“What was life like on a destroyer during World War II? Find out by reading Michael Keith Olson’s superb telling of tales of the war in the Pacific as seen from the deck of a very luck ‘tin can”… The son of a former Dale crewman, Olson interviewed 44 veterans and delved deeply into official documents to give this book the air of authenticity that puts the reader in the heart of the action. “Tales from a Tin Can is the first oral history of one combat ship’s adventures, sometimes comic, sometimes mundane, sometimes heart wrenching, over the entire course of America’s involvement in the Pacific. An impressive accomplishment and highly recommended.” WWII History “This fascinating book captures not only the furious clashes with the Japanese but also the humdrum days in-between and the heart-stopping encounters with typhoons that could be as lethal as any engagement with the enemy. Anyone interested in stories from World War II will find this well-illustrated account of the naval campaign in the Pacific fascinating.” Register –Pajaronian Looking up from his newspaper from where he sat on the deck of the destroyer USS Dale, Harold Reichert could see the pilot plain as day--the leather helmet with chin strap, the goggles, and then the red rising sun painted on the planes fuselage. "I saw the torpedo drop and watched as it ran up on the old Utah." It was daybreak at Pearl Harbor on December 7, 1941, the beginning of the war, and the Dale was there; she would serve until the end, when the atomic bombs were dropped and Japan surrendered. In the words of those who manned her, the Dales war comes vividly to life in this first oral history of a combat ship from Pearl Harbor to Tokyo Bay. From carrier raids on Midway, Guadalcanal, and the Solomons to the bombarding of Saipan and Guam in the capture of the Marianas, from the Aleutians in the far north to strikes on Tokyo and Kobe, Tales from a Tin Can recreates the action aboard the Dale, and conveys as never before the true grit of wartime on a destroyer.

An epic narrative of World War II naval action that brings to life the sailors and exploits of the war's most decorated destroyer squadron. When Admiral William Halsey selected Destroyer Squadron 21 (Desron 21) to lead his victorious ships into Tokyo Bay to accept the Japanese surrender, it was the most battle-hardened US naval squadron of the war. But it was not the squadron of ships that had accumulated such an inspiring resume; it was the people serving aboard them. Sailors, not metallic superstructures and hulls, had won the battles and become the stuff of legend. Men like Commander Donald MacDonald, skipper of the USS O'Bannon, who became the most decorated naval officer of the Pacific war; Lieutenant Hugh Barr Miller, who survived his ship's sinking and waged a one-man battle against the enemy while stranded on a Japanese-occupied island; and Doctor Dow "Doc" Ransom, the beloved physician of the USS La Vallette, who combined a mixture of humor and medical expertise to treat his patients at sea, epitomize the sacrifices made by all the men and women of World War II. Through diaries, personal interviews with survivors, and letters written to and by the crews during the war, preeminent historian of the Pacific theater John Wukovits brings to life the human story of the squadron that bested the Japanese in the Pacific and helped take the war to Tokyo.

Tales of a Tin Can Sailor is a wide ranging story of a sailor, two ships and many dedicated fighting men who, working together with a single purpose, accomplished sometimes heroic things. From waging submarine warfare in the Atlantic, participating in all of the invasions in the Mediterranean, to battling kamikazes in the Pacific, shooting down the last Japanese plane, with a task group the first to fire on the Japanese mainland, and the first allied ship of any kind to drop anchor in Tokyo Bay. Of particular interest and historical significance, are the actions described during the year spent in the Mediterranean. In all of the invasions-Sicily, Salerno and Anzio-the Navy played a major role in the success of each of the landings. None more so than the Salerno operation, where the Navy prevented the defeat and evacuation of our forces from Italy, the first landing on the European continent.

The Tin Can House and Other Stories is a remarkable short story collection by renowned Virginia author Susan Pepper Robbins. Featuring some of her best short stories, the collection delivers powerful, gritty characters full of heart and spirit. Ranging from longer stories to one-page hitters, Robbins masters the pen and sprays ink economically.

A beautifully illustrated version of the classic fairy tale about a tin soldier’s adventure and his love for a ballerina, retold with a twist. With her signature warmth and lyricism, Newbery winner Cynthia Rylant has crafted a new version of the classic Hans Christian Andersen fairy tale about a tin soldier who falls in love with a ballerina. As in the original story, the tin soldier’s love for the beautiful ballerina is thwarted by a goblin. The tin soldier is separated from the other toys and washed down a sewer, where he encounters a rat and gets swallowed by a fish, but somehow, against all odds, he manages to end up back home only to be cast into the nursery fire. Rylant adds her own twist to the end of the tale, however, for in this version, the tin soldier and the ballerina are melded to each other, rather than melted, in the heat of the fire, so they’ll never be parted again. Rylant’s expert storytelling paired with Corace’s stunning illustrations create a beautiful, unforgettable tale of everlasting love. Praise for The Steadfast Tin Soldier “Gracefully written. . . . The book’s large format gives plenty of scope for Corace’s distinctive illustrations, precise ink drawings brightened with watercolor, gouache, and acrylic paints. Sometimes brilliantly colorful and sometimes more subdued, the scenes can be crowded with dozens of toys or other visual elements, but they show up well from a distance. The subtle depictions of the goblin and his shadow are particularly fine. A softened vision of the literary fairy tale.” —Booklist “Text and illustrations weave seamlessly to create an involving, fast-paced update of a much-loved tale. Rylant's retelling is abridged, yet sprightly, and Corace’s watercolor, gouache, acrylic, and pen-and-ink illustrations add nuance and whimsy to Andersen's original.” —School Library Journal

Celebrated by the New York Times Book Review for its “genuine grace and beauty,” Terese Svoboda’s work has been called “desperate, chilling, seductive” (Vogue) and “haunting and profound” (A. M. Homes), while Vanity Fair warned that it “detonates on contact.” In Tin God, her writing can only be called . . . divine. “This is God,” the novel begins, helpfully spelling G-O-D for the reader, and we are spinning on our way into the heart of a Midwest that spans spirits and centuries and forever redefines the middle of nowhere. Whispers plague a desperate conquistador lost in tall prairie grass. Four hundred years later, a male go-go dancer flings a bag of dope into the same field. God, in the person of a perm-giving, sheetcake-baking Nebraska farm woman, casts a jaundiced yet merciful eye over the unfolding chaos. Fire and a pair of judiciously applied pantyhose bring the two stories together. A contemplation of divinity and drugs on the ground, Tin God is a funny yet poignant story of the plains that transcends its interstate spine and exposes us to a whole new level of Svoboda’s fiery prose.