Learn the beautiful art of tatting with the step-by-step instructions and interactive DVD presented in this book from American School of Needlework. 48 pages

This valuable book provides the student with a short, manageable, comprehensive guide to the Thematic Apperception Test (TAT), a major psychological measuring instrument. The TAT is effective in telling the clinician how the subject views the self and the world in his or her unique way. This sweeping introduction to this test as well as other lesser-known apperceptive techniques considers children, adolescents, and adults. and gives special attention to cross-cultural issues and the application of apperception techniques to minority populations. Additionally, the interesting history of apperception techniques, sample protocols, and the administration and interpretation of the tests are included.

Quickly acquire the knowledge and skills you need to confidently administer, score, and interpret a variety of storytelling techniques Storytelling techniques are a popular projective approach for assessing many aspects of a person's personality, such as cognitive processes, emotional functioning, and self-regulation. The broad spectrum of techniques includes the Thematic Apperception Test (TAT—the most widely embraced), Roberts-2, and TEMAS (Tell-Me-A-Story). To use these tests properly, professionals need an authoritative source of advice and guidance on how to administer, score, and interpret them. Written by Hedwig Teglasi, a leading researcher of the TAT and other storytelling techniques, Essentials of TAT and Other Storytelling Assessments, Second Edition is that source. Like all the volumes in the Essentials of Psychological Assessment series, this book is designed to help busy mental health professionals, and those in training, quickly acquire the knowledge and skills they need to make optimal use of major psychological assessment instruments. Each concise chapter features numerous callout boxes highlighting key concepts, bulleted points, and extensive illustrative material, as well as test questions that help you gauge and reinforce your grasp of the information covered. Fully revised and updated to reflect the current research supporting storytelling techniques, Essentials of TAT and Other Storytelling Assessments, Second Edition reflects the latest data and theory on scoring stories and includes new material on interpreting stories in reference to a person's abilities in cognition, emotion, relationships, motivation, and self-regulation. As well, the author provides expert assessment of the methods' relative strengths and weaknesses, valuable advice on their clinical applications, and several case studies to illustrate best practices for implementing the storytelling approach to personality assessment. Other titles in the Essentials of Psychological Assessment series: Essentials of Assessment Report Writing Essentials of PAI Assessment Essentials of 16PF Assessment Essentials of Neuropsychological Assessment, Second Edition Essentials of MillonTM Inventories Assessment, Third Edition Essentials of Rorschach Assessment Essentials of MMPI-2 Assessment Essentials of MMPI-A Assessment

The purpose of the study was to identify common themes on the Thematic Apperception Test (TAT) for Japanese subjects. In addition, Japanese TAT themes were compared with American TAT themes (Stein, 1981) for any significant differences. It was hypothesized that significant differences in narrative themes would exist between Japanese and American subjects. The subjects included sixty male and female college students attending courses in Tokyo, Japan. Subjects were enrolled in college courses during the administration of the test and ranged in age from 18 to 27 years of age. All the participants were fluent in English--allowing them to make responses in that language; therefore, eliminating the errors inherent in translation. Japanese subjects were then compared with Morris I. Stein's original study of eighty American males conducted in 1981. Ten of the original Murray TAT cards were used: 1, 2, 3BM, 4, 6BM, 7GF, 8BM, 10, 11 and 14. Japanese narratives were then scored using five variables for each of the ten cards: hero gender, the incidence of death, need for achievement, dominant emotional tone and the outcome of the story. In conclusion, common TAT themes for Japanese subjects were identified for all ten of the cards that were administered. Cards 1, 2, 4, 8BM, 10, 11 and 14 shared many of the same themes for Japanese and American subjects. On the other hand, cards 3BM, 6BM and 7GF varied in theme content for Japanese and American subjects. These findings will help determine the validity and reliability of the TAT as an assessment tool for Japanese subjects, and open the door for future studies of Asian populations in the United States as this population is underrepresented in much of the research and literature of today.

Tat* is a bit of a graphic designer's curse. Walk into any design studio and you will see tat pinned to the walls or placed with loving care on top of a computer screen. Even the purist will have a secret cache hidden away somewhere. Andy Altmann began collecting tat while he was on his Foundation course, getting ready for an interview at St Martins School of Art. He'd been asked to present a sketchbook, but worried that he couldn't draw very well, he decided to start a scrapbook: "I rummaged through the drawers at home and found some football cards from the late 1960s and early '70s (plenty of Georgie Best), an instruction leaflet from an old Hoover, Christmas cracker jokes, and so on. Then I started on the magazines, cutting out images of anything that interested me. And finally I took myself off to the college library, where I photocopied things from books before reaching for the scissors and glue." It was the beginning of a significant collecting habit. So what it is that makes a piece of graphic tat interesting? Is it the 'retro' thing - a fascination with a bygone age, the primitive printing techniques, the naivety of the design, or the use of color? All of the above, of course, but it's not quite that simple. "Occasionally people offer me something they've found that they think I might like", says Andy. "But usually they're wrong - it doesn't excite me at all. The magic is missing." To a graphic designer, most the content of this book can safely be regarded as 'bad' design. But there is some magic in each and every piece that has made Andy either pick it up off the street, trail through online links, or enter some dodgy looking shop on the other side of the world just to snap it up. Here you'll find everything from sweet wrappers to flash cards, from soap powder boxes to speedway flyers, from wrestling programmes to bus tickets. More tat than you can shake a stick at. Taken together, it represents a lifetime of gleeful hunting and gathering. * tat (noun) - anything that looks cheap, is of low quality, or in bad condition; junk, rubbish, debris, detritus, crap, shite

When Author Ellie Erikson is diagnosed with a rare incurable illness she fears for her future but worse is to come. Paranoia closes around her as her life is threatened from another direction. She is lured to a disused medical institute where her partner Matt is in danger and what she discovers there surpasses any fears she had already imagined. Somebody knows her every move before she makes it. Somebody is out to get her. The gripping climax to Rat-a-tat-tat will give her all the answers but only one of them can survive.