#1 New York Times bestselling author Stephanie Laurens returns with the next in her Cynster Sisters series... The Honorable Miss Mary Cynster always gets what she wants. As the last unwed Cynster of her generation, she is determined to remain in charge of her life and of the man she will marry. At the very bottom of her list of potential husbands is Ryder Cavanaugh, the daring and devastating Marquess of Raventhorne, an overwhelming and utterly unmanageable lion of the ton. But destiny has a different plan. Ryder needs Mary as his wife, not just because she is delightful, fiery, and tempting, but because he values all she could be. When fate and circumstance hand him the chance, he claims Mary as his marchioness...only to discover what he truly desires is not just to take her hand in marriage, but to capture her heart.

You met Ryder Richardson in Being Sawyer Knight. Now, this is his story. I’ve done it. I’ve stuck a whopping two fingers up at my parents, I’ve made a name for myself as one of the world’s biggest adult entertainment stars and I’ve finally found a family I belong in. Life is amazing. I get paid to do all my favourite things. And then he comes along. Mason George – Back Door Studio’s newest exclusive model and the guy who has the potential to either mess it all up, or take me on the best ride of my life. ~ Ryder I’m desperate. I’ve got nothing and nobody left. Entering the daunting world of adult entertainment is less of a dream and more of a necessity. Signing as Back Door Studio’s latest model has the ability to either ruin or make me, but I made a vow at my first audition never to let myself regret it. I continue to question myself each day, but no amount of whats, whys or what ifs will change where I am or where I’m heading. Am I strong enough to do this? To embrace it? To enjoy it? I have no idea. The only thing I’m certain of, is that if anyone can teach me who I’m supposed to be, it’s Ryder Richardson. ~ Mason (M/M romance. Not recommended for under 18's due to language and sexual content. Please note, this book contains scenes of self harm which may be uncomfortable for people experiencing similar issues.)

Olivia Felan has a wild side, all right. Once a month she turns furry and feral, but when it comes to her little girl, she doesn't take chances. So when a big bad werewolf alpha steals her daughter, Olivia will do what it takes to get her baby back. And in this case, that means killing Rory Sullivan.

As lead singer and guitarist of the internationally renowned Souls of the Knight, Sawyer Knight is living a life most men can only dream of. He’s surrounded by music, fame, wealth, women throwing themselves at his feet. He has everything… Yet he has nothing. Life as one of the world’s most sought after rock stars is tiring, oppressive and lonely. He spends every day being who the world wants him to be, who his manager tells him to be, who his mother expects him to be… all the while fighting against who he really is. Truth is, he’s used to it. He’s actually gotten pretty good at pretending… at living the lie. Until Jake Reed, his ex-best friend and the only person who’s ever made him ‘feel’, waltzes back into his life as the band’s new head of security. Jake wants Sawyer – always has, always will. Now, he just needs to get Sawyer to admit that he feels the same… “You will be mine, Sawyer Knight. The faster you try to run the quicker you’ll fall to your knees. Then, Sawyer… then you’ll be too weak to resist.” (M/M romance. Not recommended for under 18's due to language and sexual content.)

Seventeen-year-old Maddie Davis has spent her whole life on the move. With an unstable mother who has a knack for making bad decisions, she’s never stayed in one place long enough to remember its postcode. But this time is different. This time, she has been dragged half way across the world. Arriving in California and being forced to go back to school feels like stepping back in time. She wants to go home… Until she meets Blaine Elwood – the stepson of an old family friend. Blaine appears to have it all. To the outside world, quarterback Blaine is rich, confident, and rocks the ‘arrogant bad boy’ image down to a tee. But nobody knows the demons that lurk beneath the façade. Nobody ever can. He has vowed never to let anyone get too close, let anyone discover how weak he really is. So when new girl Maddie starts tugging at strings he didn’t know existed in his heart, his only option is to push her away… Until he realises how much he needs her. When shattered secrets and splintered lies start unravelling around them, will the trust they’ve worked so hard to build be irreparably destroyed? Or will they realise they are two pieces of the same broken puzzle? *Missing Pieces is a revised version of a story previously published under the title Inevitable. Contains some strong language and sexual references. Also, please note the foreword regarding a subject which some readers may find uncomfortable, if certain reads can prove difficult for you.*

Rhetorics for Community Action: Public Writing and Writing Publics, by Phyllis Mentzell Ryder, offers theory and pedagogy to introduce public writing as a complex political and creative action. To write public texts, we have to invent the public we wish to address. Such invention is a complex task, with many components to consider: exigency that brings people together; a sense of agency and capacity; a sense of how the world is and what it can become. All these components constantly compete against texts that put forward other public ideals_opposing ideas about who really has power and who really can create change. Teachers of public writing must adopt a generous response to those who venture into this arena. Some scholars believe that to prepare students for public life, university classes should partner with grassroots community organizations, rather than nonprofits that serve food or tutor students. They worry that a service-related focus will create more passive citizens who do not rally and resist or grab the attention of government leaders or corporations. With carefully contextualized study of an after-school arts program, an area soup kitchen, and parks organizations, among others, Ryder shows that many so-called 'service' organizations are not passive places at all, and she argues that the main challenge of public work is precisely that it has to take place among all of these compelling definitions of democracy. Ryder proposes teaching public writing by partnering with multiple community nonprofits. She develops a framework to help students analyze how their community partners inspire people to action, and offers a course design that support them as they convey those public ideals in community texts. But composing public texts is only part of the challenge. Traditional newspapers and magazines, through their business models and writing styles, reinforce a dominant role for citizens as thinking and reading, but not necessarily acting. This civic role is also professed in the university, where students are taught writing that extends inquiry. Phyllis Mentzell Ryder's Rhetorics for Community Action: Public Writing and Writing Publics turns to the rhetorical practices of nondominant American communities and counterpublics, whose resistance to 'good' public speech and 'proper' public behavior reveals alternate modes of composing and acting in democracy.

Vengeance or Forgiveness? What would you choose? Being a teenager has its ups and downs. Ups? Hot boys, the mall, best friends, dreams of an amazing future. So much potential. Downs? Hot boys, parental drama, frenemies, emotional craziness, snakes emerging from your head when angry… Yeah, I was surprised, too. How am I supposed to stay on my carefully planned path when my true biological heritage presents its ugly head—ahem, heads. And when the messengers of my so-called destiny happen to be two of the most incredibly hot and irritating males on the planet, I’m left fantasizing about my previously boring life. Am I supposed to believe that my duty is to seek vengeance? Or to grant mercy to the offender? And how on earth am I qualified to make these decisions? I’m bound to make mistakes along the way, but keep your fingers crossed that I don’t inadvertently send the world to Tartarus in a hand basket.