Drawing on his love and his own appreciation for classical music, Kenneth A. Christensen works to help educate and inspire fellow music lovers regarding numerous composers and their contributions to music throughout the years. Including composer biographies, suggested list of recordings, and music history, Hooked on Classics will surely help amateur music lovers to gain a better, firmer understanding of music. About the Author Kenneth A. Christensen is a private music teacher and church soloist from Crystal Lake, IL. He has won a Lifetime Achievement Award from Marquis Who's Who in America in 2020. He is a graduate of Crystal Lake South High School and McHenry County College in Crystal Lake, IL, and Elmhurst University in Elmhurst, IL. He has served as cantor and assistant choir director to St. John's Lutheran Church in Algonquin, IL and Shepherd of the Hills Lutheran Church in McHenry, IL. He is a prolific composer as well as the author of sixteen books.

With Friends or Foes? Norman Saul continues his monumental multivolume magnum opus on U.S.-Russian relations over the course of 200 years. This fourth volume provides the first comprehensive study in any language of an era that shaped the rest of the century and captures the major changes in relations between two nations on the verge of becoming dominant global powers. Among other things, Saul examines the rationale for America's failure to recognize the Soviet government through the early 1930s, analyzing the impact of the Red Scare and the roles of the State Department, Russian migrs, religious groups, and key individuals—like Charles Evans Hughes, Robert Kelley, Herbert Hoover, Boris Skvirsky, Olga Kameneva, and Maxim Litvinov—on the policy process. In addition, he recalls the American Relief Administration's gigantic effort to help Russian peasants and garners new material from American business records on concession arrangements and commerce and on Soviet responses during the first Five Year Plan. He also records travelers' impressions, cultural exchange, and the role of academia in each country—particularly the contribution of Russian émigré scholars to American education and the contributions of American journalists in Russia. Saul also reveals the tendency on both sides to preserve an atmosphere of secrecy, conducting business behind closed doors and rarely on paper. His prodigious research in the Hoover Presidential Library, the Franklin Roosevelt Library, and the Hoover Institution at Stanford University-incorporating overlooked Diplomat Post Records and featuring an interview with George Kennan on his diplomatic role—has yielded a wealth of new insights into what really happened during a period in the history of the relations between the two countries that remains mysterious and controversial. Breaking new ground in diplomatic, economic, social, and cultural history, Saul's book illuminates both the mutual fascination that briefly permitted peaceful coexistence (and eventual alliance) and the ideological battles that ultimately led to the Cold War.

From the Erotic to the Demonic demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity. This book will serve as a model for musicologists who want to take a postmodern approach to their inquiries. The clear and lively arguments are supported by ninety musical examples taken from such diverse sources as opera, symphonic music, jazz, and nineteenth- and twentieth-century popular songs. Derek Scott offers new insights on a range of "high" and "low" musical styles, and the cultures that produced them.

This volume combines a theoretical critique of the biographical method that dominates Larkin studies with a revolutionary interpretation of his works that better accounts for their profound influence upon leading Postmodernists like Ian McEwan, David Mitchell, Carol Ann Duffy, Damien Hirst - and the creators of Jerry Springer - the Opera .

In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.

Originally scored for symphony orchestra, Shostakovich's Jazz Suite No. 2is notable for the addition of saxophones, accordion and guitar. The appealing second waltz is in a light classical style and is wonderfully adapted for young concert bands i