Originally presented as the author's thesis (doctorate--University College, London, 2001).

From the epic poetry of pre-Columbian civilizations to the contemporary magic realism of Gabriel García Márquez, this book provides a comprehensive survey of the rich and diverse literary traditions of Spanish America. Alfred Coester's insightful analysis and engaging prose make this volume a must-read for anyone interested in the literary history of the Americas. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Canada is seen as a peaceful place, but this wake-up call shows us that there have been more than 60 serial killers in our history. Limited time offer. There are more than 60 serial murderers in Canadian history. For too long awareness of serial murder in Canada has been confined toWest Coastbutcher Clifford Olson and the "Schoolgirl Murderers" Paul Bernardo and Karla Homolka, along with the horrific acts of pig farmer Robert Pickton. Unlike our American neighbours, Canada has been viewed as a nation untouched by the shadow of multiple murder. Then came Colonel Russell Williams and his bizarre homicides and serial home invasions, which were sensational news worldwide on the Internet and television and in scores of newspapers and magazines. The reason for Canada’s serial killer blackout is clear: until now such information has never been compiled and presented in a single concise work. ColdNorth Killers is a wake-up call. This detailed and haunting account of Canada’s worst monsters analyzes their crimes, childhoods, and inevitable downfalls. It is an indispensablecompendium for any true crime lover, criminologist, or law-enforcement officer.

Using the works of Dante as its critical focus, María Rosa Menocal's original and imaginative study examines questions of truth, ideology, and reality in poetry as they occur in a series of texts and in the relationship between those texts across time. In each case, Menocal raises theoretical issues of critical importance to contemporary debates regarding the structure of literary relations. Beginning with a reading of La vita nuova and the Commedia, this literary history of poetic literary histories explores the Dantean poetic experience as it has been limited and rewritten by later poets, particularly Petrarch, Boccaccio, Borges, Pound, Eliot, and the all but forgotten Silvio Pellico, author of Le mie prigioni. By blending discussions of Dante's own marriage of literature and literary history with those investigations into the imitative qualities of later works, Writing in Dante's Cult of Truth presents an intertextual literary history, one which seeks to maintain the uncanniness of literature, while imagining history to be neither linear nor clearly distinguishable from literature itself.