In basketball, just as in American culture, the 1970s were imperfect. But it was a vitally important time in the development of the nation and of the National Basketball Association. During this decade Americans suffered through the war in Vietnam and Nixon’s Watergate cover-up (not to mention disco music and leisure suits) while the NBA weathered the arrival of free agency and charges that its players were “too black.” Despite this turmoil, or perhaps because of it, the NBA evolved into a cultural phenomenon. Tall Tales and Short Shorts: Dr. J, Pistol Pete, and the Birth of the Modern NBA traces the evolution of the NBA from the retirement of Bill Russell in 1969 to the arrival of Larry Bird and Magic Johnson ten years later. Sandwiched between the youthful league of the sixties and its mature successor in the eighties, this book reveals the awkward teenage years of the NBA in the seventies. It examines the many controversies that plagued the league during this time, including illicit drug use, on-court violence, and escalating player salaries. Yet even as attendance dwindled and networks relegated playoff games to tape-delayed, late-night broadcasts, fans still pulled on floppy gray socks like “Pistol Pete” Maravich, emulated Kareem Abdul-Jabbar’s sweeping skyhook, and grew out mushrooming afros à la “Dr. J” Julius Erving. The first book-length treatment of pro basketball in the 1970s, Tall Tales and Short Shorts brings to life the players, teams, and the league as a whole as they dealt with expansion, a merger with the ABA, and transitioning into a new era. Sport historians and basketball fans will enjoy this entertaining and enlightening survey of an often-overlooked time in the development of the NBA.

This "part memoir, part sports story" (Wall Street Journal) from the New York Times bestselling author of The Big Bam chronicles the clash of NBA titans over seven riveting games—Celtics versus Lakers, Russell versus Chamberlain—covered by one young reporter. Welcome to the 1969 NBA Finals! They don’t set up any better than this. The greatest basketball player of all time - Bill Russell - and his juggernaut Boston Celtics, winners of ten (ten!) of the previous twelve NBA championships, squeak through one more playoff run and land in the Finals again. Russell’s opponent? The fearsome 7’1” next-generation superstar, Wilt Chamberlain, recently traded to the LA Lakers to form the league’s first dream team. Bill Russell and John Havlicek versus Chamberlain, Jerry West and Elgin Baylor. The 1969 Celtics are at the end of their dominance. The 1969 Lakers are unstoppable. Add to the mix one newly minted reporter. Covering the epic series is a wide-eyed young sports writer named Leigh Montville. Years before becoming an award-winning legend himself at The Boston Globe and Sports Illustrated, twenty-four-year-old Montville is ordered by his editor at the Globe to get on a plane to L.A. (first time!) to write about his luminous heroes, the biggest of big men. What follows is a raucous, colorful, joyous account of one of the greatest seven-game series in NBA history. Set against a backdrop of the late sixties, Montville’s reporting and recollections transport readers to a singular time – with rampant racial tension on the streets and on the court, with the emergence of a still relatively small league on its way to becoming a billion-dollar industry, and to an era when newspaper journalism and the written word served as the crucial lifeline between sports and sports fans. And there was basketball – seven breathtaking, see-saw games, highlight-reel moments from an unprecedented cast of future Hall of Famers (including player-coach Russell as the first-ever black head coach in the NBA), coast-to-coast travels and the clack-clack-clack of typewriter keys racing against tight deadlines. Tall Men, Short Shorts is a masterpiece of sports journalism with a charming touch of personal memoir. Leigh Montville has crafted his most entertaining book yet, richly enshrining luminous players and moments in a unique American time.

A typical NBA game can yield approximately 2,800 statistical events in thirty-two different categories. In Numbers Don't Lie Yago Colás started with a simple question: How did basketball analytics get from counting one stat, the final score, to counting thousands? He discovered that what we call "basketball"--rules, equipment, fundamental skills, techniques, tactics, strategies--has changed dramatically since its invention and today encompasses many different forms of play, from backyards and rec leagues to the NBA Finals. Numbers Don't Lie explores the power of data to tell stories about ourselves and the world around us. As advanced statistical methods and big-data technologies transform sports, we now have the power to count more things in greater detail than ever before. These numbers tell us about the past, present, and future that shape how basketball is played on the floor, decisions are made in front offices, and the sport is marketed and consumed. But what is the relationship between counting and what counts, between quantification and value? In Numbers Don't Lie Colás offers a three-part history of counting in basketball. First, he recounts how big-data basketball emerged in the past twenty years, examines its current practices, and analyzes how it presents itself to the public. Colás then situates big data within the deeper social, cultural, and conceptual history of counting in basketball and beyond and proposes alternative frameworks of value with which we may take fuller stock of the impact of statistics on the sport. Ultimately, Colás challenges the putative objectivity of both quantification and academic writing by interweaving through this history a series of personal vignettes of life at the intersection of basketball, counting, and what counts.

"A Tall Tale About The Dog With The Polka Dotted Tail" is a cute and lovable story about an outcast dog, with a most unusual tail, who learns that he is perfect just the way he is.

Covering everything from sports to art, religion, music, and entrepreneurship, this book documents the vast array of African American cultural expressions and discusses their impact on the culture of the United States. According to the latest census data, less than 13 percent of the U.S. population identifies as African American; African Americans are still very much a minority group. Yet African American cultural expression and strong influences from African American culture are common across mainstream American culture—in music, the arts, and entertainment; in education and religion; in sports; and in politics and business. African American Culture: An Encyclopedia of People, Traditions, and Customs covers virtually every aspect of African American cultural expression, addressing subject matter that ranges from how African culture was preserved during slavery hundreds of years ago to the richness and complexity of African American culture in the post-Obama era. The most comprehensive reference work on African American culture to date, the multivolume set covers such topics as black contributions to literature and the arts, music and entertainment, religion, and professional sports. It also provides coverage of less-commonly addressed subjects, such as African American fashion practices and beauty culture, the development of jazz music across different eras, and African American business.

The New York Times bestseller Out of the greatest dynasty in American professional sports history, a Boston Celtics team led by Bill Russell and Bob Cousy, comes an intimate story of race, mortality, and regret About to turn ninety, Bob Cousy, the Hall of Fame Boston Celtics captain who led the team to its first six championships on an unparalleled run, has much to look back on in contentment. But he has one last piece of unfinished business. The last pass he hopes to throw is to close the circle with his great partner on those Celtic teams, fellow Hall of Famer Bill Russell. These teammates were basketball's Ruth and Gehrig, and Cooz, as everyone calls him, was famously ahead of his time as an NBA player in terms of race and civil rights. But as the decades passed, Cousy blamed himself for not having done enough, for not having understood the depth of prejudice Russell faced as an African-American star in a city with a fraught history regarding race. Cousy wishes he had defended Russell publicly, and that he had told him privately that he had his back. At this late hour, he confided to acclaimed historian Gary Pomerantz over the course of many interviews, he would like to make amends. At the heart of the story The Last Pass tells is the relationship between these two iconic athletes. The book is also in a way Bob Cousy's last testament on his complex and fascinating life. As a sports story alone it has few parallels: An poor kid whose immigrant French parents suffered a dysfunctional marriage, the young Cousy escaped to the New York City playgrounds, where he became an urban legend known as the Houdini of the Hardwood. The legend exploded nationally in 1950, his first year as a Celtic: he would be an all-star all 13 of his NBA seasons. But even as Cousy's on-court imagination and daring brought new attention to the pro game, the Celtics struggled until Coach Red Auerbach landed Russell in 1956. Cooz and Russ fit beautifully together on the court, and the Celtics dynasty was born. To Boston's white sportswriters it was Cousy's team, not Russell's, and as the civil rights movement took flight, and Russell became more publicly involved in it, there were some ugly repercussions in the community, more hurtful to Russell than Cousy feels he understood at the time. The Last Pass situates the Celtics dynasty against the full dramatic canvas of American life in the 50s and 60s. It is an enthralling portrait of the heart of this legendary team that throws open a window onto the wider world at a time of wrenching social change. Ultimately it is a book about the legacy of a life: what matters to us in the end, long after the arena lights have been turned off and we are alone with our memories. On August 22, 2019, Bob Cousy was awarded the Presidential Medal of Freedom