Determined to be a tattoo artist at the age of ten and tattooing professionally since 1967, California native Don Ed Hardy has become one of the world's leading tattoo artists. Inspired by traditional Japanese work, he was instrumental in developing the medium's fine art potential and fueling the international tattoo boom. Chronicling an art form that encompasses Asian aesthetics, Western art history, surfing, and California funk, Tattooing the Invisible Man presents a survey of Hardy's paintings, etchings, lithographs, drawings, photographs, and elaborate tattoos -- over 500 color illustrations -- most never before published.

At least thirty-seven per cent of male convicts and fifteen per cent of female convicts were tattooed by the time they arrived in the penal colonies, making Australians quite possibly the world's most heavily tattooed English-speaking people of the nineteenth century. Each convict’s details, including their tattoos, were recorded when they disembarked, providing an extensive physical account of Australia's convict men and women. Simon Barnard has meticulously combed through those records to reveal a rich pictorial history. Convict Tattoos explores various aspects of tattooing—from the symbolism of tattoo motifs to inking methods, from their use as means of identification and control to expressions of individualism and defiance—providing a fascinating glimpse of the lives of the people behind the records. Simon Barnard was born and grew up in Launceston. He spent a lot of time in the bush as a boy, which led to an interest in Tasmanian history. He is a writer, illustrator and collector of colonial artifacts. He now lives in Melbourne. He won the Eve Pownall Award for Information Books in the 2015 Children’s Book Council of Australia’s Book of the Year awards for his first book, A-Z of Convicts in Van Diemen’s Land. Convict Tattoos is his second book. ‘The early years of penal settlement have been recounted many times, yet Convict Tattoos genuinely breaks new ground by examining a common if neglected feature of convict culture found among both male and female prisoners.’ Australian ‘This niche subject has proved fertile ground for Barnard—who is ink-free—by providing a glimpse into the lives of the people behind the historical records, revealing something of their thoughts, feelings and experiences.’ Mercury 'The best thing to happen in Australian tattoo history since Cook landed. A must-have for any tattoo historian.’ Brett Stewart, Australian Tattoo Museum

Eighteen science fiction stories deal with love, madness, and death on Mars, Venus, and in space.

Bolt I've lived my life exactly like you imagine a rockstar would. The booze, the drugs, and so, so many women. I had it all and did it all. Until I walked into a tattoo shop and met her. Peyton didn't see me as Bolt, my stage persona. She saw me for me. There was something between us. Something invisible, electric and undeniable. It pushed us together and pulled us apart... again and again. Despite it all, I knew Peyton had to be mine. Until she was brutally taken from me. And my seemingly perfect world came crashing down.

Tattoos have moved into the mainstream and are continuing to grow in popularity. For people contemplating getting a tattoo, however, the choice of images can be overwhelming. THE TATTOO ENCYCLOPEDIA provides a comprehensive and informative exploration of the colourful world of tattoos. It presents precise descriptions of both common and unusual symbols and sheds light on their historic, religious and cultural significance. Organised in a convenient A-Z format, cross-referenced, indexed and illustrated with 300 pieces of authentic tattoo line art, the book features a stunning array of images from ancient Buddhist and Chinese designs to those sported by twenty-first century bikers. Whether choosing a personally significant tattoo, wanting to learn more about a symbol, or simply interested in tattoos as a form of art and body decoration, readers will discover the richness of tattoo culture in this treasury.

It is the largest and perhaps the most important organ of our body—it covers our fragile inner parts, defines our social identities, and channels our sensory experiences. And yet we rarely give a thought. With The Book of Skin, Steven Connor aims to change all that, offering an intriguing cultural history of skin. Connor first examines physical issues such as leprosy, skin pigmentation, cancer, blushing, and attenuations of erotic touch. He also explains why specific colors symbolize certain emotions, such as green for envy or yellow for cowardice, as well as why skin is the focus of destructive rage in many people’s violent fantasies. The Book of Skin then probes into how skin has been such a powerfully symbolic terrain in photography, religious iconography, cinema, and literature. From the Turin shroud to Ralph Ellison’s Invisible Man to plastic surgery, The Book of Skin expertly examines the role of skin in Western culture. A compelling read that penetrates well beyond skin-deep, The Book of Skin validates James Joyce’s declaration that “modern man has an epidermis rather than a soul.” “Richly conceived and elaborately thought out. No flicker of meaning has escaped Connor’s ferocious, all-seeing eye.”—Guardian