"Anthropologist and tattooist Tricia Allen has harnessed centuries of knowledge about Hawaiian tattoos and has created this fascinating, comprehensive reference book that can be enjoyed by both tattoo enthusiasts and cultural scholars. Tattoo Traditions of Hawaii describes the evolution of Hawaiian tattooing as an art and science tracing it from its early roots in ancient Polynesia; presents motif, meaning, placement, tools and techniques along with personal observations and commentary in meticulous and graphic detail; discusses contemporary Hawaiian tattooing within the context of contact with the Western world; and includes drawings of designs and patterns for ideas and consideration"--Publisher's description.

Hawaiian tattoos (kakau) are intriguing, tribally exotic, ancient in origin, enigmatic, culturally meaningful, mysterious, evocative, and eye-catching. They are worn by persons from all walks of lifekumu hula, dancers, chanters, athletes, educators, artists, and security officers. Here is valuable information compiled by Hawaiian culture researcher and educator, P.F. Kwiatkowski, that explores many aspects of Hawaiian tattooingits origins, significance of designs, and their relation to religion, magic, social status, and personal expression. The information delivered is concise and helps dispel some misconceptions regarding the meaning of Hawaiian motifs and the differences between Hawaiian and Polynesian tattoo designs and placement. You will learn the what and why of the usage and the significance of the designs.

"This collection of amazing photos attests to the high level of artistic achievement and technical ability of the Polynesian people today, as well as nonislanders who have been heavily influenced by the art of the Pacific."---Ed Hardy --Book Jacket.

"Jean Tekura Mason's poetry reflects her life as a person living in two worlds - Polynesian and European. Some of her poems are reflective. Others are glib (and deliberately so). There is humour and there is passion - of love and hate, pagan faiths and Christian beliefs, ancestors and dancers, customs and politics, migrants and immigrants, and Pacific flora and fauna - all have stimulated Ms Mason to put pen to paper. At times incisive and descriptive, and at others deeply moging, this book is a collection of poems which is both retrospective perceptive"--Back cover

Definitive source on intricate tattoos of Polynesia's Marquesas Islands offers a rare glimpse of a vanished art. Its 38 plates of black-and-white drawings and photographs provide an unusually complete and intimate record.

Unpacking the five main Polynesian tattoo styles: Samoan, Marquesan, Tahitian, Hawaiian, and Maori tattoos. Presenting over 400 symbols and their meanings. Fully illustrated with more than 550 images, with 15 original tattoos deconstructed and explained. This book explains the main Polynesian styles of tattooing, presenting each of them with a historical and cultural introduction, highlighting the traditional symbols and their meanings. Fifteen original designs and their stories are examined, showing how to identify and understand their building elements and explaining how they interact with each other to compose a meaningful tattoo. All the original tattoos are broken up into their main parts, outlined for clearer identification. The main parts are then inspected further, revealing the basic building elements and symbols, grouped by meaning. This book comes as an in-depth follow-up to The POLYNESIAN TATTOO Handbook and it extends the study of Polynesian tattoo styles and designs to help understand their origins and purpose, their symbolism, and their creation guidelines.

In the Hawaiian Homes Commission Act (HHCA) of 1921, the U.S. Congress defined “native Hawaiians” as those people “with at least one-half blood quantum of individuals inhabiting the Hawaiian Islands prior to 1778.” This “blood logic” has since become an entrenched part of the legal system in Hawai‘i. Hawaiian Blood is the first comprehensive history and analysis of this federal law that equates Hawaiian cultural identity with a quantifiable amount of blood. J. Kēhaulani Kauanui explains how blood quantum classification emerged as a way to undermine Native Hawaiian (Kanaka Maoli) sovereignty. Within the framework of the 50-percent rule, intermarriage “dilutes” the number of state-recognized Native Hawaiians. Thus, rather than support Native claims to the Hawaiian islands, blood quantum reduces Hawaiians to a racial minority, reinforcing a system of white racial privilege bound to property ownership. Kauanui provides an impassioned assessment of how the arbitrary correlation of ancestry and race imposed by the U.S. government on the indigenous people of Hawai‘i has had far-reaching legal and cultural effects. With the HHCA, the federal government explicitly limited the number of Hawaiians included in land provisions, and it recast Hawaiians’ land claims in terms of colonial welfare rather than collective entitlement. Moreover, the exclusionary logic of blood quantum has profoundly affected cultural definitions of indigeneity by undermining more inclusive Kanaka Maoli notions of kinship and belonging. Kauanui also addresses the ongoing significance of the 50-percent rule: Its criteria underlie recent court decisions that have subverted the Hawaiian sovereignty movement and brought to the fore charged questions about who counts as Hawaiian.