Inspired by the author’s childhood experience in the deep countryside of his native country, the Republic of the Congo, Tales from the Great Marsh represents a collection of short stories which illustrate a complex picture of life in a contemporary African society still rooted in its traditional beliefs and practices. Through short fictional stories, the author explores the complexity of social, cultural as well as religious, and spiritual experiences of a Bantu rural society when confronted with the challenges posed by specific existential situations such as death and modern politics, as well as the challenges posed by the encounter with the otherness. These fictional stories which marry myth and reality, are deployed towards producing knowledge that takes into account the surviving cultural aspects of old African societies formerly considered minor in studies of the continent’s past and present.

Award-winning photographer Dorothy Monnelly captures the yet-unspoiled beauty of one of the last natural ecosystems in the Northeast. In this collection of 57 large format, black and white photographs, the salt marsh is a solemn force rendered dramatically with crisp scans of Monnelly's original gelatin silver prints. As a native of Ipswich, Massachusetts, Monnelly executes her work with a familiarity and grace evocative of Ansel Adams. Her work is described in the forward by Jeanne Adams, director of the Ansel Adams Trust as capturing the marsh's "amazing sculptural quality." "Between Land and Sea" is grounded with an essay by journalist Doug Stewart, a regular contributor to "Smithsonian" and other magazines. Stewart's words provide a rich context for the images, as well as a strong case for preserving the marshlands. "Standing in an upland clearing overlooking a vast prairie of marsh grass, you can easily believe that a salt marsh is the closest thing a landscape comes to eternity. Even the Grand Canyon is eroding, after all, but a healthy salt marsh is renewed with each rising tide." Monnelly's book is indispensable to those who are conscious of the threat to our planet's sustainability. 57 black and white illustrations.

Trick or Treat! Get a worm cup of tea, curl by the fire, and enjoy the cold chills of this meticulously edited horror collection, jam-packed with the darkest mysteries, supernatural thrillers and gothic romances: James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Edgar Allan Poe: The Tell-Tale Heart The Fall of the House of Usher The Cask of Amontillado The Masque of the Red Death The Murders in the Rue Morgue Mary Shelley: Frankenstein The Mortal Immortal The Evil Eye John William Polidori: The Vampyre Bram Stoker: Dracula Théophile Gautier: Clarimonde The Mummy's Foot Washington Irving: The Legend of Sleepy Hollow The Spectre Bridegroom Henry James: The Turn of the Screw The Ghostly Rental H. P. Lovecraft: The Dunwich Horror From Beyond M. R. James: Canon Alberic's Scrap-Book Lost Hearts Wilkie Collins: The Haunted Hotel The Dead Secret E. F. Benson: The Room in the Tower The Terror by Night Nathaniel Hawthorne: Rappaccini's Daughter Ambrose Bierce: The Death of Halpin Frayser One Summer Night Arthur Machen: The Great God Pan The Three Impostors William Hope Hodgson: The House on the Borderland The Night Land Carnacki, the Ghost-Finder M. P. Shiel: Shapes in the Fire Arthur Conan Doyle: The Leather Funnel The Beetle Hunter Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy Dr. Greatrex's Engagement Richard Marsh: The Beetle Thomas Hardy: What the Shepherd Saw The Grave by the Handpost Charles Dickens: The Signal-Man The Hanged Man's Bride Guy de Maupassant: The Horla The Flayed Hand Pedro De Alarçon: The Nail Walter Hubbell: The Great Amherst Mystery Francis Marion Crawford: The Dead Smile The Screaming Skull Man Overboard! For The Blood is the Life The Upper Berth By The Water of Paradise The Doll's Ghost John Buchan: No-Man's-Land The Watcher by the Threshold The Monkey's Paw The Severed Hand The Ghost in the Cap'n Brown House The Apparition of Mrs. Veal (Daniel Defoe) When the World Was Young (Jack London)…

Four seasons of immersion in New England’s Great Marsh “Like Wendell Berry and Rachel Carson, Hanlon is a true poet-ecologist, sharing in exquisitely resonant prose her patient observations of nature’s most intimate details. As she and her husband, through summer and snow, swim their local creeks and estuaries, we marvel at the timeless yet fragile terrain of both marshlands and marriage. This is the book to awaken all of us, right now, to how our coastline is changing and what it means for our future.” —Julia Glass, author of Three Junes and A House Among the Trees The Great Marsh is the largest continuous stretch of salt marsh in New England, extending from Cape Ann to New Hampshire. Patricia Hanlon and her husband built their home and raised their children alongside it. But it is not until the children are grown that they begin to swim the tidal estuary daily. Immersing herself, she experiences, with all her senses in all seasons, the vigor of a place where the two ecosystems of fresh and salt water mix, merge, and create new life. In Swimming to the Top of the Tide, Hanlon lyrically charts her explorations, at once intimate and scientific. Noting the disruptions caused by human intervention, she bears witness to the vitality of the watersheds, their essential role in the natural world, and the responsibility of those who love them to contribute to their sustainability. Patricia Hanlon is a visual artist who paints the beautiful ecosystem of New England’s Great Marsh and is involved in the watershed organizations of Greater Boston. Swimming to the Top of the Tide is her first book.

The “utterly captivating” (People) sequel to the beloved classic Watership Down, which introduced millions of readers to an extraordinary world of rabbits. • “It’s grand to see Mr. Adams’s characters again.” —The New York Times Book Review Tales From Watership Down returns to the unforgettable characters of Fiver, Hazel, Bigwig, Dandelion, and the legendary hero El-ahrairah, and also presents new heroes as they struggle to survive the cruelties of nature and the shortsighted selfishness of humankind, embark on new adventures, and recount traditional stories of rabbit mythology, charming us once again with imagination, heart, and wonder. A spellbinding book of courage and survival, these tales are an exciting invitation to come home to a beloved world.

Thirty-five stirring, contemplative stories of deer hunting from a winner of the John Burroughs Medal. Archibald Rutledge—renowned outdoor writer, poet laureate, and authority on whitetails—lived a rich life at Hampton Plantation in South Carolina, and had a mystical attachment to deer that found fulfillment in hunting and writing. No American sporting writer has been more persuasive in capturing the myriad, and often elusive, meanings of the hunt. According to editor Jim Casada, Rutledge has an unrivaled knack for capturing the thrill of the chase, and his ability to set a scene is such that it places the reader squarely amidst the deep swamps, ridges of mixed pines and hardwoods, and dense thickets of palmetto and greenbrier. Rutledge considered deer, “that noble, elusive, crafty, wonderful denizen of the wilds,” to be the wisest of the game animals. His firm belief was that there was “much more to hunting than hunting.” He praised whitetails in poetry, found in them a basis for a sophisticated philosophy, and, most of all, immortalized the world of the hunter and the hunted in prose. Tales of Whitetails is the only book ever published devoted exclusively to Rutledge’s deer tales.