific intertextual sources and engaging scholars from Asian and African contexts. The reading is then applied to a contextual biblical approach to poverty in Samoan society. The contextual biblical reading resituates the ruler in the Lukan narrative within the context of the household and the institutional constraints of its ecological environment. The theoretical framework for the contextual biblical reading is guided by the Samoan proverb seu le manu ae taga’i ile galu (catch the bird and watch the wave), symbolizing responsibility and restraint in biblical interpretation. At the end of the contextual biblical reading, a new way of reading Luke is presented, and three broad propositions are suggested for further consideration. The main argument of this deep contextual reading of the Lukan passage is that the rich ruler offers a different form of “following,” which is possible by “living responsibly with wealth.”

This book is a celebration of His Highness Tui Atua Tupua Tamasese Ta’isi Efi’s intellectual and cultural legacy to Samoa, providing Tui Atua’s writings and thoughts on Samoan indigenous knowledge. It was first compiled and published as a festschrift in commemoration of his seventieth birthday. Tui Atua is Samoa’s Head of State and is currently the only holder of one of Samoa’s four pāpā (aristocratic chiefly) titles – Tui Atua. The book also contains responses from fourteen of Samoa’s leading and emerging scholars (including two Rhodes Scholars), based within and outside Samoa. The book searches for the best of what His Highness terms ‘the Samoan indigenous reference’ and enlarges our contemporary understandings of indigenous knowledge.

Bombarded with the equivalent of one Hiroshima bomb a day for half a century, Pacific people have long been subjected to man-made cataclysm. Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. In The Ocean on Fire, Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. Maurer identifies strategies of resistance uniting the region by analyzing an extensive multilingual archive of decolonial Pacific art in French, Spanish, English, Tahitian, and Uvean, ranging from literature to songs and paintings. She shows how Pacific nuclear survivors’ stories reveal an alternative vision of the apocalypse: instead of promoting individualism and survivalism, they advocate mutual assistance, cultural resilience, South-South transnational solidarities, and Indigenous women’s leadership. Drawing upon their experience resisting both nuclear colonialism and carbon imperialism, Pacific storytellers offer compelling narratives to nurture the land and each other in times of global environmental collapse.

Inspired by Disney Animation Studios' latest film, Moana, this middle grade novel features characters and adventures based on the rich culture of Oceania. It includes original content in the form of mini folktales interspersed throughout the story of the film.

'Arts in the Margins of World Encounters' presents original contributions that deal with artworks of differently marginalized people—such as ethnic minorities, refugees, immigrants, disabled people, and descendants of slaves—, a wide variety of art forms—like clay figures, textile, paintings, poems, museum exhibits and theatre performances—, and original data based on committed, long-term fieldwork and/or archival research in Brazil, Martinique, Rwanda, India, Indonesia, Japan, Australia, and New Zealand. The volume develops theoretical approaches inspired by innovative theorists and is based on currently debated analytical categories including the ethnographic turn in contemporary art, polycentric aesthetics, and aesthetic cannibalization, among others. This collection also incorporates fascinating and intriguing contemporary cases, but with solid theoretical arguments and grounds. 'Arts in the Margins of World Encounters' will appeal to students at all levels, scholars, and practitioners in arts, aesthetics, anthropology, social inequality, and discrimination, as well as researchers in other fields, including post-colonialism and cultural organizations.