Tales of the Golden Corpse is the first complete English version of the famous Tibetan folktales told to a young boy who has killed seven sorcerers in the defense of his Master. The boy must redeem himself by carrying a talking corpse full of wondrous tales on a long journey, without himself speaking a word. These 25 tales of intrigue and magic provide the reader with a window through which to view ancient Tibetan culture. Within them, you will encounter heroes and villains, fearsome witches, murderous demons, and clever tricksters with a uniquely Tibetan humor. Songs, riddles, jokes, and sayings make the stories come alive as they unfold against the background of everyday Tibet—its farmers and nomads, kings and magical beings.

Gleaned from an ancient oral tradition, these imaginative, colorful, and wisdom-filled stories will delight children and adults alike. This collection includes the Tibetan myth of creation; some of the famous Jataka tales, or stories of former lives of the Buddha; and the most popular of all the time-honored legends of Tibet, the great epic of King Gesar of Ling, the warrior who became a national hero.

Tibetan folk tales.

Short stories that reflect the complexities of contemporary Tibetan life, written by Tibetan filmmaker Pema Tseden. Enticement marks the English-language debut of prominent Tibetan writer and filmmaker Pema Tseden. This collection gathers together his most relevant and influential short stories, including “Tharlo,” which he adapted into an award-winning and internationally acclaimed film in 2015. Written originally in the Chinese and Tibetan languages, these stories make use of a variety of literary styles and sources, ranging from traditional Tibetan oral tales to magical realism, surrealism, and the theater of the absurd. They humanize the Tibetan experience by stepping away from patronizing, mystic, or idealized visions of Tibet to speak with empathy and humor about the real challenges faced by Tibetans in the age of globalization. Advance Praise for Enticement “Pema Tseden is known internationally as an award-winning filmmaker, the elegant and contemplative pioneering auteur of new Tibetan cinema. Western audiences may not, however, be aware that he began his career as a critically acclaimed writer of short stories. Patricia Schiaffini-Vedani and Michael Monhart have, for the first time, shared with the English reader a comprehensive anthology of both his Chinese and Tibetan stories. The stories in this collection reflect Pema Tseden’s characteristically observant, unhurried, and humanistic take on the violent social changes faced by Tibetans living at the edge of China’s economic transformation. Schiaffini-Vedani and Monhart’s translations are rich and faithful to the original texts. They must be commended for providing us with a valuable new source on cultural life in contemporary Tibet.” — Tsering Shakya, author of The Dragon in the Land of Snows: A History of Modern Tibet Since 1947 “Pema Tseden is the singularly most influential Tibetan filmmaker on the international scene. With this skillfully translated collection of short stories, Enticement, readers can now also appreciate his written works, including the renowned ‘Tharlo.’ In literary long shots, the author transforms grasslands, snowy expanses, and county seats into mindscapes with a curious and chilly brilliance until they are rendered translucent. Elsewhere, he racks focus with wry humor from quirky details to complex social realities, finding possibility in fantasy, chance meetings, and even mistranslation. Interspersed with the winsome and arboreal artwork of Wu Yao and with the orientation of an insightful introduction and preface, these contemporary tales beckon readers with all the promise of the title-story towards the liminal, where cultural and temporal displacement may point to new meanings.” — Lauran R. Hartley, Columbia University “Pema Tseden, a distinguished writer and filmmaker, is an important leader among Tibetan intellectuals. He sees Tibet as more than a land of startling natural beauty, of profound religious heritage, and of galling colonization by the Communist Party of China—correct though those views are. For him, Tibetan culture lives not only in Tibet proper, but across Qinghai, Sichuan, and Gansu as well, and Tibetan people are not mystical Others but ordinary human beings (flawed, as we all are) who struggle to adapt their inherited lives to the modern world (as people everywhere, now or recently, have done). By looking beyond clichéd concepts to examine actual lives, Pema Tseden’s work enriches Tibetan culture and shows a new face for it.” — Perry Link, author of An Anatomy of Chinese: Rhythm, Metaphor, Politics “For the first time in the Anglophone world, we have an extraordinary translation of short stories by the celebrated Tibetan filmmaker and writer Pema Tseden, originally written in Tibetan and Mandarin Chinese. While he wrote his stories in Tibetan for his Tibetan readers, in Mandarin Chinese for Chinese readers, the translators have brought both sets of stories together in one volume to allow readers to compare and contrast how he writes for different audiences. These stories, told in beguilingly simple and direct prose, are powerful vignettes of Tibetan life, as powerful as his deeply evocative films, filled not only with despair and loss but also beauty and longing. These elegant stories are almost more powerful in what they do not say than in what they do say. I recommend Enticement to everyone.” — Shu-mei Shih, author of Visuality and Identity: Sinophone Articulations across the Pacific “The blinding sun, wind storms, wolves, and death are at work in these vital and unforgettable stories. Equally, the social forces of surveillance, bureaucracy, information, misinformation, and romance propel the narratives, which encompass the ordinary and the truly strange. The collection is invaluable for offering an all too rare ‘Tibetan view of Tibet,’ revealing unexpected and disorienting perspectives on Buddhism and on Tibetans’ engagements with the Chinese state. The characters we get to know are police officers, herders, artists, children, lamas, and lovers. They are all painfully and vividly alive, their every move and impulse represented with startlingly detailed observation. Readers will be richer in knowledge and imagination from spending time with these stories, so expertly translated that we feel we hear the author’s compassionate and yet relentlessly perceptive voice. One is left with an impression that is crystal clear and yet uncanny. It is difficult to say whether the strongest draw of the stories is humor or sorrow.” — Dominique Townsend, Bard College

As a child, Lucy dreams of talking fairies and lives contentedly in the wooded suburbs of Boston; she grows up to be a successful animator of fairy-tale films. Or does she? She claims at moments to be a witch in the woods. Like her sisters, who appeared in Bernheimer’s first two novels (The Complete Tales of Ketzia Gold and The Complete Tales of Merry Gold), Lucy has a secret, but she is unable to fasten onto anything but brightness. Novelist Donna Tartt writes, “Lucy’s particular brand of optimism, blind to its own shadow, is very American—she is innocence holding itself apart so fastidiously that it becomes its opposite.” This novel is a perfect end to the Gold family series, and the perfect introduction, for new readers, to Bernheimer’s enchanting body of work.

One of the oldest books in the world, The Oceans of Cruelty is a sequence of twenty-five tales from India whose central theme is the dark power of storytelling. At the start, a young king falls into the hands of a wicked sorcerer, who orders him to find a vetala, or corpse spirit, to serve him; the young king must do as he is told, and soon enough he is also under the sway of the no less malevolent spirit. Like a bat, the spirit hangs from the branches of a tree, and the king is condemned to bear it on his back through a dark forest as it whispers a riddling story in his ear. These are tales of suicidal passion, clever deceit, patriarchal oppression, and narrow escapes from death, and as long as the king can resolve the problems they pose, his bondage continues; the vampiric creature goes on commanding his attention in the dark. Only when the king is out of answers will he at last be free, though when that comes to pass—well, that’s when the whole story takes a new turn. Douglas Penick’s re-creation of this ancient work brings out all its humor and horror and vitality, as well its unmistakable relevance in a world of stories gone viral.