Although 92% of American households own at least one Bible, their use of the Bible varies significantly. Only 59% of Americans read the Bible at least occasionally, and an even smaller percentage go beyond merely reading the Bible and actually study it. It is no wonder that even those who say they read the Scriptures often don't understand them. Veteran Bible professor Richard L. Schultz believes the misinterpretation and misapplication of biblical texts amounts to a crisis of "interpretive malpractice." In Out of Context he seeks to explain how biblical interpretation goes wrong and how to get it right. He introduces readers to the important concepts of context, word meaning, genre, and the differences between the world of the Bible and our own. Readers who delve into the fascinating world of biblical interpretation found in this book will find their Scripture reading enhanced and be enlightened by Schultz's powerful and ultimately positive message.

Law and society are closely related, though the relationship between the two is both complicated and understudied. In a world of rapidly changing people, places, and ideas, law is frequently taken out of context, often with surprising and unnecessary consequences. As societies and their structures, religious doctrines, and economies change, laws previously established often remain unchanged. Dominant nations frequently impose their own laws on weaker nations, whether or not their cultures are similar. Conquered nations, after regaining freedom, often keep their conquerors' laws by default. Law is often misrepresented in literature, and legal scholars, citizens, and businesspeople alike ignore large portions of the legislation under which they live and work. Even the American system of legal education frequently proves itself irrelevant to a proper understanding of today's laws. Alan Watson studies examples from the ancient laws of Rome and Byzantium, laws within the Christian Gospels, and policies of legal education in the modern United States to demonstrate the need for a new approach to both law and legal education. Law Out of Context illustrates that only by understanding comparative legal history and by paying more attention to changes in our society can we hope to devise consistently fair and respected laws.

Written originally for a special issue of The New Yorker and reissued here with a new forward by the author, Within the Context of No Context is George W. S. Trow's brilliant exposition on the state of American culture and twentieth-century life. Published to widespread acclaim, Within the Context of No Context became an immediate classic and is, to this day, a favorite work of writers and critics alike. Both a chilling commentary on the times in which it was written and an eerie premonition of the future, Trow's work locates and traces, describes and analyzes the components of change in contemporary America -- a culture increasingly determined by the shallow worlds of consumer products, daytime television, and celebrity heroes. "This elegant little book is essential reading for anyone interested in the demise, the terminal silliness, of our culture." -- John Irving, The New York Times Book Review; "In this elegant, poignant essay, written with the grace of a master stylist, George Trow articulates the accelerated impermanence of American culture with a precision that is both flaunting and devastating." -- Rudy Wurlitrer; "Within the Context of No Context is a masterpiece of the century that belongs on a shelf next to Theodore Adorno's Minima Moralia and Guy Debord's The Society of the Spectacle." -- Michael Tolkin; "Within the Context of No Context may appear to be a book of the mind, for it is suffused with such a keen intelligence, but it is actually a book of the heart -- passionate, brave, and stirring." -- Sue Halpern.

Reclaim Your Headspace and Find Your One True Voice As a hospital chaplain, J.S. Park encountered hundreds of patients at the edge of life and death, listening as they urgently shared their stories, confessions, and final words. J.S. began to identify patterns in his patients’ lives—patterns he also saw in his own life. He began to see that the events and traumas we experience throughout life become deafening voices that remain within us, even when the events are far in the past. He was surprised to find that in hearing the voices of his patients, he began to identify his own voices and all the ways they could both harm and heal. In The Voices We Carry, J.S. draws from his experiences as a hospital chaplain to present the Voices Model. This model explores the four internal voices of self-doubt, pride, people-pleasing, and judgment, and the four external voices of trauma, guilt, grief, and family dynamics. He also draws from his Asian-American upbringing to examine the challenges of identity and feeling “other.” J.S. outlines how to wrestle with our voices, and even befriend them, how to find our authentic voice in a world of mixed messages, and how to empower those who are voiceless. Filled with evidence-based research, spiritual and psychological insights, and stories of patient encounters, The Voices We Carry is an inspiring memoir of unexpected growth, humor, and what matters most. For those wading through a world of clamor and noise, this is a guide to find your clear, steady voice.

This Is A New Release Of The Original 1816 Edition.

Poetry. Art. Redaction is always a collaborative project, or perhaps a parasitic one. Item B would not exist without item A. In redaction, the original text, the first author, does most of the heavy lifting, or at minimum creates the context and possibility for the redactor. Of the many kinds of literary redaction, the most common has the redactor comb an entire book, article, or chapter, and the redactor carefully picks what words and passages to include. In the intuitive method, the redactor selects books from a range of emotional stances or by some other criteria before the blackout process is applied. William Burroughs popularized the random approach, in which pages of books are cut into individual words and placed in a new order. In OUT OF CONTEXT, John Gosslee does something at once new and yet deeply rooted in this tradition. To better explore his relationship with the works that form the current poetry world around him, Gosslee decided to select numerous books by contemporary poets and redact poems from each book--why not? Gosslee points out, it's just poetry, after all, no living organisms are harmed in the process of poeming--The rules: the same number of poems from each book; redaction on the second read; one pass, no revisions. Press Otherwise's edition is only a selection of the 333 poems Gosslee eventually blacked out.