This highly original and personal exploration of Tadao Ando’s work, one of Japan’s leading architects, traverses both the physical and spiritual world. In 2012, Philippe Séclier visited Tadao Ando’s iconic Church of the Light, and was immediately compelled to journey around the world to further study the architect’s buildings. This unique presentation of Ando’s work is the result of what turned into a nine-year project to photograph 130 buildings. Walking around each structure, trying to find the proper framing, helped Séclier understand Ando’s genius for siting and composition. Loosely organized by chronology, each building is represented in numerous black and white images, arranged like a mosaic on the page. These fragmented views correspond to Ando’s own philosophy of the logic of structure and geometry. This “atlas” embraces not only the geographic but also thematic range of Ando’s oeuvre—from transit stations in Tokyo and Kobe to art museums in Fort Worth, Texas and Provence, France; from an artists’ retreat on the Mexican coast to the now-demolished Piccadilly Gardens in Manchester, England; from a theater in Milan, Italy, to an upscale restaurant in New York City. Séclier’s photographs of Ando’s numerous religious structures brilliantly illustrate his use of light and shadow to evoke spiritual depth and timelessness while his short texts offer concise observations of each building. A helpful appendix pinpoints the geographic diversity and range of Ando’s oeuvre.

This comprehensive monograph on Pritzker Prize-winning architect Tadao Ando covers the span of his impressive career, with previously unpublished material and insight into his sources of inspiration. This in-depth monograph offers insight into Tadao Ando's sober and elegant architecture through photographs, architectural drawings, and descriptions of eighty of his most significant works. His notable works span the globe: London's Tate Modern; St. Louis's Pulitzer Arts Foundation; Osaka's Church of the Light; Paris's UNESCO Meditation Space; Venice's Palazzo Grassi; Abu Dhabi's Maritime Museum; and exceptional buildings in South Korea, Taiwan, China, Sri Lanka, Mexico, Germany, and throughout the United States. Japanese design principles--from the use of concrete, simple geometric volumes, and the integration of natural elements such as light or water--are essential elements that Ando uses to provoke a physical experience through his architecture. An interview with the architect accompanies his own writings and critical essays on various aspects of his work. A portfolio of Ando's black-and-white photographs and colored-pencil drawings from his previously unpublished travel notebooks provide new insight into his sources of inspiration. The book is completed with a biography and a chronology of his works to date, including some unrealized projects.

This book showcases recent houses by the world-renowned Japanese minimalist architect, offering unprecedented access to his thought process through more than 100 photographs, line drawings, sketches, and plans. Tadao Ando is one of the best-known and most influential contemporary architects with a minimalistic aesthetic and love of natural materials like glass and concrete--proof that less is more. This volume features ten houses and examines his approach to these designs. Viewed as a collection, these houses serve to demonstrate the wide range of Ando's prodigious genius through lavish and striking photographs. Characteristics of his work include large expanses of unadorned architectural concrete walls combined with wooden or stone floors and large windows. He uses simple methods to solve complicated and small spaces and turns them into spaces with breathtaking landscapes. With precise and beautiful photographs accompanied by Tadao Ando's sketches, drawings, and plans, this volume presents several unseen and little published works, from the Bosco Studio and House facing the Pacific Ocean in Oaxaca, Mexico (2014)to a penthouse in Manhattan for a Japanese collector, completed in 2019.

A complete catalogue of the work of the renowned Japanese architect.

Based around an interview with Tadao Ando, this book explores the influence of the Buddhist concept of nothingness on Ando’s Christian architecture, and sheds new light on the cultural significance of the buildings of one of the world’s leading contemporary architects. Specifically, this book situates Ando’s churches, particularly his world-renowned Church of the Light (1989), within the legacy of nothingness expounded by Kitaro Nishida (1870-1945), the father of the Kyoto Philosophical School. Linking Ando’s Christian architecture with a philosophy originating in Mahayana Buddhism illuminates the relationship between the two religious systems, as well as tying Ando’s architecture to the influence of Nishida on post-war Japanese art and culture.

Twenty-seven of Ando's buildings, completed over the last decade, including such notable projects as the Kidosaki House, Tokyo, 1986, the Church on the Water, Hokkaido, 1988, the Naoshima Contemporary Art Museum and Annexe, 1992 and 1995, and the recently completed buildings for Benetton in Treviso, Italy, 1995, and the Meditation Space for Unesco, Paris, 1995. Richard Pare's images break with previous conventions of architectural representation; they convey his interest.

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