Beirut is a tour de force that takes the reader from the ancient to the modern world, offering a dazzling panorama of the city's Seleucid, Roman, Arab, Ottoman, and French incarnations. Kassir vividly describes Beirut's spectacular growth in the nineteenth and twentieth centuries, concentrating on its emergence after the Second World War as a cosmopolitan capital until its near destruction during the devastating Lebanese civil war of 1975-1990. --from publisher description.

Harold Tarrant here explores ancient attempts to interpret Plato's writings, by philosophers who spoke a Greek close to Plato's own, and provides a fresh, almost primitive reading of Plato himself. His book also serves as a synthesis of recent work on ancient interpreters of Plato.Tarrant's primary emphasis is on the Middle Platonists, but he also discusses the Old and New Academies, the Athenian and Alexandrian Neoplatonists, and selected nonphilosophical writers. In Part I, he addresses some of the principal issues of interpretation--Are the dialogues drama or philosophy? Is Plato offering doctrine? What parts of the corpus are most important?--and considers them alongside the views of ancient readers. In Part II, he offers a historical overview of significant ancient developments in interpretation over the centuries. In Part III, he considers ancient attitudes toward particular groups of dialogues, and the Gorgias and the Theaetetus individually

This volume is the first monograph devoted to the philosophy of Taurus of Beirut, and provides a long-awaited analysis of his texts and their first English translation. Through close examination of the extant witnesses, Petrucci gives a new account of Middle Platonism based on a fresh approach to the theological and cosmological view of Taurus. In this way, the book contributes substantially to the debate on Post-Hellenistic Platonism from the point of view of both exegetical methods and philosophical doctrines, and offers a starting point for a new understanding of many aspects of ancient thought.

The Arab Spring in Tunisia, Egypt, Libya, and elsewhere has highlighted the growing importance of the politics of civil society in the contemporary Middle East. In Reproducing Sectarianism, Paul W. T. Kingston examines rights-oriented advocacy networks within Lebanon's postwar civil society, focusing on movements and political campaigns based on gender relations, the environment, and disability. Set within Lebanon's postwar sectarian democracy, whose factionalizing dynamics have long penetrated the country's civil society, Kingston's fascinating study provides an in-depth analysis of the successes and challenges that ensued in promoting rights-oriented social policies. Drawing on extensive field research, including interviews and a wealth of primary documents, Kingston has produced a groundbreaking work that will be of interest to Middle East experts and nonexperts alike.

Many of the existing juridical states in the Third World remain fragile and prone to collapse. Yet, these conditions have not always given way to anarchy. In some cases, the breakdown of weak and often arbitrary states has given way to more coherent and viable, though not necessarily benevolent, political entities. This book examines the extent to which these sub-units - ' states within states ' - represent alternatives that the international community could look to in a long-term effort to bring stability, security and development to peoples in the Third World.

How did a new, irresistible brand of television emerge from the Lebanese Civil War (1975–91) to conquer the Arab region in the satellite era? What role did seductive news anchors, cool language teachers, superheroes, and gossip magazines play in negotiating a modern relationship between television and audiences? How did the government lose its television monopoly to sectarian militias? Pretty Liar tells the untold story of the coevolution of Lebanese television and its audience, and the ways in which the Civil War of 1975–91 influenced that transformation. Based on empirical data, Khazaal explores the rise of language and gender politics in Lebanese television and the storm of controversy during which these issues became a referendum on television’s relevance. This groundbreaking book challenges the narrow focus on present-day satellite television and social media, offering the first account of how broadcast television transformed media legitimacy in the Arab world. With its analysis of news, entertainment, and educational shows from Télé Liban and LBC, novels, periodicals, and popular culture, Pretty Liar demonstrates how television became a site for politics and political resistance, feminism, and the cradle of the postwar Lebanese culture. The history of television in Lebanon is not merely a record of corporate technology but the saga of a people and their continuing demand for responsive media during times of civil unrest.