More than forty years afterleaving her native New Orleans as a young woman, Leta Weiss Marks awakened to the realization that her family history there was almost beyond the horizon of living memory. Rescuing it, for herself and posterity, became her mission and brought her home again. In a compelling, elegant blend of fact and fiction, Marks weaves a tapestry of family members and events, drawing mainly upon interviews with her nonagenarian mother and aunt. Letters, archival research, and Marks’s own recollections and imagination also contribute to the composition, which she calls “a song of myself and my family.” At the center are Marks’s mother and father, and the highs and lows of their courtship and marriage. Caroline Dreyfous was born into a prominent Jewish family of New Orleans; Leon Weiss, seventeen years her senior, always struggled to gain their acceptance. He was an ambitious, talented architect, the driving force in the famous firm of Weiss, Dreyfous and Seiferth, chosen by Huey Long to design the new state capitol and governor’s mansion, New Orleans’ Charity Hospital, and other landmarks. He also was implicated in the “Louisiana Scandals” and sentenced to two years in federal prison. Time’s Tapestry is in part Marks’s attempt to peel back her mother’s reticent yet unwavering loyalty toward her father and understand this man, who died when Marks was only twenty-one and preparing to move to Connecticut. Stories and memories of three generations of the Dreyfous branch of the family tree complete Marks’s portrait. She makes vivid not only the personalities of her kin but also the times in which they lived, conjuring the New Orleans of her great-grandfather, grandparents, parents, and own childhood—segregation, the alternate inclusion and exclusion of the Jewish community, the fervid politics of the Long era—and juxtaposing those scenes with her experiences as an adult returning to visit her family in a greatly changed city. Charming and evocative, a superb example of creative nonfiction—Time’s Tapestry makes for both an intimate family album and a priceless record of New Orleans’ cultural, social, and political history.

The first coming was the Man: The second was Fire to burn Him; The third was water to drown the Fire; The fourth is the Bird of Dawning. Twenty years have passed since the martyrdom of the Boy-piper at York, twenty years in which his legacy, the movement of Kinship, has challenged the tyranny of the Church Militant in Britain's seven island kingdoms. Now his namesake, Tom, bearing the Boy's own pipes and perhaps himself imbued with the spirit of the White Bird, is wandering Europe in company with the girl, Witchet. But disaster overtakes them and Tom, in a fury of vengeance, breaks his vow of Kinship. A terrible path lies before him, one that transcends his own world. As he travels it, Tom must come to understand the true nature of the wild White Bird, of The Bride of Time and her Child, and of the Song the Star Born sang.

Much has been written about women religious -- known as nuns or sisters -- since Vatican II, which brought about major changes to the Roman Catholic Church worldwide. In this book several Dominican Sisters tell with candor what it was really like to live the religious life in Grand Rapids, Michigan, during those years. Organized around the four basic principles of Dominican life -- prayer, study, common life, and service -- Tapestry in Time weaves together written and oral histories from the Sisters themselves to describe how the introduction of then-radical changes such as worship in the vernacular provided the thrill of something new and meaningful -- but also how the move toward inclusivity was met with challenges and opposition.

A first installment of a four-book alternate history epic traces the rise of a powerful family whose successes are linked to an ancient prophecy that guides their financial and political choices, in a tale that begins with a Celtic noble's betrayal and culminates in the fall of the Roman empire. 20,000 first printing.

The third novel in Stephen Baxter's Time's Tapestry series. “We’ve come to expect excellence from Stephen Baxter and that’s what we get it in Navigator.”—SciFiDimensions As William the Conqueror’s men attempt to stamp out the flames of rebellion, a prophecy is uttered. A bedraggled woman in a ruined chapel speaks of civilizations in conflict, armed by the engines of God… And that prophecy proves to be true as the fearsome war between Christianity and Islam leaves its mark across the land. In Spain, a rogue priest dreams of the final defeat of Islam, for he has found a rent in the tapestry of time, a point where agents from the future used diabolical weapons of destruction to change history. Centuries later, in 1492, as men of vision weary of the strife and are drawn to the unknown West, one such explorer seeks the funding for his voyage—while a mysterious Weaver plots to unravel the strands of time and stop him…

"What kind of adventure begins in the living room on a rainy Monday afternoon? It depends. Say you just found out that Granny, who raised you, is going to lose her house because there's nothing valuable left to sell except an unfinished tapestry. And say that your pet blackbird Mead starts talking and swells up to the size of large motorcycle, and that you suddenly find yourself on his back falling into what you could have sworn was just an old rug covered with pictures of knights galloping through forests ... 'Time and the tapestry' tells the story of would-be artist Jen (who's 13) and her not-quite-as-nerdy-as-he-used-to-be brother Ed (10). They find themselves adrift in 19th-century England, unable to make their way back home until they've gathered the missing pieces to make that tapestry whole"--Dust jacket front flap.

In A Tapestry of African Histories: With Longer Times and Wider Geopolitics, contributors demonstrate that African historians are neither comfortable nor content with studying continental or global geopolitical, social, and economic events across the superficial divide of time as if they were disparate or disconnected. Instead, the chapters within the volume reevaluate African history through a geopolitically transcendent lens that brings African countries into conversation with other pertinent histories both within and outside of the continent. The collection analyzes the pre- and post-colonial eras within African countries such as Kenya, Malawi, and Sudan, examining major historical figures and events, struggles for independence and stability, contemporary urban settlements, social and economic development, as well as constitutional, legal, and human rights issues that began in the colonial era and persist to this day.