London was a target for Zeppelins and bombers during the First World War, for bombers, V1s and rockets in the Second, and for Cold War missiles and for terrorists in more recent times, yet rarely has the history of twentieth-century attacks on the capital been studied as a whole. Peter Reese, in this thought-provoking account, vividly describes how the destructive potential of aerial bombing and terrorist actions has increased and how Londoners have struggled to protect themselves and their city.He looks at the strategic aims of the bombing campaigns panic, devastation, paralysis of communications and the collapse of morale - and contrasts them with the actual responses of Londoners of civilians who faced this new form of indiscriminate warfare. As he traces the developing theory and practice of air power, he dispels myths and misunderstandings that still surround the subject.His narrative follows the story from the commencement of the First World War when the development of aircraft accelerated and the possibilities of aerial warfare came to be appreciated and feared. There are graphic accounts of the German raids on the city in the First World War, of the intense interwar debate about the impact of bombing, and of the ordeal that followed - the Blitz and the V1 and V2 campaigns.He also considers in the concluding chapters more recent threats to the capital which come, not from aircraft and missiles, but from the bombing tactics adopted by terrorists, and the need for appropriate responses.

During the darkest days of the Second World War, the Allies listened intently to the messages of the enemy. Every whisper built a picture of the threat to come - weapons that were terrifying in their murderous capabilities. Target London is the dramatic tale of the inception of the German V-weapons, the Allies' epic race to discover the truth about them and the rockets' effects on the streets of London. Investigative historian Christy Campbell brilliantly interweaves the many strands of this gripping episode. At the heart of this tale is London - the target of Nazi Germany's plan to crush British morale.

Secret agent Ian Shaw dreamed of bombs destroying the London Olympics stadium to start a new Fire of London not knowing if it was a premonition or a warning. He forgot it until he overheard a plot to destroy the Eurostar inside the Channel Tunnel that eventually he stopped by reluctantly killing two bombers. Then he retired to forget his wifes murder. He was recalled to translate Arabic documents so saving the London Barrage and starting the hunt for Abdullahs Death to the Infidels and his wifes murderer. Was there a link? He returned to Saudi Arabia to search among the Bedouin for Abdullah to trace him to France, England and Florida. It was a fight against a giant octopus with tentacles everywhere funded by drug money. He and his colleagues had to solve a jigsaw puzzle to find the terrorists before they attacked football stadiums and the London Olympics to kill or maim thousands. It was a race against time to destroy those people apparently living normal lives while waiting to wreak mayhem. Until they were eliminated no one was safe as all around death lurked killing everyone who opposed terrorism.

Scholar and Who fan Miles Booy has written the first historical account of the public interpretation of Doctor Who. Love and Monsters begins in 1979 with the publication of 'Doctor Who Weekly', the magazine that would start a chain of events that would see creative fans taking control of the merchandise and even of the programme's massively successful twenty-first century reboot. From the twilight of Tom Baker's years to the newest Doctor, Matt Smith, Miles Booy explores the shifting meaning of Doctor Who across the years - from the Third Doctor's suggestion that we should read the Bible, via costumed fans on television, up to the 2010 general election in Britain. This is also the story of how the ambitious producer John Nathan-Turner, assigned to the programme in 1979, produced a visually-excessive programme for a tele-literate fanbase, and how this style changed the ways in which Doctor Who could be read. The Doctor's world has never been bigger, inside or out!

Since its inception in November 1963, the British science fiction television series Doctor Who has exerted an enormous impact on the world of science fiction (over 1,500 books have been written about the show). The series follows the adventures of a mysterious "Time Lord" from the distant planet Gallifrey who travels through time and space to fight evil and injustice. Along the way, he has visited Rome under the rule of Nero, played backgammon with Kublai Khan, and participated in the mythic gunfight at the O.K. Corral. Predating the Star Trek phenomenon by three years, Doctor Who seriously dealt with continuing characters, adult genre principles and futuristic philosophies. Critical and historical examinations of the ideas, philosophies, conceits and morals put forth in the Doctor Who series, which ran for 26 seasons and 159 episodes, are provided here. Also analyzed are thematic concepts, genre antecedents, the overall cinematography and the special effects of the long-running cult favorite. The various incarnations of Doctor Who, including television, stage, film, radio, and spin-offs are discussed. In addition, the book provides an extensive listing of print, Internet, and fan club resources for Doctor Who.

Bringing together scholars from a diverse range of disciplines, The City as Target provides a sustained and critical response to the relationship between the concept of targeting (in its many forms) and notions of understanding, imagining and shaping the urban. Among the many spatial and graphic terms used to describe cities in urban studies, the word target is rarely encountered. Though equally spatial, it differs from these others by implying some motive force, and, more than that, a force with some intentionality. To target is to aim, to project, and ultimately to impact. It suggests a space of violence, or at least action, or movement resulting in displacement, which most other terms do not. In that sense it is useful, underused, and perhaps revelatory. Rather than approach the city as simply a site of growth, processes, and developments, the contributors to this volume treat it as the recipient of attentions. The work draws on a wide variety of geographical sites and historic monuments in order to explore this concept, examining and challenging current urban theories. It seeks to highlight both the power of The Global City and the current vulnerability and fragility of urban culture, exploring the city as a recipient and a culprit in relation to issues including terrorism and urban warfare, the latest cyclical failure of global financial markets, and the relatively new spectre of environmental unsustainability. Offering a unique and relevant contribution to the literature, this work will be of great interest to scholars of urban theory, international relations, postcolonial politics and military studies.

Vanessa Smith looked like any normal seventeen year old girl. But Vanessa wasn't normal at all. She possessed extraordinary telepathic powers - and in the 1990s telepathy was the ultimate weapon in psychological warfare. Vanessa, along with other gifted children, was virtually a prisoner at Random Hill Residential School, developing her abilities for Government exploitation. So when she escaped, Vanessa became a political embarrassment. Questions were asked by the Opposition. It was vital for the Prime Minister, the ruthlessly dictatorial Sir Joseph Humbolt, that everything that marked Vanessa's existence should be erased. And orders were given that she should be hunted down - using telepaths like herself - and destroyed.