This work discusses the art of the Japanese tattoo in the context of Ukiyo-e, focusing on the parallel histories of the woodblock print and the tattoo.

Thinking of getting a Japanese-style tattoo? Want to avoid a permanent mistake? Japanese Tattoos is an insider's look at the world of Japanese irezumi (tattoos). Japanese Tattoos explains the imagery featured in Japanese tattoos so that readers can avoid getting ink they don't understand or, worse, that they'll regret. This photo-heavy book will also trace the history of Japanese tattooing, putting the iconography and kanji symbols in their proper context so readers will be better informed as to what they mean and have a deeper understanding of irezumi. Tattoos featured will range from traditional tebori (hand-poked) and kanji tattoos to anime-inspired and modern works--as well as everything in between. For the first time, Japanese tattooing will be put together in a visually attractive, informative, and authoritative way. Along with the 350+ photos of tattoos, Japanese Tattoos will also feature interviews with Japanese tattoo artists on a variety of topics. What's more, there will be interviews with clients, who are typically overlooked in similar books, allowing them to discuss what their Japanese tattoos mean to them. Those who read this informative tattoo guide will be more knowledgeable about Japanese tattoos should they want to get inked or if they are simply interested in Japanese art and culture.

This book is a collection of classic Japanese tattoo imagery, as perfected by master artist, Horiyoshi III (Yoshihito Nakano).

Reproduces ukiyo-e prints from the incomparable collection of Japanese art at the Museum of Fine Arts, Boston. Many tattoo connoisseurs consider the Japanese tradition to be the finest in the world for its detail, complexity, and compositional skill. Its style and subject matter are drawn from the visual treasure trove of Japanese popular culture, in particular the colour woodblock prints of the early nineteenth century known as ukiyo-e. This book tells the fascinating story of how ukiyo-e first inspired tattoo artists as the pictorial tradition of tattooing in Japan was just beginning. It explores the Japanese tattoo's evolving meanings, from symbol of devotion to punishment and even to crime, and reveals the tales behind specific motifs. With lush, colourful images of flowers blooming on the arm of a thief, sea monsters coiling across the back of a hero, and legendary warriors battling on the chests of actors, the tattoos in these Japanese prints can offer the same vivid inspiration today as they did two hundred years ago.

This text offers a treatment of the history, symbolism, and social function of tattooing in Japan, from its earliest beginnings to the present day.

Japanese men have been marked by tattoo artists for the past 300 years. Todays urbane Japanese youth continue the tradition, proudly creating and wearing this ever changing art form. Over 530 breathtaking color photos display a vast range of Japanese tattoos, from traditional full-body forms repleat with classical images steeped in symbolism, including Horimono, to modern One-Point style, heavily influenced by the cultures of the West.\nThe fascinating text provides a glimpse of Japans youth culture and recounts, through personal interviews, stories of Japanese masters of the tattoo art, including Senseis Horihide, Horiyoshi III, Horitoshi I, Horiyasu, and Horikoi. Readers will see some of the most intricate tattoo art in the world, while traveling through time from the 19th century Edo Floating World to the busy streets of modern Tokyo.

At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum