Georgia Wright has never believed in fairy tales. That is, until Wyatt Gates walks into her life. But fate has other plans in mind for these two, and their early blossoming romance is over before it’s even begun. Ever since that day, Georgia is determined to live an untethered life. She’s never felt comfortable with the fact that she grew up with a trust fund when others had so little. Now she travels to places where she can help people in need and do her part to make the world a better place. It isn’t until seven years later, when the two meet again, that they get a second chance to get things right. Wyatt has never found it easy to trust. Ever since his mother passed away, he has a hard time opening up to anyone. Now the owner of a Pit Bull rescue called Cooper’s Place, he has slowly begun to turn his life around. When the last person he ever wants to see again, Georgia Wright, walks back into his life, the sparks they once shared are impossible to ignore and the walls he so carefully built around his world start to come crashing down. Will Georgia and Wyatt let the misunderstandings of their past keep them apart? Or will their attraction to one another lead these two passionate souls to finally find their happily ever after?

Let your tights run wild and free in the hilarious conclusion to this laugh-out-loud series. From the original Queen of Comedy!

Taming the Great South Land is the first full-length landscape history of an entire continent occupied by one nation. It is also, in William Lines's telling, a brutal and controversial story. Examining the ways European society rapidly, radically transformed Australia's physical and human landscapes, the author writes candidly of repeated environmental devastation--from the early slaughter of seals and whales to the destructive spread of sheep, through gold rushes and land settlement to British nuclear tests and the modern mining and timber industries. Lines shows how Enlightenment ideas of progress, economic growth, and development were reconstructed on Australian soil, and how the promise of the conquest of nature became a mockery in fact, resulting in the mass dislocation and destruction of indigenous populations. This shocking narrative, thoroughly researched and accessibly written, combines environmental, social, and political history to hard-hitting effect. Taming the Great South Land is the first full-length landscape history of an entire continent occupied by one nation. It is also, in William Lines's telling, a brutal and controversial story. Examining the ways European society rapidly, radically transformed Australia's physical and human landscapes, the author writes candidly of repeated environmental devastation--from the early slaughter of seals and whales to the destructive spread of sheep, through gold rushes and land settlement to British nuclear tests and the modern mining and timber industries. Lines shows how Enlightenment ideas of progress, economic growth, and development were reconstructed on Australian soil, and how the promise of the conquest of nature became a mockery in fact, resulting in the mass dislocation and destruction of indigenous populations. This shocking narrative, thoroughly researched and accessibly written, combines environmental, social, and political history to hard-hitting effect.

"In this text, author and editor David Fillingim turns his attention to the West - West Georgia that is. This book examines how the contemporary cowboy poetry revival that sprung up in 1985 in Elko, Nevada, has borne fruit in the Peach State. First, Fillingim traces the history of cowboy poetry and its emergence as a cultural phenomenon. Then he recounts the story of how Georgia became home to a vibrant cowboy poetry scene. But the largest part of the book is an anthology of poems by some of the finest cowboy poets anywhere, and they all happen to be in Georgia." "As celebrated cowboy-poet Doris Daley says in the preface, "everywhere is west of somewhere". So settle in, and travel with Fillingim to someplace west of wherever you are, and enjoy this unique combination of shrewd scholarly analysis and heartwarming cowboy poetry." --Book Jacket.

Tweetering, pandashrews, and undying giddiness for James Madison -- what else could you expect to find at a Miss America pageant? In this hilarious, raucous, all-female "power-play" inspired by Shakespeare's Shrew, contestant Katherine has political aspirations to match her beauty pageant ambitions. All she needs to revolutionize the American government is the help of one ultra-conservative senator's aide on the cusp of a career breakthrough, and one bleeding-heart liberal blogger who will do anything for her cause. Well, that and a semi-historically-accurate ether trip. Here's lookin' at you, America.

Twelve research articles deal with aspects of religion in the plays of William Shakespeare, from early in the dramatist’s career to the end. Ordered by chronology, two chapters focus on history plays; three chapters focus on comedies and three on tragedies; one deals with "Troilus and Cressida," and three chapters deal with the late romances. The anthology does not cover all of Shakespeare’s plays and collaborations or the lyric poems. The collection is ecumenical and transnational. While the contributors all recognize that Shakespeare wrote in a Renaissance Christian universe, Christianity is not the only world religion dealt with. Approaches involve history and philosophy as well as theology, and individual perspectives vary. One thing the collection makes clear is that religion, in some sense, operates in every Shakespearean work, and its large spectrum ranges through plot and character from shallow to deep, self-interested to elevated, bloody to harmonious. Religion and religious differences were also part of the fabric and history of the playwright’s world, manifesting in the plays in situation, language, and iconography. From various perspectives, a common denominator is that the authors approach aspects of religion as one element in an informed analysis of the works.