A bold argument that “and” always means “&,” the truth-functional sentential connective. In this book, Barry Schein argues that “and” is always the sentential logical connective with the same, one, meaning. “And” always means “&,” across the varied constructions in which it is tokened in natural language. Schein examines the constructions that challenge his thesis, and shows that the objections disappear when these constructions are translated into Eventish, a neo-Davidsonian event semantics, and, enlarged with Cinerama Semantics, a vocabulary for spatial orientation and navigation. Besides rescuing “and” from ambiguity, Eventish and Cinerama Semantics solve general puzzles of grammar and meaning unrelated to conjunction, revealing the book's central thesis in the process: aspects of meaning mistakenly attributed to “and” are discovered to reflect neighboring structures previously unseen and unacknowledged. Schein argues that Eventish and Cinerama Semantics offer a fundamental revision to clause structure and what aspects of meaning are represented therein. Eventish is distinguished by four features: supermonadicity, which enlarges verbal decomposition so that every argument relates to its own event; descriptive event anaphora, which replaces simple event variables with silent descriptive pronouns; adverbialization, which interposes adverbials derived from the descriptive content of every DP; and AdrPs, which replace all NPs with Address Phrases that locate what nominals denote within scenes or frames of reference. With 'And,' Schein rehabilitates an old rule of transformational, generative grammar, answering the challenges to it exhaustively and meticulously.

Documentary History of Civil War Arkansas

What happens to a Union sympathizer in a staunchly Confederate town? In the historical novel A Difference of Opinion, author Nancy Dane brings alive a time in Arkansas when the word rebel is synonymous with patriot. Once beloved neighbors become enemies. Almost too late, one young woman, Nelda Horton, discovers that deception can wear many faces. A Difference of Opinion is based on the documentary history Tattered Glory, also compiled by the author.

In the first book-length study of Arkansas slavery in more than sixty years, A Weary Land offers a glimpse of enslaved life on the South’s western margins, focusing on the intersections of land use and agriculture within the daily life and work of bonded Black Arkansans. As they cleared trees, cultivated crops, and tended livestock on the southern frontier, Arkansas’s enslaved farmers connected culture and nature, creating their own meanings of space, place, and freedom. Kelly Houston Jones analyzes how the arrival of enslaved men and women as an imprisoned workforce changed the meaning of Arkansas’s acreage, while their labor transformed its landscape. They made the most of their surroundings despite the brutality and increasing labor demands of the “second slavery”—the increasingly harsh phase of American chattel bondage fueled by cotton cultivation in the Old Southwest. Jones contends that enslaved Arkansans were able to repurpose their experiences with agricultural labor, rural life, and the natural world to craft a sense of freedom rooted in the ability to own land, the power to control their own movement, and the right to use the landscape as they saw fit.

In an alternate London where magical creatures are called Unnaturals and preserved in a museum, two teens find themselves caught in a web of intrigue, deception, and danger. Vespa Nyx wants nothing more than to spend the rest of her life cataloging Unnatural creatures in her father’s museum, but as she gets older, the requirement to become a lady and find a husband is looming large. Syrus Reed’s Tinker family has always served and revered the Unnaturals from afar, but when his family is captured to be refinery slaves, he finds that his fate may be bound up with Vespa’s—and with the Unnaturals. As the danger grows, Vespa and Syrus find themselves in a tightening web of deception and intrigue. At stake may be the fate of New London—and the world.

Riotous and riveting, this is the story of a charming college professor who most definitely did not—but maybe did—kill his ex-wife. Or someone else. Or no one. Irby plays with the thriller trope in unimaginably clever ways. Edwin Stith, a failed novelist and college writing instructor in upstate New York, is returning home for the weekend to Richmond, Virginia, to celebrate his mother's wedding—to a much younger man. Edwin has a peculiar relationship with the truth. He is a liar who is brutally honest. He may or may not be sleeping with his students, he may or may not be getting fired, and he may or may not have killed his ex-wife, a lover, and his brand-new stepsister. Stith's dysfunctional homecoming leads him deep into a morass of long-gestating secrets and dangers, of old-flames still burning strong and new passions ready to consume everything he holds dear. But family dysfunction is only eclipsed by Edwin's own, leading to profound suspense and utter hilarity. Lee Irby has crafted a sizzling modern classic of dark urges, lies, and secrets that harks back to the unsettling obsessions of Edgar Allan Poe—with a masterful ending that will have you thinking for days.