This book explores the life and times in the Midlands of Tasmania, both Black and White population including the Black War and Black Line activities that occurred in the region. In addition, the book provides a background to the major frontier towns across the region; and includes the lives of twenty-six different people who lived through these times. Other chapters in the book include: Other Places of Interest, Hotels and Breweries, First School, Municipality formed, Other Conflicts, End of Transportation and My Conclusion.I have spent over two years researching and writing this book and its official release was on the same day, 200 years after official naming of the town of Oatlands in the Midlands.

Little more than seventy years after the British settled Van Diemen's Land (later Tasmania) in 1803, the indigenous community had been virtually wiped out. Yet this genocide at the hands of the British is virtually forgotten today. The Last Man is the first book specifically to explore the role of the British government and wider British society in this genocide. It positions the destruction as a consequence of British policy, and ideology in the region. Tom Lawson shows how Britain practised cultural destruction and then came to terms with and evaded its genocidal imperial past. Although the introduction of European diseases undoubtedly contributed to the decline in the indigenous population, Lawson shows that the British government supported what was effectively the ethnic cleansing of Tasmania - particularly in the period of martial law in 1828-1832. By 1835 the vast majority of the surviving indigenous community had been deported to Flinders Island, where the British government took a keen interest in the attempt to transform them into Christians and Englishmen in a campaign of cultural genocide. Lawson also illustrates the ways in which the destruction of indigenous Tasmanians was reflected in British culture - both at the time and since - and how it came to play a key part in forging particular versions of British imperial identity. Laments for the lost Tasmanians were a common theme in literary and museum culture, and the mistaken assumption that Tasmanians were doomed to complete extinction was an important part of the emerging science of human origins. By exploring the memory of destruction, The Last Man provides the first comprehensive picture of the British role in the destruction of the Tasmanian Aboriginal population.

Author's copy. Printed, with MS. corrections and annotations by the author. Handwriting identical with that in a letter from West to Edward Wise, 5 June 1864 in ML MSS. 1327/3, pp. 315-317. 1. pp. 209-340 are missing, with blank pages inserted at the back used for annotations. 2. identical with other copies of the volume.

Britain formally colonised Van Diemen’s Land in the early years of the nineteenth century. Small convict stations grew into towns. Pastoralists moved in to the aboriginal hunting grounds. There was conflict, there was violence. But, governments and gentlemen succeeded in burying the real story of the Vandemonian War for nearly two centuries. The Vandemonian War had many sides and shades, but it was fundamentally a war between the British colony of Van Diemen’s Land (Tasmania) and those Tribespeople who lived in political and social contradiction to that colony. In The Vandemonian War acclaimed history author Nick Brodie now exposes the largely untold story of how the British truly occupied Van Diemen’s Land deploying regimental soldiers and special forces, armed convicts and mercenaries. In the 1820s and 1830s the British deliberately pushed the Tribespeople out, driving them to the edge of existence. Far from localised fights between farmers and hunters of popular memory, this was a war of sweeping campaigns and brutal tactics, waged by military and paramilitary forces subject to a Lieutenant Governor who was also Colonel Commanding. The British won the Vandemonian War and then discretely and purposefully concealed it. Historians failed to see through the myths and lies – until now. It is no exaggeration to say that the Tribespeople of Van Diemen’s Land were extirpated from the island. Whole societies were deliberately obliterated. The Vandemonian War was one of the darkest stains on a former empire which arrogantly claimed perpetual sunshine. This is the story of that fight, redrawn from neglected handwriting nearly two centuries old.

This captivating work charts the history of Tasmania from the arrival of European maritime expeditions in the late eighteenth century, through to the modern day. By presenting the perspectives of both Indigenous Tasmanians and British settlers, author Henry Reynolds provides an original and engaging exploration of these first fraught encounters. Utilising key themes to bind his narrative, Reynolds explores how geography created a unique economic and migratory history for Tasmania, quite separate from the mainland experience. He offers an astute analysis of the island's economic and demographic reality, by noting that this facilitated the survival of a rich heritage of colonial architecture unique in Australia, and allowed the resident population to foster a powerful web of kinship. Reynolds' remarkable capacity to empathise with the characters of his chronicle makes this a powerful, engaging and moving account of Tasmania's unique position within Australian history.

James Fenton (1820-1901) was born in Ireland and emigrated to Tasmania (then known as Van Diemen's Land) with his family in 1833. He became a pioneer settler in an area on the Forth River and published this history of the island in 1884. The book begins with the discovery of the island in 1642 and concludes with the deaths of some significant public figures in the colony in 1884. The establishment of the colony on the island, and the involvement of convicts in its building, is documented. A chapter on the native aborigines gives a fascinating insight into the attitudes of the colonising people, and a detailed account of the removal of the native Tasmanians to Flinders Island, in an effort to separate them from the colonists. The book also contains portraits of some aboriginal people, as well as a glossary of their language.