Introduces the challenge of Black Catholics to theology and the church. Contributors examine where Black Catholics have come from and where their futures lie in a church in which they see themselves as co-participants.

African American spirituality was forged in the fiery furnace of slavery, segregation, and ongoing racial discrimination in both church and society. But African Americans are a people who are strengthened rather than weakened by their experience. This volume traces how African Americans have articulated their faith and love of God in language, song, and daily living. Beginning with its spiritual roots in Africa, Hayes shows how African American spirituality encompassed and incorporated the experience of slavery and the encounter with Christianity. Remarkably, African American slaves were able to find in the religion of their oppressors a message of hope, affirmation, and resistance. Through stories, song, distinctive forms of prayer, celebration, and prophetic witness, Hayes shows how the spirituality of African Americans has nurtured their survival as well as promoting action on behalf of the community and the greater society.

Who is to be the primary evangelizer of Asia? What Asian forms of worship and prayer are both authentically Christian and culturally appropriate? In Our Own Tongues is reading for anyone interested in the emergence of "world Christianity" and its future in the 21st century.--From publisher's description

Womanist approaches to the study of religion and society have contributed much to our understanding of Black religious life, activism, and women's liberation. This volume explores the achievements of this movement, and evaluates some of the leading voices and different perspectives within this field.

Examines the history of racism in the United States from the Civil War to the twenty-first century and discusses the teaching efforts of the Catholic Church to put a stop to racism and promote reconciliation and justice.

The studies in this collection, reflecting recent developments in feminist exegesis in Europe and the United States, comprise three 'revisits': the first, to Exodus and Moses, includes Susanne Scholz on a literary feminist reading of Exodus, Harold Washington on Exodus and Zora Neale Hurston's 'Moses, Man of the Mountain', Ilona Rashkow on 'Oedipus Wreckes: Moses and God's Rod', and 'Divine Puppeteer: Yahweh of Exodus' by Cheryl Kirk-Duggan. The second revisit, to Miriam, comprises 'Miriam' by Phyllis Silverman Kramer, 'Miriam Re-Imagined, and Imaginary Women of Exodus in Musical Settings' by Helen Leneman, Alice Bach, 'Dreaming of Miriam's Well' and Irmtraud Fischer on 'The Authority of Miriam'. The third revisit is to Daughters, where Tal Ilan writes on the daughters of Zelophehad and Leila Bronner on' Serah and the Exodus'.