A hidden world full of danger and love. A powerful dream walker, Adriana Paige spends her time reaching into other people's dreams and ferreting out terrible secrets the rebellion desperately needs. Someday she'll become the perfect weapon—if she survives the dangerous forces hunting her. Her survival hinges on her friends—her friends and alpha shape shifter Alec Graves. Alec brings along dangerous enemies of his own, but Adri can't get him out of her mind. Gorgeous, loyal, and compassionate—Alec is worth fighting for. But with both of them on the run and hundreds of miles separating them, things started out just this side of impossible, and they are about to get much worse. A new player wants to control Adri and they're willing to go after the people she cares most about in order to force her hand. Publisher's Note: Shattered is a YA Urban Fantasy novel with a touch of romance, and is one of the books that make up the Reflections Universe. The Reflections Universe is a series of clean YA Paranormal books featuring vampires, shapeshifters, werewolves and more, which have been written so they can be safely enjoyed by both young adults and older readers alike. Readers new to the Dark Reflections series (and its wonderful shape shifters) should start with Bound, one of several free Young Adult books available from Dean. The Reflections Universe: Some stories are too full of teen urban fantasy shapeshifter goodness to fit into just one series! Dean Murray is the successful author of multiple clean young adult paranormal romance, urban fantasy, and epic fantasy series which collectively have more than half a million copies in circulation.

Seattle's Gang of Four changed the face of the city in the 1960s, '70s, and '80s by bringing four ethnic groups together in battle against city powerbrokers over development, poverty, fishing rights, and gentrification. The four leaders learned quickly that working together provided greater results than working apart. This is the story of a powerful political alliance and lifelong friendships forged through sit-ins, protest rallies, and other acts of civil disobedience. "We got very good at occupying buildings," remarked one of the Gang. Bob Santos and Gary Iwamoto recall how a Native American, Asian American, African American, and Mexican American came together to fight for their neighborhoods and their people. Bob Santos has spent most of his life in the International District of Seattle. He grew up in the N.P. Hotel with his widowed father, Sammy Santos, a professional prizefighter. He was hired in 1972 to lead the International District Improvement Association (Inter*Im). During his tenure at Inter*Im, Santos organized property owners, businesses, residents, and activists from the Asian American community to preserve the neighborhood and build new housing. Gary Iwamoto is a regular contributing writer for the International Examiner, an Asian Pacific Islander community newspaper. He has written several plays, notably Miss Minidoka 1943, which was produced by the Northwest Asian American Theater. He and Bob Santos also wrote Humbows, Not Hot Dogs in 2002.

Following hard on the explosion of British punk, in 1979 Gang of Four produced post-punk's smartest record, Entertainment! For the first time, a band wedded punk's angry energy to funk's propulsive beats-and used that music to put across lyrics that brought a heady mixture of Marxist theory and situationism to exposing the cultural politics of everyday life. But for an American college student from the suburbs-and, one expects, for many, many others, including British youth-Jon King's and Andy Gill's mumbled lyrics were often all but unintelligible. Political rock 'n' roll is always something of an oxymoron: rock audiences by and large don't tune in to be lectured to. But what can it mean that a band that made pop songs as political theory actively resisted making that theory legible? Coming to terms with the impact of Entertainment! requires us to take the mondegreen-the misunderstood lyric-seriously. The old joke has it that the title of R.E.M.'s debut album should have been not Murmur, but Mumble: true, so far as it goes. But that's the title, too, of rock 'n' roll's Greatest Hits compilation-and that strategic inarticulateness itself, which creates such an important role for the listener, has an important politics.

Daniel Defoe is known as the father of the English novel. This is the modern critical edition of Defoe's novels. It brings together all three parts of "Robinson Crusoe" and examines their relationship. The editorial material includes an introduction to each novel, explanatory endnotes, textual notes, and a consolidated index in volume 10.

Clarence Mulford's 'Riding in the Wild West' is a collection of 10 classic Western adventures that immerses readers into the rugged and untamed landscapes of the Old West. Mulford's writing style is characterized by vivid descriptions, realistic dialogue, and fast-paced action scenes that captivate the reader from start to finish. Each story is a thrilling journey filled with cowboys, outlaws, and dusty trails, offering a glimpse into the challenges and triumphs of life on the frontier. Mulford's storytelling prowess shines through in these timeless tales of courage, loyalty, and justice, making this compilation a must-read for fans of the Western genre. The book's literary context reflects the enduring popularity of Western fiction and its ability to transport readers to a bygone era of adventure and excitement. Clarence Mulford, known for creating the iconic character Hopalong Cassidy, draws upon his own experiences in the West to craft authentic and engaging narratives that resonate with readers of all ages. With its blend of action, suspense, and old-fashioned values, 'Riding in the Wild West' is a testament to Mulford's skill as a master storyteller and a fitting tribute to the legacy of Western literature.

Tough girls are everywhere these days. Whether it is Ripley battling a swarm of monsters in the Aliens trilogy or Captain Janeway piloting the starship Voyager through space in the continuing Star Trek saga, women strong in both body and mind have become increasingly popular in the films, television series, advertisements, and comic books of recent decades. In Tough Girls, Sherrie A. Inness explores the changing representations of women in all forms of popular media and what those representations suggest about shifting social mores. She begins her examination of tough women in American popular culture with three popular television shows of the 1960s and '70s—The Avengers, Charlie's Angels, and The Bionic Woman—and continues through such contemporary pieces as a recent ad for Calvin Klein jeans and current television series such as The X-files and Xena: Warrior Princess. Although all these portrayals show women who can take care of themselves in ways that have historically been seen as uniquely male, they also variously undercut women's toughness. She argues that even some of the strongest depictions of women have perpetuated women's subordinate status, using toughness in complicated ways to break or bend gender stereotypes while simultaneously affirming them. Also of interest— Madcaps, Screwballs, and Con Women: The Female Trickster in American Culture Lori Landay