A Selection of Interviews from Key Players in the music industry from the last fifty years. Jon Kirkman with exclusive interviews originally drawn from his Classic Rock radio shows.

The first biography of the seminal music group WAR whose many hits include "Spill the Wine," "All Day Music," "Why Can't We Be Friends?" "Slippin' into Darkness," "The Cisco Kid," and - of course - "Low Rider." They combined rock, funk, soul, R&B, jazz, and a strong Latin vibe in their music, they have been awarded two Platinum and eight Gold records in their career. Their album "The World is a Ghetto" was the bestselling release of 1973 and was #444 on the list of "Rolling Stone's Top 500 Albums" list. This unauthorized book follows the group from their early incarnations when Harold Brown and Howard Scott met to form the Creators and then the Night Shift, to their partnership with former Animals lead singer Eric Burdon, to a highly successful career on their own with the core original lineup of Brown, Scott, Lee Oskar, Lonnie Jordan, B.B. Dickerson, Papa Dee Allen, and Charles Miller. The story also follows the band through their later, leaner years, the tragic deaths of two members, and the conflicts that led to a fissure and a split of performing entities that continues to this day. Featuring original interviews, archival research, and musical analysis and commentary, "Slippin' Out of Darkness: The Story of WAR" tells the tale of one of the most unique bands in the history of Classic Rock-era music.

Collects Ellen Willis' writings on popular music from her career at the New Yorker and other publications.

In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein—“one of America's best political journalists (The Economist)—tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles’ creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become. Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture. Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

From Paul McCartney and Michael Jackson to Madonna and Mickey Mantle, Rosy Steve Rosenthal interviewed the best. He interviewed 82 inductees into the Rock and Roll Hall of Fame ... 174 recording artists who had at least one No. 1 hit. His interviews were heard daily on radio stations around the globe during much of the late '70s and '80s, until severe bipolar disorder took full control. In One Brain Cell Left, Rosy doesn't always paint a rosy picture of the Mega-Stars he interviewed. Some were absolute sweethearts; others were absolute assholes. And they're not always the ones you'd expect. He's never asked what he talked about with celebrities. People only want to know what the stars were like in person. This book answers the "What were they like?" questions about a cross-section of superstar entertainers, newsmakers and athletes that Rosy interviewed. But it's equally about the unique and unusual life that he's led outside the entertainment industry. He REALLY didn't want to like Paul McCartney. He found George Harrison to be completely down-to-earth. Unfortunately, he can't say the same about Ringo. He found Madonna to be "Queen Shit with a muffin top." Mickey Mantle swore at him. Mel Brooks ran after him. Kareem Abdul-Jabbar intentionally treated him like shit. His first words to Lionel Richie were, "So they tell me you've become a real asshole since you've gotten all this success." They both laughed. And you'll laugh at his self-deprecating chapters "Always wear a cup when you play tennis" and "Free drinks, a blind hockey goalie and a goat." You'll likewise be drawn in by the poignant "I'm no Belushi, but I've become Joe Cocker" and the riveting "A machine gun and explosives." His stories aren't always pretty. But they're always pretty interesting. And he's got the brain cell to prove it.

A mother considers the unthinkable to stop a war. A husband may lose everything to watch over a world. A scrivener learns the terrible risk in the words she's translating. The power of many sacrificing as one. These and more are the stories collected in this volume. Stories of people. Stories of war and sacrifice and friendship. They help weave the rich fabric of Orullian's epic fantasy series, The Vault of Heaven, deepening the resonance of the world he's created.