Collection of four mystery stories.

Visit the shadowy places where monsters and demons roam in this collection by the New York Times–bestselling author of the Nightside and Secret Histories series. Welcome to the worlds of Simon R. Green. In this wide-ranging collection, the bestselling urban fantasist opens doors into hidden places: strange realms bordering our own mundane existence and prowled by creatures of fancy and nightmare. Here are the strange, frequently deadly—and sometimes even dead—things that lurk in garbage-strewn city alleyways and grimy subway stations after midnight, visible only to the most perceptive human or inhuman eye. In these tales, Green revisits the ingenious worlds within worlds that he created for his wildly popular novels. Take a stroll on the Nightside with a jaded street wizard, an underpaid government functionary responsible for keeping demons, vamps, and aliens in line. Enter the hidden recesses of Drood Hall, where the aging family member who creates powerful weapons that protect humankind recalls his long and bloody career. Join a squad of no-longer-human soldiers dispatched to combat the all-consuming jungle on a distant planet. Visit a house at the intersection of two realities that serves as a sanctuary from the evil of all worlds. Confront the unstoppable zombie army of General Kurtz in a brilliant homage to Apocalypse Now. And whatever you do, never forget that there are monsters out there. Really. Here are seventeen tales—each accompanied by an afterword by the author—of magic, sorcery, and the supernatural by a master of all that is dark.

It was mainly only the European urban centers that converted to Christianity, and often more for political or commercial interests, than as a matter of faith. The old religions persisted in the villages or pagani, from which the term Paganism arose. The Christians built their sanctuaries upon the pagan sites, expropriating their numinous past, assimilating the symbolism of the former deities, and commonly incorporating the actual architectural remnants. The wisdom of those deposed gods and their rites persisted in less objectionable forms -- disguised to delude the censors -- as country festivals and quaint tales often about the fairy folk, who coexisted with this world and could be accessed by magical procedures that perpetuated half-remembered methods of authentic ancient shamanism. Such shamanism always involved pharmaceutical expertise. Mircea Eliade was mistaken in concluding that drugs were characteristic only of the late and decadent stages of a religion. Rock paintings of the greatest antiquity and his own abundant citations indicate that, instead, a pharmacological Eucharist was the norm; and Eliade was himself about to reverse his stance shortly before his death. Encoded in tales seemingly as simple as Snow White with her poisoned red and white apple are themes traceable back to the great epics of Homer and the Mesopotamian Gilgamesh. These patterns of shamanic empowerment lurk also in the histories of the leading families of Europe, who could not completely divest themselves of the former religious basis for their right to rule, but instead they embraced, Christianized, and buried it in sanctified graves, as was the case with the great fairy Melusina, whose eighth abominable son, called Horrible, was murdered. A number of churches involved in the Albigensian heresy claim his body was laid to rest beneath them.

"When Maeve discovers her grandmother's diary and a beautiful Celtic brooch, something strange happens. She finds herself in the Hidden World - a place that is alive with magic and danger" Cf. Our choice, 2000

Hidden in a remote place surrounded by high mountains, there lies a secret valley. There is an entrance, but you could pass by it a hundred times and still not see it... It's autumn in the hidden valley and there's a sense of change in the air. What better goodbye gift is there than a magical painting? None, of course!

Presents a photographic exploration of the world of urban feral cats and documents the efforts to neuter a colony living in the alley behind the author's home.