'Wonderfully readable... Emphasises their sheer extraordinariness and celebrates them' MAIL ON SUNDAY. The eldest was a razor-sharp novelist of upper-class manners; the second was loved by John Betjeman; the third was a fascist who married Oswald Mosley; the fourth idolized Hitler and shot herself in the head when Britain declared war on Germany; the fifth was a member of the American Communist Party; the sixth became Duchess of Devonshire. They were the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica and Deborah. Born into country-house privilege, they became prominent as 'bright young things' in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark – and very public – differences in their outlooks came to symbolise the political polarities of a dangerous decade. The intertwined stories of their lives – recounted in masterly fashion by Laura Thompson – hold up a revelatory mirror to upper-class English life before and after World War II.

The Mitford sisters were the great wits and beauties of their time. Immoderate in their passions for ideas and people, they counted among their diverse friends Adolf Hitler and Queen Elizabeth II, Cecil Beaton and President Kennedy, Evelyn Waugh and Givenchy. The Mitfords offers an unparalleled look at these privileged siblings through their own unabashed correspondence. Spanning the twentieth century, the magically vivid letters of the legendary Mitfords constitute a superb social and historical chronicle and an intimate portrait of the stormy but enduring relationships between six beautiful, gifted, and radically different women.

'A sensational saga' Mail on Sunday 'A cracking read' Lynn Barber, Observer 'Engrossing from beginning to end' Vogue 'Fascinating, the way all great family stories are fascinating' New York Times Book Review Even if the six daughters, born between 1904 and 1920, of the charming, eccentric David, Lord Redesdale and his wife Sydney had been quite ordinary women, the span of their lives - encompassing the most traumatic century in Britain's history - and the status to which they were born, would have made their story a fascinating one. But Nancy, Pamela, Diana, Unity, Decca and Debo, 'the mad, mad Mitfords', were far from ordinary.

"A real murder, a real family and a brand new crime fiction heroine are woven together to make a fascinating, and highly enjoyable, read. I loved it." —Julian Fellowes, creator and writer of Downton Abbey and Belgravia The first in a series of thrilling Golden Age-style mysteries, set among the Mitford sisters, and based on a real unsolved murder, by Jessica Fellowes, author of the New York Times bestselling Downton Abbey books. It's 1920, and Louisa Cannon dreams of escaping her life of poverty in London. Louisa's salvation is a position within the Mitford household at Asthall Manor, in the Oxfordshire countryside. There she will become nursemaid, chaperone and confidante to the Mitford sisters, especially sixteen-year-old Nancy, an acerbic, bright young woman in love with stories. But then a nurse—Florence Nightingale Shore, goddaughter of her famous namesake—is killed on a train in broad daylight, and Louisa and Nancy find themselves entangled in the crimes of a murderer who will do anything to hide their secret... Based on an unsolved crime and written by Jessica Fellowes, author of the New York Times bestselling Downton Abbey companion books, The Mitford Murders is the perfect new obsession for fans of classic murder mysteries.

A portrait of the Mitford sisters follows Jessica, a communist; Debo, the Duchess of Devonshire; Nancy, a best-selling novelist; Diana, who was the most hated woman in England; and Unity, who was obsessed with Adolf Hitler.

New York Times bestselling author Laura Thompson returns with Heiresses, a fascinating look at the lives of heiresses throughout history and the often tragic truth beneath the gilded surface. Heiresses: surely they are among the luckiest women on earth. Are they not to be envied, with their private jets and Chanel wardrobes and endless funds? Yet all too often those gilded lives have been beset with trauma and despair. Before the 20th century a wife’s inheritance was the property of her husband, making her vulnerable to kidnap, forced marriages, even confinement in an asylum. And in modern times, heiresses fell victim to fortune-hunters who squandered their millions. Heiresses tells the stories of these million dollar babies: Mary Davies, who inherited London’s most valuable real estate, and was bartered from the age of twelve; Consuelo Vanderbilt, the original American “Dollar Heiress”, forced into a loveless marriage; Barbara Hutton, the Woolworth heiress who married seven times and died almost penniless; and Patty Hearst, heiress to a newspaper fortune who was arrested for terrorism. However, there are also stories of independence and achievement: Angela Burdett-Coutts, who became one of the greatest philanthropists of Victorian England; Nancy Cunard, who lived off her mother's fortune and became a pioneer of the civil rights movement; and Daisy Fellowes, elegant linchpin of interwar high society and noted fashion editor. Heiresses is about the lives of the rich, who—as F. Scott Fitzgerald said—are ‘different’. But it is also a bigger story about how all women fought their way to equality, and sometimes even found autonomy and fulfillment.

The eldest was a razor-sharp novelist of upper-class manners; the second was loved by John Betjeman; the third was a fascist who married Oswald Mosley; the fourth idolized Hitler and shot herself in the head when Britain declared war on Germany; the fifth was a member of the American Communist Party; the sixth became Duchess of Devonshire. They were the Mitford sisters: Nancy, Pamela, Diana, Unity, Jessica and Deborah. Born into country-house privilege in the early years of the 20th century, they became prominent as 'bright young things' in the high society of interwar London. Then, as the shadows crept over 1930s Europe, the stark - and very public - differences in their outlooks came to symbolize the political polarities of a dangerous decade. The intertwined stories of their stylish and scandalous lives - recounted in masterly fashion by Laura Thompson - hold up a revelatory mirror to upper-class English life before and after WWII.