'We cannot imagine life now without a mobile phone' is a frequent comment when Africans are asked about mobile phones. They have become part and parcel of the communication landscape in many urban and rural areas of Africa and the growth of mobile telephony is amazing: from 1 in 50 people being users in 2000 to 1 in 3 in 2008. Such growth is impressive but it does not even begin to tell us about the many ways in which mobile phones are being appropriated by Africans and how they are transforming or are being transformed by society in Africa. This volume ventures into such appropriation and mutual shaping. Rich in theoretical innovation and empirical substantiation, it brings together reflections on developments around the mobile phone by scholars of six African countries (Burkina Faso, Cameroon, Ghana, Mali, Sudan and Tanzania) who explore the economic, social and cultural contexts in which the mobile phone is being adopted, adapted and harnessed by mobile Africa.

It is 1971. The fictional city of Bellport, Massachusetts, is in decline with an urban redevelopment project on the horizon expected to transform this dying factory town into a thriving economic center. This transformation has a profound effect on three African American couples as their own personal transformations take place. Sydney Stallworth steps away from her fellowship and law studies at an elite university to support husband Malachi's dream of opening a business in Bellport, his hometown--The Talking Drum Bookstore and Cultural Center--which he believes will benefit from the new development coming to the city. For Omar Bassari, an immigrant from Senegal, Bellport is where he will establish his drumming career and will be the launching pad for the establishment of his drumming institute from which he will spread African culture across the world. However, he's on the verge of losing his foothold in Bellport and his marriage to college sweetheart, Natalie, as his neighbourhood prepares to be taken by eminent domain. Della Tolliver has built a fragile sanctuary in Bellport for herself and daughter Jasmine, a troubled child prone to nightmares and outbursts, but that sanctuary is in jeopardy because Della's boyfriend, local activist Kwamé Rodriguez, is--unbeknownst to her--the head of an arson ring torching buildings in the neighbourhood scheduled for demolition.Tensions rise as the demolition date moves closer and the pace of the arsons picks up.The couples find themselves at odds with a political system manipulating their lives and question the future of their relationships. The Talking Drum explores intra-racial, class, and cross-cultural tensions, along with the meaning of community and belonging.

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.

In the personal story of internationally acclaimed drummer Yaya Diallo we see the power of music as a sacred, healing force in West African culture.

This bold, challenging, and celebratory new book accompanies a major exhibition at the British Library the first in the UK to explore in such detail the vibrant cultural history of this complex and compelling region.The authors explain how West Africans have profoundly shaped their own histories, focusing in particular on their profound and engaging literary culture, exploring the region's centuries-old written heritage alongside its even older oral traditions. The book ranges across a millennium of history, from the great empires of the middle ages through colonialism, resistance, and independence to contemporary life and culture. Writers, scholars, and artists have harnessed the power of words to build societies, to make political statements, to communicate faith, to fight injustice and enslavement, and to respond to the experience of Diaspora. Today, West Africa is experiencing an outpouring of creativity in a variety of media. In this richly illustrated book, leading international scholars of music, literature, history, and anthropology offer a unique insight into the stories of West African societies past and present."

With Freeman Kwazdo Donkor and Abraham Adzenyah. Based on four Ghanaian rhythmic groups (Sikyi, Adowa, Gahu and Akom), this book and CD will provide drumset players with a "new" vocabulary based on some of the oldest and most influential rhythms in the world. A groundbreaking presentation!