Spoken by eighty million people in South Asia and a diaspora that stretches across the globe, Tamil is one of the great world languages, and one of the few ancient languages that survives as a mother tongue for so many speakers. David Shulman presents a comprehensive cultural history of Tamil—language, literature, and civilization—emphasizing how Tamil speakers and poets have understood the unique features of their language over its long history. Impetuous, musical, whimsical, in constant flux, Tamil is a living entity, and this is its biography. Two stories animate Shulman’s narrative. The first concerns the evolution of Tamil’s distinctive modes of speaking, thinking, and singing. The second describes Tamil’s major expressive themes, the stunning poems of love and war known as Sangam poetry, and Tamil’s influence as a shaping force within Hinduism. Shulman tracks Tamil from its earliest traces at the end of the first millennium BCE through the classical period, 850 to 1200 CE, when Tamil-speaking rulers held sway over southern India, and into late-medieval and modern times, including the deeply contentious politics that overshadow Tamil today. Tamil is more than a language, Shulman says. It is a body of knowledge, much of it intrinsic to an ancient culture and sensibility. “Tamil” can mean both “knowing how to love”—in the manner of classical love poetry—and “being a civilized person.” It is thus a kind of grammar, not merely of the language in its spoken and written forms but of the creative potential of its speakers.

This book introduces the syntactic process of auxiliary formation and applies it to the grammatical analysis of the indicative, or non-modal, auxiliary verbs of Modern Tamil. Using data from spoken and written registers gathered over several years, the book demonstrates for the first time the systematic nature of auxiliary verb phenomena, and how they are integrated into the grammar of the language. Including fresh information on new verb constructions, verbal categories and tenses, this book will be a welcome addition to the current general linguistics literature, in particular the study of verbal categories and the morphosyntactic processes that instantiate them.

There is a number of problems connected with the study and teaching of any Oriental literature in general and of Tamil literature specifically which have to date been mostly ignored, although they are indispensable for solid knowledge and correct interpretation and understanding of the literature in question. These include problems of authenticity and authorship, of transmission and tradition, writing tools and materials, of relationship of orality to literacy, of Sanskrit to Tamil, the prehistory of Tamil written literature, the numerous texts that have been lost, scholarly lineages and the rediscovery of ancient Tamil literature etc. The book deals with all these problems as well as with some specific Tamil cultural phenomena such as the concept of "threefold Tamil" or the relationship of literature ('marked') to grammar ('marker'), with the derivation of the term "Tamil" and with the history of Tamil literary historiography. It will be indispensable as an introduction to the study of the more than 2000 years of Tamil literary history. By addressing questions which have thus far been almost completely neglected, it has also decisive impact on the interpretative comprehension of Tamil literature and on the teaching of this very rich heritage of verbal art.