When little Lucy spends the first night at her grandparents' house without her own Mummy and Daddy, she feels afraid. So her Daddy gives her a new friend, a lovely bear called Patrick. Patrick waits for Lucy in the 'creepy room' where Lucy has been sleeping. Patrick is Lucy's special sleepover friend. But who will keep Patrick company when Lucy is not there? The answer to this lies inside a dusty old toy cupboard in a dark corner of the room. Before long, everybody has some New Friends.

Jessie knows her friends will always have her back.

New adventures featuring Woody, Buzz Lightyear and all the rest! Andy's new puppy, Buster, loves to play with the toys - but if the gang can't control the playful pooch, all that chewing and shaking will damage them for sure! Plus, Woody decides to round up the gang to share scary stories around the campfi re! Then, Woody, Buzz, Rex and Slink explore new territory when they accidentally get put in the attic for storage! An unexpected new friend could be their only hope for getting back to Andy's room! And fi nally, Woody, Buzz and Jessie join Andy at summer camp! But when Andy leaves them alone, they accidentally lose his special campsite map! The toys attempt a daring rescue mission, but can they retrieve the map in one piece before Andy gets back? COLLECTING: TOY STORY 1-4

"Do you want to be my friend?" asks the lonely little mouse. He follows a tai1, but all he finds at its end is a rather unfriendly horse. The little mouse just wants someone to play with-but he'll have to follow a lot of tails before he can find just the right companion.

The Indian in the Cupboard is the first of five gripping books about Omri and his plastic North American Indian – Little Bull – who comes alive when Omri puts him in a cupboard

Toy Story and the Inner World of the Child offers the first comprehensive analysis of the role of toys and play within the development of film and animation. The author takes the reader on a journey through the complex interweaving of the animation industry with inner world processes, beginning with the early history of film. Karen Cross explores digital meditations through an in-depth analysis of the Pixar Studios and the making of the Toy Story franchise. The book shows how the Toy Story functions as an outlet for exploring fears and anxieties relating to new technologies and industrial processes and the value of taking a psycho-cultural approach to recent controversies surrounding the film industry, particularly its cultural and sexual politics. The book is key reading for film and animation scholars as well as those who are interested in applications of psychoanalysis to popular culture and children's media.

The four Toy Story films retold as comics.