This portmanteau novel is a compelling yarn of intersecting lives, set in a snowy London and on a Greek beach. Its diverse characters tell their stories, worldly and other-worldly, in the corners of life: in a prison cell, in the pub, in bed...

For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling. Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.

Ellie is horrified to discover the pharmaceutical company she works for is doing illegal experiments. Company scientists have spliced human and animal DNA, creating exotic new species. One such “experiment” captures her heart and she’ll do anything to save him—even if he hates her for it. Fury has never known compassion or love. He’s spent his life in a cell, chained and abused by humans. The one woman he allowed himself to trust betrayed him. Now he’s free and set on vengeance. He vows to end her life but when she’s finally in his grasp, harming her is the last thing he wants to do to the sexy little human. Fury can’t resist Ellie—the touch of her hands, her mouth on his skin, her body wrapped around his. He’s obsessed with the scent of his woman. And Ellie wants Fury—always has. She craves his big, powerful body and wants to heal his desolate heart. But loving Fury is one thing…taming him is another.

To unearth a centuries-old secret, an archaeologist must team up with the rakish thief who?s stolen both an ancient relic and her heart?

For centuries readers have comfortably accepted Julian of Norwich as simply a mystic. In this astute book, Denys Turner offers a new interpretation of Julian and the significance of her work. Turner argues that this fourteenth-century thinker's sophisticated approach to theological questions places her legitimately within the pantheon of other great medieval theologians, including Thomas Aquinas, Bernard of Clairvaux, and Bonaventure.Julian wrote but one work in two versions, a Short Text recording the series of visions of Jesus Christ she experienced while suffering a near-fatal illness, and a much expanded Long Text exploring the theological meaning of the "showings" some twenty years later. Turner addresses the apparent conflict between the two sources of Julian's theology: on the one hand, her personal revelation of God's omnipotent love, and on the other, the Church's teachings on and her own witnessing of evil in the world that deserves punishment, even eternal punishment. Offering a fresh and elegant account of Julian's response to this conflict--one that reveals its nuances, systematic character, and originality--this book marks a new stage in the century-long rediscovery of one of the English language's greatest theological thinkers.

Rarely before and rarely since has comics seen a talent as innovative as Jim Steranko. Blending together influences from Pop Art to Salvador Dali and Will Eisner to Wally Wood, Steranko's boundary-breaking style is an incomparable visual language that continues influence and inspire storytellers decades later. Now, for the first time ever, Marvel is proud to offer the complete Steranko Nick Fury, Agent of S.H.I.E.L.D. in one volume! COLLECTING: STRAN GE TALES (1951) 151-168 & NICK FURY, AGENT OF S.H.I.E.L.D. (1968) 1-3, 5

In Connections and Influence in the Russian and American Short Story, editors Robert C. Hauhart and Jeff Birkenstein have assembled a collection of eighteen original essays written by literary critics from around the globe. Collectively, these critics argue that the reciprocal influence between Russian and American writers is integral to the development of the short story in each country as well as vital to the global status the contemporary short story has attained. This collection provides original analyses of both well-known Russian and American stories as well as some that might be more unfamiliar. Each essay is purposely crafted to display an appreciation of the techniques, subject matter, themes, and approaches that both Russian and American short story writers explored across borders and time. Stories by Gogol, Dostoevsky, Turgenev, Chekhov, and Krzhizhanovsky as well as short stories by Washington Irving, Faulkner, Langston Hughes, Richard Wright, Ursula Le Guin, Raymond Carver, and Joyce Carol Oates populate this essential, multivalent collection. Perhaps more important now than at any time since the end of the Cold War, these essays will remind readers how much Russian and American culture share, as well as the extent to which their respective literatures are deeply intertwined.