This work presents the story and Art Deco ceramic designs of Clarice Cliff. Angular, uncompromising and embellished in strident primary colours, they were a sensation when they appeared in the 1920s and continue to command high prices in today's demanding market.

Clarice Cliff is widely regarded as Britain's premier designer of Art Deco ceramics. Her hand-painted Bizarre ware, with its brilliant colors and innovative shapes, is avidly collected worldwide. Though all her distinctive pottery is popular, it is her floral designs that have always been the most commercially successful, both during her lifetime and today. Here, acknowledged expert Leonard Griffin explores Cliff's lifelong passion for flowers and its impact on her work, showing how many of her designs - her Crocus, Latona florals, her 1934 My Garden - were inspired by that love.

The colorful and memorable ceramics produced by Clarice Cliff remain among the most popular designs of the Art Deco period. Aimed at collectors from novices to experts, this new guide is organized into three parts: key information on identifying genuine Cliff pieces; a core reference section, with more than 400 ceramic pieces illustrated with detailed captions; and detailed, easy-to-follow advice on sources, storage and display, conservation and repair, and cataloging a collection.

The captivating biography of one of the most important designers of the twentieth century - adapted for Sky Cinema starring Phoebe Dynevor, Matthew Goode and David Morrissey Clarice Cliff was one of the most prominent ceramic designers of the twentieth century. Born in 1899 in the Staffordshire Potteries, she started work as just another factory girl, but by 1928 had launched her own range of pottery, 'Bizarre'. A 'gargantuan feast of colour', it blazed a trail through the homes of inter-war Britain. But if Clarice Cliff's rise from apprentice gilder to art director was remarkable - and all the more so for her being a woman - it was not without its tensions; for years she conducted a secret relationship with her married boss. Fusing art, design and industry and vividly conveying the texture of women's lives between the wars, this is a compelling study of the complex, talented woman whose work is for many the epitome of art deco.

An explosion of new ceramic design in the late 1920s and early 1930s introduced vibrant colours and dramatic angular shapes to the breakfast tables of Britain and the world. This book includes information on how to identify and date ceramics at a glance and features all the major designers including Clarice Cliff, Susie Cooper and Charlotte Rhead.

The dazzling ceramics of Clarice Cliff and of the Wilkinson family in the north of England have become one of the great collectables from the 20th century. Ever since the exuberant colours and bold shapes of Clarice Cliff's classic Art Deco pieces first caught the imagination of collectors, auction prices have moved inexorably ever upwards. Now, after many years of research, both in the Wilkinson archives and through the oral testimonies of surviving employees, Greg Slater has produced the first comprehensive and dazzling survey of the work of Clarice Cliff and her largely uncredited colleagues at the Wilkinson Pottery from the 1920s to the 1950s. In a massive work of reference, the origin, name, designer, date and decoration method of all the significant pieces are easily identified. Accessible through three indexes - pattern name, number and backstamp - the book is organized by Pattern and also by Shape (an instant identifier for ceramics without a backstamp).

There are few pieces of pottery more recognisable than those designed by Clarice Cliff. For many the epitome of Art Deco, characterised by bold colour and lines, geometric shapes, and stylised representations of the countryside, Clarice Cliff's 'bizarre' pottery is collected all over the world. Using a wealth of colour illustrations, Will Farmer traces the story of Clarice Cliff and the pottery that she created. Employed in The Potteries from the age of thirteen, Clarice was talented and resourceful, and in 1927 she was given her own studio at the Newport Pottery where, for the next twelve years, she produced a range of sought-after designs that have become icons of the age.