In Enchantment, Orson Scott Card works his magic as never before, transforming the timeless story of Sleeping Beauty into an original fantasy brimming with romance and adventure. The moment Ivan stumbled upon a clearing in the dense Carpathian forest, his life was forever changed. Atop a pedestal encircled by fallen leaves, the beautiful princess Katerina lay still as death. But beneath the foliage a malevolent presence stirred and sent the ten-year-old Ivan scrambling for the safety of Cousin Marek's farm. Now, years later, Ivan is an American graduate student, engaged to be married. Yet he cannot forget that long-ago day in the forest—or convince himself it was merely a frightened boy’s fantasy. Compelled to return to his native land, Ivan finds the clearing just as he left it. This time he does not run. This time he awakens the beauty with a kiss . . . and steps into a world that vanished a thousand years ago. A rich tapestry of clashing worlds and cultures, Enchantment is a powerfully original novel of a love and destiny that transcend centuries . . . and the dark force that stalks them across the ages.

A faun carrying an umbrella; a hobbit who lives in a hole; a mysterious name - Lyra; an ill-treated schoolboy with a scar and a secret. Children's fantasy books often begin with resonant images. However, they also begin in an author's reading practices. How do children's authors incorporate myths and legends into their work? And how do myths and legends change as a result? In this richly illustrated collection of essays a team of academic experts trace the magical tales from Norse myth, Arthurian legend and medieval literature which have inspired the finest writers for children, including C.S. Lewis, J.R.R. Tolkien and Alan Garner. Drawing on collections of manuscripts and rare books in the Bodleian Library, additional chapters put the spotlight on spell books, grimoires and books that do magic, as well as exploring stunning examples of pop-up books, harlequinades and concertina panoramas from the Opie Collection of Children's Literature.Other writers under discussion include children's authors of the Victorian era, such as George MacDonald, Rudyard Kipling and E. Nesbit, and twentieth-century writers Susan Cooper, Diana Wynne Jones and Philip Pullman. Through wide-ranging analysis these essays show how literature and tales from the Middle Ages and earlier still have been reinterpreted for each generation and continue to have a profound impact on writers of fantasy books for children today.

George MacDonald's 'The Complete Fantasy Collection' offers readers a comprehensive look into the world of fantasy literature. This collection includes 8 novels and over 30 short stories and fairy tales, all illustrated to enhance the reader's experience. MacDonald's writing style is characterized by rich imagery, philosophical themes, and a sense of wonder that transports readers to magical realms. Set in a literary context where fairy tales and fantasy were gaining popularity as a genre, MacDonald's works stand out for their timeless appeal and moral undertones. His ability to weave together complex narratives with enchanting storytelling makes this collection a must-read for lovers of fantasy literature. George MacDonald, a Scottish author and minister, drew inspiration from his religious beliefs and love for folklore to create his fantastical worlds. His unique perspective on the human condition and spiritual growth is evident throughout his stories, adding depth and meaning to his fantastical elements. MacDonald's works have influenced classic authors such as C.S. Lewis and J.R.R. Tolkien, solidifying his place in literary history as a master of fantasy. For readers who enjoy immersive and thought-provoking fantasy tales, George MacDonald's 'The Complete Fantasy Collection' is a treasure trove of captivating stories and poignant lessons. This collection not only showcases the breadth of MacDonald's imagination but also serves as a testament to his enduring legacy in the realm of fantasy literature.

Storytelling, as oral tradition and in writing, has long played a central role in Jewish society. Family, educators, and clergy employ stories to transmit Jewish culture, traditions, and values. This comprehensive bibliography identifies 668 Jewish folktales by title and subject, summarizing plot lines for easy access to the right story for any occasion. Some centuries old and others freshly imagined, the tales include animal fables, supernatural yarns, and anecdotes for festivals and holidays. Themes include justice, community, cause and effect, and mitzvahs, or good deeds. This second edition nearly doubles the number of stories and expands the guide's global reach, with new pieces from Turkey, Morocco, Libya, Tunisia, and Chile. Subject cross-references and a glossary complete the volume, a living tool for understanding the ever-evolving world of Jewish folklore.

From The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life. Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture. Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.

Encyclopedia of Fantasy and Horror Fiction provides comprehensive coverage of the major authors and works in these popular genres. Each entry includes a brief discussion of the author's life and work and includes a full bibliography. Each entry on