EDITH WHARTON (1862-1937) was one of the most remarkable women of her time, and her immense commercial and critical success-most notably with her novel "The Age of Innocense" (1920), which won a Pulitzer Prize-have long overshadowed her small but distinguished body of supernatural fiction. Some of her finest fantastic and detective work (which oft times overlap) was first collected in 1909 in "Tales of Men and Ghosts." The psychological horror is as important as the literal one here, and subtle ambiguities characterized by the best of Henry James's work (such as "The Turn of the Screw") are also present in Wharton's character studies, such as "The Bolted Door." Is the protagonist a murderer, or is he mad? In the end it may not matter, for it is his descent into madness and obsession that gives the story its chilling frisson. Other tales present men (or ghosts, or what men believe to be ghosts) in a variety of lights, from misunderstood monsters to vengeful spirits to insecure artists. If you have never read Edith Wharton's fantasy work before, you will be captivated and delighted.

Tales of Men and Ghosts by Edith Wharton, first published in 1910, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.

Bran Mak Morn is a hero of five pulp fiction short stories by Robert E. Howard. In the stories, most of which were first published in Weird Tales, Bran is the last king of Howard's romanticized version of the tribal race of Picts.

This morning I saw a star twinkling just over the fore-yard the first since the beginning of May. There is considerable discontent among the crew many of whom are anxious to get back home to be in time for the herring season when labour always commands a high price upon the Scotch coast.

HERMAN MELVILLE Ultimate Collection: 50+ Adventure Classics, Philosophical Novels & Short Stories is truly a treasure trove for lovers of Melville's work. This comprehensive collection includes iconic titles such as Moby-Dick, Typee, Billy Budd, and Bartleby, the Scrivener, showcasing Melville's mastery of both adventure narratives and deep philosophical themes. Readers will be captivated by Melville's intricate storytelling, rich character development, and exploration of existential questions that continue to resonate today. Each work in this collection offers a unique perspective on the human condition and the complexities of life, making it a must-read for any literature enthusiast. Melville's blend of adventure and introspection creates a compelling literary experience that is both timeless and thought-provoking. The collection also includes lesser-known gems that are sure to delight readers with their profound insights and engaging narratives. HERMAN MELVILLE Ultimate Collection is a priceless addition to any bookshelf, offering a glimpse into the brilliant mind of one of America's greatest literary figures.

An incredible collection of the world's best classic mystery novels, proudly presented by Serapis Classics! Featuring: THE ABANDONED ROOM, by Wadsworth Camp THE SHRIEKING PIT, by Arthur Rees THE NEW TENANT, by E. Phillips Oppenheim THE ADVENTURES OF JIMMIE DALE, by Frank Packard THE HOUSE OF A THOUSAND CANDLES, by Meredith Nicholson THE DOCTOR HIS WIFE AND THE CLOCK, by Anna Katharine Green THE MYSTERY OF THE SECRET BAND, by Edith Lavell

RED GHALLINAN was a gunman. Not a trade to be proud of, perhaps, but Red was proud of it. Proud of his skill with a gun, proud of the notches on the long blue barrels of his heavy .45's. Red was a wiry, medium sized man with a cruel, thin lipped mouth and close-set, shifty eyes. He was bow-legged from much riding, and, with his slouching walk and hard face he was, indeed, an unprepossessing figure. Red's mind and soul were as warped as his exterior. His sinister reputation caused men to strive to avoid offending him but at the same time it cut him off from the fellowship of people. No man, good or bad, cares to chum with a killer. Even the outlaws hated him and feared him too much to admit him to their gang, so he was a lone wolf. But a lone wolf may sometimes be more feared than the whole pack...