Nobody knows who Miss Rose Sweetly is, and she prefers it that way. She’s a shy, mathematically-minded shopkeeper’s daughter who dreams of the stars. Women like her only ever come to attention through scandal. She’ll take obscurity, thank you very much. All of England knows who Stephen Shaughnessy is. He’s an infamous advice columnist and a known rake. When he moves into the house next door to Rose, she discovers that he’s also wickedly funny, devilishly flirtatious, and heart-stoppingly handsome. But when he takes an interest in her mathematical work, she realizes that Mr. Shaughnessy isn’t just a scandal waiting to happen. He’s waiting to happen to her…and if she’s not careful, she’ll give in to certain ruination. Talk Sweetly to Me is the final novella in The Brothers Sinister series. The other books in the series are: ½. The Governess Affair (prequel novella) 1. The Duchess War 1½. A Kiss for Midwinter (a companion novella to The Duchess War) 2. The Heiress Effect 3. The Countess Conspiracy 4. The Suffragette Scandal 4½. Talk Sweetly to Me

A heartfelt middle-grade novel about ex-best friends, betrayals, and revenge that is best served sour. Revenge is sweet! For as long as she can remember, Mai has spent every summer in Mystic, Connecticut visiting family friends. And hanging out with her best-friend-since-birth, Zach Koyama, was always the best part. Then two summers ago everything changed. Zach humiliated Mai, proving he wasn’t a friend at all. So when Zach’s family moved to Japan, Mai felt relieved. No more summers together. No more heartache. But this year, the Koyamas have returned and the family vacation is back on. And if Mai has to spend the summer around Zach, the least she can do is wipe away the memory of his betrayal... by coming up with the perfect plan for revenge! Only Zach isn’t the boy he used to be, and Mai’s memories of their last fateful summer aren’t the whole truth of what happened between them. Now she’ll have to decide if she can forgive Zach, even if she can never forget.

Everything you've heard about modeling is true, and you haven't heard the half of it. It's glamorous. It's sexy. And yes, the line between work and reality often blurs. We're not just prototypes of perfection. Models have feelings and desires, too. We may be genetically gifted, but we're still human. I'm only human. Yes, an extraordinary specimen that earns more in a day than most make in a year, but this eight pack didn't create itself. I spend hours working on this body. The good looks just come natural. *Winks* Thanks, Mom and Dad. I'm Danny Weston, Supermodel. But one path was traded for another when I chose this career. Ten years later, I would trade my career to have it back. To have her back. Reese Carmichael is the one woman I would give it all up for, and the only one I can't have. Yet.

"Talk, Talk, Sweet Charlotte"presents a unique and often candid investigation of certain psychological, emotional, and social considerations typically associated with autism. It describes the relationship that was built over a two year period when the author worked as a one on one aide with CharlotteTate, a junior high student who hasautism. Charlotte was non-verbal and very aggressive toward principals, vice principals, teachers, aides, and other students. Her behaviorshad prevented her from participating ina regular classroom environment. The author traces his work with Charlotte and highlights qualities relating to belief, courage, and caring in various forms. The transformation of Charlotte from "one of the toughest kids to work with" to a studentwho hasa "thirst for knowledge" is an inspirational, amazingstory.

A young man stumbles into a rural public house in western Ireland claiming to be on the run after having killed his father. He immediately becomes a source of awe and an object of adoration, and even love. But what happens when the inhabitants of this tiny village find out all is not as the stranger claims? J. M. Synge first presented The Playboy of the Western World at the Abbey Theatre in Dublin on the 26th of January, 1907. The performance immediately offended Irish nationalists by seemingly insulting the Irish people and language, and the general public, by being an offense against moral order. Before it was even finished, it was disrupted by a riot that soon spread out into the city. When it was performed in 1911 in the U.S., the play was again greeted with scorn and the company arrested for an immoral performance. But as Synge himself attempts to explain in the preface to his play, rather than attack Irish Gaelic, he wanted to show the relationship between the imagination of the Irish country people and their speech, which is “rich and living,” and that his use of such language reflects reality in a way missing from other modern drama. He later insisted that his plot was not to be taken as social realism, but died in 1909 before the play finally gained broader appeal in the wider world. Since then the significance of The Playboy of the Western World has been recognized and celebrated both for its characterizations and its rich use of dialect. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

The most famous and infamous play by Ireland's best loved (and hated) playwright The Playboy of the Western World, offended audiences when first produced in 1907, on account of its 'immodest' references to Irish womanhood and aroused a prolonged and bitter controversy, which lasted until the author's death in 1909. In the play Christy Mahon stumbles into the Flaherty's tavern claiming to have killed his father. He is praised for his boldness, and he and the barmaid Pegeen fall in love to the dismay of her betrothed, Shawn. The Widow Quin tries to seduce him to no avail, but eventually his father, who was only wounded, tracks Christy to the tavern, and Christy attacks him again. Old Mahon falls, and the townsfold, afraid of being implicated, bind Christy, but he is freed when his father crawls inside. Christy leaves to wander the world with a newfound confidence, and Pegeen laments betraying and losing him.

J M Synge was one of the key dramatists in the flourishing world of Irish literature at the turn of the century. This volume offers all of Synge's plays, which range from racy comedy to stark tragedy, all sharing a memorable lyricism. The introduction sets Synge's work in the context of the Irish literary movement, with special attention to his role as one of the founders of the Abbey Theatre and his work alongside W. B. Yeats and Lady Gregory. Includes: Riders to the Sea; The Shadow of the Glen; The Tinker's Wedding; The Well of the Saints; The Play of the Western World; Deirdre of the Sorrows