Britain, the Empire, and the World at the Great Exhibition is the first book to situate the Crystal Palace Exhibition of 1851 in a truly global context. Addressing national, imperial, and international themes, this collection of essays considers the significance of the Exhibition both for its British hosts and their relationships to the wider world, and for participants from around the globe. How did the Exhibition connect London, England, important British colonies, and significant participating nation-states including Russia, Greece, Germany and the Ottoman Empire? How might we think about the exhibits, visitors and organizers in light of what the Exhibition suggested about Britain’s place in the global community? Contributors from various academic disciplines answer these and other questions by focusing on the many exhibits, publications, visitors and organizers in Britain and elsewhere. The essays expand our understanding of the meanings, roles and legacies of the Great Exhibition for British society and the wider world, as well as the ways that this pivotal event shaped Britain’s and other participating nations’ conceptions of and locations within the wider nineteenth-century world.

The exhibitions of the Victorian and Edwardian eras are the lens through which this book examines the economic, cultural, and social forces that helped define Britain and the Empire. It focuses on exhibitions in England, Australia, and India from the Great Exhibition to the Festival of Empire.

The extraordinary palm: diverse and prolific, symbolic and often sacred, essential and exotic (and at times erotic), exploited and controversial. The signature greenery of the tropics and subtropics, these record-breaking plants produce the world’s biggest and heaviest seed, the longest leaf, and the longest stem. In the superbly illustrated, similarly extraordinary Palm, Fred Gray portrays the immense cultural and historical significance of these iconic and controversial plants, unfurling a tale as long and beguiling as their bladed fronds. As Gray shows, palms sustained rainforest communities for thousands of years, contributing to the development of ancient civilizations across the globe. But as palms gained mystical and religious significance, they also became a plant of abstractions and fantasies, a contradictory symbol of leisure and luxury, of escaping civilization and getting closer to nature—and at times to danger and devastation. In the era of industry and empire, the palm and its myriad meanings were exported to far colder climes. Palms were shown off as exceptional performers in iconic greenhouses and used to clothe, romanticize, and glamorize an astonishing diversity of new places far from their natural homelands. And today, as millions of people worldwide consume palm oil daily, the plant remains embedded in consumer society—and mired in environmental controversy.

Drawing on a wide range of archival evidence, Abigail McGowan argues that crafts seized the political imagination in western India because they provided a means of debating the present and future of the country.