Tabitha and Magoo love to play dress up in their room. Tabitha uses her brother’s shirts to make superhero capes, and Magoo uses his sister’s frilly skirts to fashion a gown. They’re disappointed they can’t go outside in their new outfits, but then the drag queen Morgana magically appears! With the help of their new friend, they learn to defy restrictive gender roles and celebrate being themselves. The trio, dressed in colorful costumes and riding in a flying car, then heads to a local library for a diverse and fun-filled story time.

In the spring of 2020, a rapidly spreading global pandemic changed the contemporary world. For industrialized countries like the United States and the United Kingdom, which had long enjoyed the illusion that they were capable of handling large-scale crises, COVID-19 exposed dangerous fault lines. It brought to the fore institutional failures concerning public health, unemployment, and government stability, and exacerbated conditions for vulnerable and marginalized groups. Racial disparity, domestic abuse, food insecurity, and social welfare had to be reconsidered in the wake of a startling new reality: lockdown and severe economic precarity. In essays, short fiction, poetry, and more, writers respond to the personal and the political in the time of pandemic. This Is How We Come Back Stronger provides an essential feminist perspective on how we might move forward—and reminds us that, despite it all, we are not alone. Featuring brand new contributions from: Akasha Hull, Amelia Abraham, Catherine Cho, Dorothy Koomson, Fatima Bhutto, Fox Fisher, Francesca Martinez, Gina Miller, Helen Lederer, Jenny Sealey, Jess Phillips MP, Jessica Moor, Jude Kelly, Juli Delgado Lopera, Juliet Jacques, Kate Mosse, Kerry Hudson, Kuchenga, Laura Bates, Lauren Bravo, Layla Saad, Lindsey Dryden, Lisa Taddeo, Melissa Cummings-Quarry and Natalie Carter, Michelle Tea, Mireille Harper, Molly Case, Radhika Sanghani, Rosanna Amaka, Sara Collins, Sarah Eagle Heart, Shaz Awan, Shirley Geok-lin Lim, Sophie Williams, Stella Duffy, Virgie Tovar, Yomi Adegoke 10% of every book sold will be donated to the Third Wave Foundation to support youth-led gender justice activism.

The first volume in this beautifully illustrated anthology features traditional tales of heroic women from Japan to Scotland and beyond. Long before Suzanne Collins created Katniss Everdeen and Octavia Butler wrote Parable of the Sower, there were many traditional folktales full of adventure, intrigue, and intrepid female characters. Feminist Folktales from Around the World collects these forgotten classics and presents them with original artwork by designer and illustrator Suki Boynton. Volume one in the series, Tatterhood features an introduction by Gayle Forman, the New York Times bestselling author of If I Stay. These twelves tales from Japan, Norway, Scotland, Sudan, and more, celebrate the cunning, hard work, and physical strength of their heroines. In these pages, a family of three women teaches a burly man how to wrestle, a girl battles a fearsome bear, and a young mother rescues her village from an elephant's stomach.

Two young girls from very different backgrounds discover what they hold in common in this funny Australian classic.

Playing off "The Wheels on the Bus," this nursery rhyme book from a founder of Drag Queen Story Hour is a fun, freewheeling celebration of being your most fabulous self. The Hips on the Drag Queen Go Swish, Swish, Swish encourages readers to boldly be exactly who they are. Written by a founding member of the nationally recognized Drag Queen Story Hour (DQSH), this playful picture book offers a quirky twist on a classic nursery rhyme by illustrating all of the ways to "work it". The story plays off "The Wheels on the Bus" as it follows a drag queen who performs her routine in front of an awestruck audience. A fun frenzy of fierceness, this book will appeal to readers of all ages.

In The Transformative Potential of LGBTQ+ Children’s Picture Books, Jennifer Miller identifies an archive of over 150 English-language children’s picture books that explicitly represent LGBTQ+ identities, expressions, and issues. This archive is then analyzed to explore the evolution of LGBTQ+ characters and content from the 1970s to the present. Miller describes dominant tropes that emerge in the field to analyze historical shifts in representational practices, which she suggests parallel larger sociocultural shifts in the visibility of LGBTQ+ identities. Additionally, Miller considers material constraints and possibilities affecting the production, distribution, and consumption of LGBTQ+ children’s picture books from the 1970s to the present. This foundational work defines the field of LGBTQ+ children’s picture books thoroughly, yet accessibly. In addition to laying the groundwork for further research, The Transformative Potential of LGBTQ+ Children’s Picture Books presents a reading lens, critical optimism, used to analyze the transformative potential of LGBTQ+ children’s picture books. Many texts remain attached to heteronormative family forms and raced and classed models of success. However, by considering what these books put into the world, as well as problematic aspects of the world reproduced within them, Miller argues that LGBTQ+ children’s picture books are an essential world-making project and seek to usher in a transformed world as well as a significant historical archive that reflects material and representational shifts in dominant and subcultural understandings of gender and sexuality.

During the coronavirus pandemic, a queer disabled woman bikes through a locked-down NYC for the ex-girlfriend who broke her heart. Orpheus manages to buy a bicycle just before they sell out across the city. She takes to the streets looking for Eurydice, the first woman she fell in love with, who also broke her heart. The city is largely closed and on lockdown, devoid of touch, connection, and community. But Orpheus hears of a mysterious underground bar Le Monocle, fashioned after the lesbian club of the same name in 1930s Paris. Will Orpheus be able to find it? Will she ever be allowed to love again? Panpocalypse—first published as an online serial in spring of 2020—follows a lonely, disabled, poly hero in this novel about disease, decay, love, and revolution.