A father is overprotective of his teenage daughter as she leaves home to go to college and study abroad in Paris.

Composer John Kander and lyricist Fred Ebb collaborated for more than forty years, longer than any such partnership in Broadway history. Together they wrote over twenty musicals. Their two most successful works, Cabaret and Chicago, had critically acclaimed Broadway revivals and were made into Oscar-winning films. This book, the first study of Kander and Ebb, examines their artistic accomplishments as individuals and as a team. Drawing on personal papers and on numerous interviews, James Leve analyzes the unique nature of this collaboration. Leve discusses their contribution to the concept musical; he examines some of their most popular works including Cabaret, Chicago, and Kiss of the Spider Woman; and he reassesses their flops as well as their incomplete and abandoned projects. Filled with fascinating information, the book is a resource for students of musical theater and lovers of Kander and Ebbs songs and shows.

The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The creators of such groundbreaking musicals as Chicago, Cabaret, and Kiss of the Spider Woman, Kander and Ebb have helped to push American musical theater in a more daring direction, both musically and dramatically. Their impact on individual performers has been great as well, starting with the handpicked star of their first musical: an untested nineteen-year-old named Liza Minnelli (who writes of this experience in her introduction). Colored Lights covers the major shows of Kander and Ebb's partnership, from Flora, The Red Menace (starring a then-unknown Liza) to The Visit, due to open on Broadway in 2004. The pages and musicals in between reveal what has made theirs such a long-lived musical partnership--and one so valued by the artists they have worked with. In recounting the genesis and controversies of Cabaret, reflecting on the superstar mentality of such artist as Frank Sinatra and Barbra Streisand, and recalling their work with Bob Fosse on Chicago (as well as their views on the blockbuster 2002 film), John Kander and Fred Ebb provide a history not only of their own lives but also of the American musical theater of the late twentieth century.

What are the words we use to describe something that we never thought we'd have to describe? In Seven American Deaths and Disasters, Kenneth Goldsmith transcribes historic radio and television reports of national tragedies as they unfurl, revealing an extraordinarily rich linguistic panorama of passionate description. Taking its title from the series of Andy Warhol paintings by the same name, Goldsmith recasts the mundane as the iconic, creating a series of prose poems that encapsulate seven pivotal moments in recent American history: the John F. Kennedy, Robert F. Kennedy, and John Lennon assassinations, the space shuttle Challenger disaster, the Columbine shootings, 9/11, and the death of Michael Jackson. While we've become accustomed to watching endless reruns of these tragic spectacles—often to the point of cliché—once rendered in text, they become unfamiliar, and revealing new dimensions emerge. Impartial reportage is revealed to be laced with subjectivity, bias, mystery, second-guessing, and, in many cases, white-knuckled fear. Part nostalgia, part myth, these words render pivotal moments in American history through the communal lens of media.

Envision an imaginary dial with which you can turn all sounds from your everyday experience onto the highest level of volume: that is the world of 13–year old Ship Sooner whose incredible ability to hear sounds normally indiscernible to the human ear defines her life–"Carson McCullers meets Alice Hoffman" (Baltimore Sun). Ship Sooner hears everyone and everything in her sleepy Massachusetts town. Sounds of frost forming on glass; a rabbit hopping on just fallen snow; and of a fork making indentations on pie crust are as familiar to Ship as an old Sinatra tune played full volume at the town diner. Misunderstood by her classmates and ignored by her disdainful older sister, thirteen–year old Ship consoles herself by listening to the sounds of others' secrets: her mother's lips pressing against those of a balding salesman's; her sister Helen's trysts in a secluded shed; family friend Trudy's breath quickening as she cuts the hair of the town priest; and her only friend Brian Dodd's promise to his parents not to tell where he goes with them on Sunday afternoons. Ship's isolation intensifies when Brian disappears inexplicably the day after Christmas. During the long winter of 1981, as Helen retreats behind her slammed bedroom door and her mother is increasingly absent, Ship keeps a vigil for Brian and slowly loses hope. But as winter melts to spring, an unexpected calling from the woods will lead her to make an astonishing discovery that compels her to abandon all that she has known, and set out on a journey to transform her life.