Exam Board: SQA Level: National 4 & 5 Subject: English First Teaching: September 2013 First Exam: June 2014 As well as being a highly popular play for National 5 English study, Tally's Blood paints a wonderful picture of life in wartime Scotland, as experienced by the Italian immigrant community. Exploring the themes of racism, love and family loyalties, it does so with humour and warmth through the eyes of an Italian family with close blood ties. When World War Two breaks out, friendships outwith the family are sorely tested by the difficulties of wartime prejudice. - One of the set drama texts for National 5 English - Written by a very successful playwright and television screenplay writer

Exam Board: SQA Level: National 5 and Higher Subject: English First teaching: September 2017 (N5) / September 2018 (Higher) First exams: Summer 2018 (N5) / Summer 2019 (Higher) Understand, analyse, evaluate, succeed. This study and revision guide takes you through every aspect of The Cone-Gatherers, with exam advice for the National 5 and Higher English Critical Reading papers. Fully up to date with SQA's latest exam requirements, this book is written by an expert who knows what exam success looks like. b” Develop understanding of plot, structure, characterisation, themes and language. /bClear explanations and detailed commentary are supported by definitions of key terms and unfamiliar wordsbrbrb” Build critical and analytical skills. /bStudents are encouraged to think more deeply about the text and consider the writers' ideas, choices and techniquesbrbrb” Receive advice on the Scottish Texts section of the exam. /bSample questions with model answers and examiner-style commentary are supported by additional practice questions for students to dobrbrb” Prepare for the Critical Essay section of the exam. /bWith tips and examples for planning, structuring and writing a top-grade essay, plus practice essay questions for students to answerbrbrb” Remember key quotations.

Alek Fitz is the lead reaper for Valkyrie Collections, an agency that gathers debts for the paranormal elements of the world. Bound into modern-day slavery by a contract he cannot break, sold by parents he never knew, Alek works alongside demons, spirits, witches, and even Death himself to collect on deals made with humanity. When Alek is forced to take a job from a local vampire hunting down a run-away thrall, he is immediately thrust into a world of blackmail and backstabbing, where the Rules are nothing more than an inconvenience to ancient, supernatural predators. For the first time, Alek has more to fear from his clients than from his debtors. But Alek is the best in the business. It’ll take more than a Vampire Lord to keep a good reaper down.

At the end of Specials, the conclusion to the Uglies trilogy, things in Tally's futuristic world had stabilised. The walls between the social classes - the uglies, pretties and specials - had been torn down. So Tally took off to live on her own in the wild. Fast forward... Tally discovers another brand new world. In Extras, it's all about who you know, and how much you have. It's just like LA. Only Paris and Nicole are way dead...

From the late 1960s until the present day, a significant number of women playwrights have emerged in Scottish theatre who have made a pioneering contribution to dramatic innovation and experimentation. Despite the critical reassessment of some of these authors in the last twenty years, their invaluable achievement in playwriting, within and outside Scotland, still deserves more thorough investigations and fuller acknowledgement. This work explores what is still uncharted territory by examining a selection of representative texts by Ann Marie di Mambro, Marcella Evaristi, Sue Glover, Jackie Kay, Liz Lochhead, Sharman Macdonald, and Joan Ure. The three macro-thematic areas of the book – the rewriting of the Shakespearean canon; the representation of female communities and minorities; and the conflicts between the self and society – find significant and paradigmatic expression in their dramas. All seven writers examined in this book have explored new theatrical methods, introduced aesthetic innovations and opened new perspectives to engage with the complexities of national, community and individual identities. This study will surely contribute to wider recognition of their achievement, so that their work can never again be described as “uncharted territory”.

The second installment of Scott Westerfeld’s New York Times bestselling and award-winning Uglies series—a global phenomenon that started the dystopian trend. Tally has finally become pretty. Now her looks are beyond perfect, her clothes are awesome, her boyfriend is totally hot, and she’s completely popular. It’s everything she’s ever wanted. But beneath all the fun—the nonstop parties, the high-tech luxury, the total freedom—is a nagging sense that something’s wrong. Something important. Then a message from Tally’s ugly past arrives. Reading it, Tally remembers what’s wrong with pretty life, and the fun stops cold. Now she has to choose between fighting to forget what she knows and fighting for her life—because the authorities don’t intend to let anyone with this information survive.

As well as being a highly popular play for National 5 English study, 'Tally's Blood' paints a wonderful picture of life in wartime Scotland, as experienced by the Italian immigrant community. Exploring the themes of racism, love and family loyalties, it does so with humour and warmth through the eyes of an Italian family with close blood ties. When World War Two breaks out, friendships outwith the family are sorely tested by the difficulties of wartime prejudice.