"Originally published in a single magazine form as Tales of the Starlight Drive-In by SpeakEasy Comics."--T.p. verso.

When human bones are discovered on the grounds of the old Starlite Drive-in, only Callie Anne Benton knows the identity of the victim who mysteriously disappeared thirty-six years ago. It’s the sweltering summer of 1956 when a handsome drifter named Charlie Memphis arrives at the Starlite to help Callie Anne’s injured father run the theater. Both she and her mother, Teal, fall for Memphis’s rugged style and gentlemanly manners, but Callie Anne’s father—bitter in his role as caretaker for the rural drive-in and his agoraphobic wife—doesn’t like the drifter’s increasing interest in Teal. A disastrous turn of events changes their lives forever, and it’s up to the grown-up Callie Anne to unlock the secret of the decades-old mystery. Told through the voice of Callie Anne, a whip-smart tomboy reminiscent of Scout Finch, The Starlite Drive-in is a vivid snapshot of 1950s America. A compelling novel infused with hope, tragedy, and suspense, Callie Anne’s story will strike a chord with readers both young and old.

Coming of age in a Saudi Arabia where they delight in small acts of rebellion against the Saudi cultural police, from secretly wearing Western clothing and listening to forbidden music to flirting and driving, best friends Leena and Mishie find themselves struggling against cultural restrictions that challenge their ambitions for college and independence.

For years, tales of DRAGONS from another world kidnapping and enslaving humans have been circulating in Jason Masters’ world, while for a slave girl named Koren, the stories of a human world seem pure myth. Together, these two teens will need to bridge two planets in order to overthrow the draconic threat and bring the lost slaves home. What if the Legends Are True? Jason Masters doubted the myths that told of people taken through a portal to another realm and enslaved by dragons. But when he receives a cryptic message from his missing brother, he must uncover the truth and find the portal before it’s too late. At the same time, Koren, a slave in the dragons’ realm, discovers she has a gift that could either save or help doom her people. As Jason and Koren work to rescue the enslaved humans, a mystic prophecy surrounding a black egg may make all their efforts futile.

The Drive-In meaningfully contributes to the complex picture of outdoor cinema that has been central to American culture and to a history of US cinema based on diverse viewing experiences rather than a select number of films. Drive-in cinemas flourished in 1950s America, in some summer weeks to the extent that there were more cinemagoers outdoors than indoors. Often associated with teenagers interested in the drive-in as a 'passion pit' or a venue for exploitation films, accounts of the 1950s American drive-in tend to emphasise their popularity with families with young children, downplaying the importance of a film programme apparently limited to old, low-budget or independent films and characterising drive-in operators as industry outsiders. They retain a hold on the popular imagination. The Drive-In identifies the mix of generations in the drive-in audience as well as accounts that articulate individual experiences, from the drive-in as a dating venue to a segregated space. Through detailed analysis of the film industry trade press, local newspapers and a range of other primary sources including archival records on cinemas and cinema circuits in Arkansas, California, New York State and Texas, this book examines how drive-ins were integrated into local communities and the film industry and reveals the importance and range of drive-in programmes that were often close to that of their indoor neighbours.

A teen’s suspicious death, a shocking police cover-up and a mother’s search for the truth. In 1990, on a November night that hit –28 degrees Celsius, seventeen-year-old Neil Stonechild disappeared only blocks from his mother’s home. His frozen body was found three days later, eight kilometres from where he was last seen in downtown Saskatoon. The police investigation was cursory — no one seemed to wonder about the abrasions on his wrists or the scrapes on his face, or the fact that he was missing a shoe. Neil was drunk and out walking, the police believed, and had died by misadventure. His mother, Stella Bignell, tried her best to push for answers, but no one in authority wanted to listen to a native woman whose sons had often been in trouble with the law. But Stella did not give up, and neither did the only witness, sixteen-year-old Jason Roy, who had seen Neil, beaten and bleeding, in the back of a Saskatoon police cruiser the night he disappeared. Starlight Tour recounts their struggle for justice in the face of indifferent officials, destroyed police files and institutionalized racism. In the decade following Neil’s death, rumours persisted that police sometimes drove natives beyond the edge of town and abandoned them. But it was only in January 2000, when two more men were found frozen to death, that the truth about Neil Stonechild’ s fate began to emerge. A third man, Darrell Night, survived his “starlight tour,” and lived to tell the tale. And soon one of the country’s most prominent aboriginal lawyers, Donald Worme, was on the case. With exclusive co-operation from the Stonechild family, Worme, and other key players, and information not yet revealed in the press coverage, Starlight Tour is an engrossing and damning portrait of rogue cops, racism, obstruction of justice and justice denied, not only to a boy and his mother but to the entire country’s native community.

Anyone who has read her bestseller Mama Makes Up Her Mind--or who has heard her on National Public Radio--knows that Bailey White is one of the keenest observers of Southern eccentricity since Mark Twain. Sleeping at the Starlite Motel revives White's reputation as a master storyteller, Southern division, as it catalogs the oddities of the Georgia town she knows so well.