Tales of the Teahouse Retold is based on the author's original translation of Feng Shen Yan Yi, an important volume of Chinese mythology first published during the Ming Dynasty (1368-1644). It is the story of the overthrow the Shang Dynasty (circa 1766-1122 BC) and the founding of the Chou Dynasty (1122-249 BC). Combining historical facts, folklore, mythology, and legends, these tales describe a time when gods and men, beasts and monsters, and spirits and specters mingled with each other in peace and war. The saga begins when King Zhou of Shang offends the Snail Goddess, who sends three specters to bewitch the king in retribution. The kingdom falls into chaos and civil war ensues, with gods and other supernatural beings taking sides. In the end, many of the slain heroes are invested as gods. For centuries, the tale was told in successive story-telling sessions as teahouse entertainment. The author has faithfully kept to the original style and ambience in retelling these tales. Tales of the Teahouse Retold will be of interest to fans of oriental mythology, philosophy, and literature. It is suitable for recreational reading as well as supplemental reading for students of Chinese history and culture.

Encyclopedic in scope and heroically audacious, The Novel: An Alternative History is the first attempt in over a century to tell the complete story of our most popular literary form. Contrary to conventional wisdom, the novel did not originate in 18th-century England, nor even with Don Quixote, but is coeval with civilization itself. After a pugnacious introduction, in which Moore defends innovative, demanding novelists against their conservative critics, the book relaxes into a world tour of the pre-modern novel, beginning in ancient Egypt and ending in 16th-century China, with many exotic ports-of-call: Greek romances; Roman satires; medieval Sanskrit novels narrated by parrots; Byzantine erotic thrillers; 5000-page Arabian adventure novels; Icelandic sagas; delicate Persian novels in verse; Japanese war stories; even Mayan graphic novels. Throughout, Moore celebrates the innovators in fiction, tracing a continuum between these pre-modern experimentalists and their postmodern progeny. Irreverent, iconoclastic, informative, entertaining-The Novel: An Alternative History is a landmark in literary criticism that will encourage readers to rethink the novel.

One by one, a horror film director, a judge, and a newspaper publisher meet brutal deaths. A link exists between them, and the deaths have only begun …. Archeologist Michael Rempart finds himself pitted against ancient demons and modern conspirators when a dying priest gives him a powerful artifact--a pearl said to have granted Genghis Khan the power, eight centuries ago, to lead his Mongol warriors across the steppes to the gates of Vienna. The artifact has set off centuries of war and destruction as it conjures demons to play upon men’s strongest ambitions and cruelest desires. Michael realizes the so-called pearl is a philosopher's stone, the prime agent of alchemy. As much as he would like to ignore the artifact, when he sees horrific deaths and experiences, first-hand, diabolical possession and affliction, he has no choice but to act. The dark legends are true. To stop the artifact's evil Michael must follow a path along the Old Silk Road to a land that time forgot, and to somehow find a place that may no longer exist in the world as he knows it.

This collection of stories and fables includes time-honored folks tales, such as how a poor farmer became the Kitchen God and how the twelve animals of the Chinese zodiac were chosen. It also includes original stories, which draw from the rich tradition of Chinese folklore. Learn how the onion went from stinky outcast to coveted kitchen staple. Read about the Jade Rabbit's devotion to his master, and the Rat's betrayal of his former best friend, the Cat. These stories are built on the timeless themes of friendship and loyalty-as well as the benefits of having a quick wit.

A Dictionary of Chinese Literature provides more than 250 entries on the lengthy and remarkable literary tradition of China, from its earliest literary genres such as the 6th century gongti wenxue (palace-style literature), to contemporary forms, such as wanglu wenxue (internet literature). Covering notable writers, works, terms, trends, schools, movements, styles, and literary collections, as well as including a useful list of further reading at the end of most entries, this dictionary is a key reference point for students of Asian literature and languages, and those studying world literature in general.

"This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting." — The New York Times Book Review “In this highly entertaining but deeply disturbing book, Erich Schwartzel demonstrates the extent of our cultural thrall to China. His depiction of the craven characters, American and Chinese, who have enabled this situation represents a significant feat of investigative journalism. His narrative is about not merely the movie business, but the new world order.” —Andrew Solomon, author of Far from the Tree and The Noonday Demon An eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and China From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.

This volume brings together an international team of prominent scholars from a range of disciplines, with the aim of investigating the many facets of the Chinese Communist Party’s 100-year trajectory. It combines a level of historical depth mostly found in single-authored monographs with the thematic and disciplinary breadth of an edited volume. This work stands out for its long-term and multiscale approach, offering complex and nuanced insights, eschewing any Party grand narrative, and unravelling underlying trends and logics, composed of adaption but also contradictions, resistance and sometimes setbacks, that may be overlooked when focusing on the short term. Rather than putting forward an overall argument about the nature of the Party, the many perspectives presented in this volume highlight the complex internal dynamics of the Party, the diversity of its roles in relation to the state, as well as in its interaction with society beyond the state. Our historical approach stresses impermanence beyond the apparent permanence of the Party’s organisation and ideology while also bringing to light the recycling of past practices and strategies. Looking at the Party’s evolution over time shows how its founding structures and objectives have had a long-lasting impact as well as how they have been tweaked and rearranged to adapt to the new economic and social environment the Party contributed to creating.