TangoWords is a book that will help Tango lovers to learn Spanish whilst listening to Argentinian Tango lyrics. Understanding these famous Tangos also improves the dancing experience at a Milonga. It includes a comprehensive GLOSSARY section and music downloads available on www.tangowords.com - Lyrics included: Alma en Pena, Cantando, ¡Che Bandoneón!, Cristal, Danza Maligna, Esta Noche de Luna, Fueron Tres Años, Garúa, Gólgota, Indiferencia, Lejos de Buenos Aires, Marioneta, Paciencia, Percal, Pocas Palabras, Sur, Tinta Roja, Toda Mi Vida, Volvamos a Empezar, Vuelvo al Sur.

Finally! The long awaited "directions" that women have yearned for and needed in order to cope with, transition through, and ultimately make the most of life's many challenges, crises, and changes. This 260-page hands-on, "how-to" book is designed for women of all ages and stages, and provides a winning combination of practical advice, spiritual wisdom, proven suggestions, and compelling examples of women's trials and triumphs. Betty Hill Crowson, holistic life coach, retreat director, and motivational speaker, introduces the reader to her Eight Solutions of practicing self-acceptance, becoming balanced, growing spiritually, learning to let go, choosing to heal, being willing to stop, look, listen, and learn, taking right action, and living consciously. Together, these Solutions address a woman's immediate concerns during a critical or transitional period, deepen her self-awareness, increase her spiritual well-being, and promote her capacity for joy. For every woman who says, "Don't just tell me to let go, or to heal, or to change -- show me how!," The Joy is the Journey: A Woman's Guide Through Crisis and Change is the answer.

In Tango: Creation of a Cultural Icon Jo Baim dispels common stereotypes of the tango and tells the real story behind this rich and complex dance. Despite its exoticism, the tango of this time period is a very accessible dance, especially as European and North American dancers adapted it. Modern ballroom dancers can enjoy a "step" back in time with the descriptions included in this book. Almost as interesting as the history of the tango is the cultural response to it: cities banned it, army officers were threatened with demotion if caught dancing it, clergy and politicians wrote diatribes against it. Newspaper headlines warned that people died from dancing the tango and that it would be the downfall of civilization. The vehemence of these anti-tango outbursts confirms one thing: the tango was a cultural force to be reckoned with!

Experiencing Latin American Music draws on human experience as a point of departure for musical understanding. Students explore broad topics—identity, the body, religion, and more—and relate these to Latin American musics while refining their understanding of musical concepts and cultural-historical contexts. With its brisk and engaging writing, this volume covers nearly fifty genres and provides both students and instructors with online access to audio tracks and listening guides. A detailed instructor’s packet contains sample quizzes, clicker questions, and creative, classroom-tested assignments designed to encourage critical thinking and spark the imagination. Remarkably flexible, this innovative textbook empowers students from a variety of disciplines to study a subject that is increasingly relevant in today’s diverse society. In addition to the instructor’s packet, online resources for students include: customized Spotify playlist online listening guides audio sound links to reinforce musical concepts stimulating activities for individual and group work

What is tango? Dance, music, and lyrics of course, but also a philosophy, a strategy, a commodity, even a disease. This book explores the politics of tango, tracing tango's travels from the brothels of Buenos Aires to the cabarets of Paris and the shako dansu clubs of Tokyo. The author is an Argentinean political theorist and a dance professor at the University of California at Riverside. She uses her ?tango tongue? to tell interwoven tales of sexuality, gender, race, class, and national identity. Along the way she unravels relations between machismo and colonialism, postmodernism and patriarchy, exoticism and commodification. In the end she arrives at a discourse on decolonization as intellectual ?unlearning.?Marta Savigliano's voice is highly personal and political. Her account is at once about the exoticization of tango and about her own fate as a Third World woman intellectual. A few sentences from the preface are indicative: ?Tango is my womb and my tongue, a trench where I can shelter and resist the colonial invitations to '`'universalism,'? a stubborn fatalist mood when technocrats and theorists offer optimistic and seriously revised versions of '`'alternatives' for the Third World, an opportunistic metaphor to talk about myself and my stories as a success' of the civilization-development-colonization of Am ca Latina, and a strategy to figure out through the history of the tango a hooked-up story of people like myself. Tango is my changing, resourceful source of identity. And because I am where I am?outside?tango hurts and comforts me: '`'Tango is a sad thought that can be danced.'?Savigliano employs the tools of ethnography, history, body-movement analysis, and political economy. Well illustrated with drawings and photos dating back to the 1880s, this book is highly readable, entertaining, and provocative. It is sure to be recognized as an important contribution in the fields of cultural studies, performance studies, decolonization, and women-of-color feminism.