The Talkative Man tells the story of a mysterious stranger who arrives at the Malgudi train station to pursue a purported U.N. project. The stranger winds up staying at Talkative Man's home, where he begins to seduce the librarian's daughter.

This is a provocative piece of scholarship, and it engages an intriguing aspect of postcolonial writing.-Choice "Fawzia Afzal-Khan's excellent book could stand as a reply to those hostile critics who today attack 'multiculturalism' for reductively politicizing literature. In her trenchant discussion, Afzal-Khan shows just how complex the politics of 'liberation' can be for colonial and postcolonial novelists." -Gerald Graff, University of Chicago"Afzal-Khan's study is a major new contribution to the related fields of Indian writing in English and post-colonial literatures. Focused primarily on four Indian novelists, its arguments and conclusions are of vital importance to our understanding of the many new literatures from the former British colonies. Through her judicious use of the theoretical constructs of Frantz Fanon, Fredric Jameson, Edward Said, and others, Afzal-Khan has produced a fresh and compelling interpretation of the Indian-English novel."-Amritjit Singh, Rhode Island CollegeCultural Imperialism and the Indo-English Novel focuses on the novels of R. K. Narayan, Anita Desai, Kamala Markandaya, and Salman Rushdie and explores the tension in these novels between ideology and the generic fictive strategies that shape ideology or are shaped by it. Fawzia Afzal-Khan raises the important question of how much the usage of certain ideological strategies actually helps the ex-colonized writer deal effectively with post-colonial and post-independence trauma and whether or not the choice of a particular genre or mode employed by a writer presupposes the extent to which that writer will be successful in challenging the ideological strategies of "containment" perpetuated by most Western "orientalist" texts and writers. She argues that the formal or generic choices of the four writers studied here reveal that they are using genre as an ideological "strategy of liberation" to help free their peoples and cultures from the hegemonic strategies of "containment" imposed upon them. She concludes that the works studied here constitute an ideological rebuttal of Western writers' denigrating "containment" of non-Western cultures. She also notes that self-criticism, as implied in Rushdie's works, is not be confused with self-hatred, a theme found in Naipaul's work.

The man behind the Real Housewives writes about his lifelong love affair with pop culture that brought him from the suburbs of St. Louis to his own television show From a young age, Andy Cohen knew one thing: He loved television. Not in the way that most kids do, but in an irrepressible, all-consuming, I-want-to-climb-inside-the-tube kind of way. And climb inside he did. Now presiding over Bravo's reality TV empire, he started out as an overly talkative pop culture obsessive, devoted to Charlie's Angels and All My Children and to his mother, who received daily letters from Andy at summer camp, usually reminding her to tape the soaps. In retrospect, it's hard to believe that everyone didn't know that Andy was gay; still, he remained in the closet until college. Finally out, he embarked on making a career out of his passion for television. The journey begins with Andy interviewing his all-time idol Susan Lucci for his college newspaper and ends with him in a job where he has a hand in creating today's celebrity icons. In the witty, no-holds-barred style of his show Watch What Happens Live, Andy tells tales of absurd mishaps during his ten years at CBS News, hilarious encounters with the heroes and heroines of his youth, and the real stories behind The Real Housewives. Dishy, funny, and full of heart, Most Talkative provides a one-of-a-kind glimpse into the world of television, from a fan who grew up watching the screen and is now inside it, both making shows and hosting his own.

Memories Of Malgudi Brings Together Five Unforgettable Novels From The Narayan Corpus. The Dark Room, The First Novel In This Collection, Is The Story Of The Marital Discord Between Savitri, A Traditional Hindu Wife, And Ramani, Her Husband. The English Teacher Is About Another Young Couple: Krishna And His Wife, Susila. Their World Is Full Of Love And Laughter, But When Susila Passes Away, Krishna Must Deal With The Tragic Blow And Find A Reason To Go On Living. In The World Of Nagaraj, Narayan S Final Novel, Nagaraj S Life Of Small Comforts Is Rudely Interrupted By The Arrival Of His Nephew Tim, And He Struggles To Fend Off The Turbulence Which Threatens To Disrupt His World Forever. Sriram, The Hero Of Waiting For The Mahatma, Is In Love With The Enchanting Bharati, But Her Primary Loyalty Is To Gandhiji And His Ideals. Sriram Becomes A Follower Of The Mahatma Himself, But Finds Himself Adapting The Great Man S Ideas To Suit His Own Petty Ends. And In The Guide, Narayan S Award-Winning Novel, Raju The Guide Takes A Roller-Coaster Ride Through Life He Falls In Love With The Beautiful Dancer Rosie, Seduces Her Away From Her Husband, Transforms Her Into A Celebrity But Then Falls Out With Her. Finally, Through A Series Of Ironical Events, He Becomes A Well-Respected Holy Man. The Last In Penguin India S Series Of Collectors Editions Of R.K. Narayan S Novels, Memories Of Malgudi Showcases The Best Of The Master Storyteller S Oeuvre.