Following the events of Tale of the Hidden Village. Spoilers ahead. Tincrown has spent the last decade living in a remote village with only his predecessor’s romance novels for company. He once traded a promising career for a lack of privacy and a clean conscience, and he’s never looked back. When the Emerald Flame arrives in the sleepy town, however, the doctor finds himself drawn to the quiet investigator. Where others see a social outcast, Tincrown discovers a kindred spirit with a shared affinity for literature, botany, and tea. He has spent a lifetime healing wounds, and he’s convinced that the balm for a restless mind is a patient heart. He only has until the autumn equinox to convince Emerald that his affection is real.

Finding a murderer should be easy when you can ask the corpse who killed them. Every few nights, a swamp at the edge of civilization gives back its dead. When a victim returns to demand justice from beyond a watery grave, the renowned Emerald Flame douses himself in spirits, leaving his partner to wade through their pool of suspects alone. Upper Bound is full of swindlers, frauds, and misanthropes: a lord who never fails to be the life of the party. A minstrel with more charisma than talent. The head of the city’s criminal underbelly. A vagrant who claims to be a landless king. Crimson Smoke has never failed to puzzle out a mystery, but if they can’t solve one murder faster than they can cover up another, the lives of an entire town could be at stake. And Crimson is starting to believe that the city’s restless dead aren’t the only thing that the bog has brought back to life. *** For years, the outcast Emerald Flame has traveled the world, solving mysteries that only a magic-wielder could unravel. But when his imaginary friend gains a mind of their own, both are forced to grapple with their identities as well as the enchanted forces working against them. A high-fantasy mystery perfect for fans of J. R. R. Tolkien and Arthur Conan Doyle! Content Note for Swamp Song This story contains descriptions of untreated mental health, self-harm, and suicidal ideation.

The Russian bestseller about love and second chances, brimming with warmth and humour In the tiny village of Maran nestled high in the Armenian mountains, a place where dreams, curses and miracles are taken very seriously, a close-knit community bickers, gossips and laughs, untouched by the passage of time. A lifelong resident, Anatolia is happily set in her ways. Until, that is, she wakes up one day utterly convinced that she is dying. She lies down on her bed and prepares to meet her maker, but just when she thinks everything is ready, she is interrupted by a surprise visit from a neighbour with an unexpected proposal. So begins a tale of unforeseen twists and unlikely romance that will turn Maran on its head and breathe a new lease of life into a forgotten village. Narine Abgaryan's enchanting fable is a heart-warming tale of community, courage, and the irresistible joy of everyday friendship.

Reveals Kennedy's plans for Vietnam, Kennedy's intentions to "shatter the CIA," and President Johnson's reversal of Kennedy's orders concerning Vietnam immediately following the assassination, arguing that the assassination was a professionally executed coup d'etat.

"A novel in which a mystic named El Rami, a practitioner of the arts of healing drawn from the occult science of the ancient Egyptians, attempts to control and dominate the soul of a dead girl. El Rami travels from London to Syria where he meets a caravan in the desert with two ailing women in need of care and attention. He agrees to help, and he restores one, an old women, to health. The other, a young orphan girl called Lilith, succumbs to her illness and dies. El Rami practices his mysterious arts on Lilith in an attempt to demonstrate the existence of life after death. He administers an elixir that brings her body back to life, and returns to London with the breathing corpse of Lilith. He hides her in a room in his mansion for six years, and summoning all his powers succeeds in being able to summon her soul back to her body at will. The head of the Brotherhood of the Holy Cross of which El Rami was a member, Heliobas, arrives. Readers know him from The Romance of Two Worlds and Ardath. Heliobas is alarmed by El Rami's experiments, and tells him that he must release the girl and allow her to die. But El Rami is obsessed with the beautiful Lilith, and intends on making her his soulmate. Despite Lilith's pleas and warnings, as El Rami kisses her she crumbles to ashes in from of him. When El Rami recovers himself, he is taken to the Brotherhood's monastery in Cyprus, a mental wreck."--Synopsis from MarieCorelli.org.uk

Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink